The Poetical Works of Oliver Wendell Holmes — Volume 01: Earlier Poems (1830-1836)
Date: 2004-09-29T00:00:00+00:00
Keywords: American poetry

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Title: The Poetical Works of Oliver Wendell Holmes — Volume 01: Earlier Poems (1830-1836)

Author: Oliver Wendell Holmes

Release date: September 30, 2004 [eBook #7388]
Most recently updated: December 30, 2020

Language: English

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF OLIVER WENDELL HOLMES — VOLUME 01: EARLIER POEMS (1830-1836) ***

Produced by David Widger

THE POETICAL WORKS

OF

OLIVER WENDELL HOLMES

[1893 three volume set]

CONTENTS:

TO MY READERS

EARLIER POEMS (1830-1836).
OLD IRONSIDES
THE LAST LEAF
THE CAMBRIDGE CHURCHYARD
TO AN INSECT
THE DILEMMA
MY AUNT
REFLECTIONS OF A PROUD PEDESTRIAN
DAILY TRIALS, BY A SENSITIVE MAN
EVENING, BY A TAILOR
THE DORCHESTER GIANT
TO THE PORTRAIT OF "A LADY"
THE COMET
THE Music-GRINDERS
THE TREADMILL SONG
THE SEPTEMBER GALE
THE HEIGHT OF THE RIDICULOUS
THE LAST READER
POETRY: A METRICAL ESSAY

TO MY READERS

NAY, blame me not; I might have spared
Your patience many a trivial verse,
Yet these my earlier welcome shared,
So, let the better shield the worse.

And some might say, "Those ruder songs
Had freshness which the new have lost;
To spring the opening leaf belongs,
The chestnut-burs await the frost."

When those I wrote, my locks were brown,
When these I write—ah, well a-day!
The autumn thistle's silvery down
Is not the purple bloom of May.

Go, little book, whose pages hold
Those garnered years in loving trust;
How long before your blue and gold
Shall fade and whiten in the dust?

O sexton of the alcoved tomb,
Where souls in leathern cerements lie,
Tell me each living poet's doom!
How long before his book shall die?

It matters little, soon or late,
A day, a month, a year, an age,—
I read oblivion in its date,
And Finis on its title-page.

Before we sighed, our griefs were told;
Before we smiled, our joys were sung;
And all our passions shaped of old
In accents lost to mortal tongue.

In vain a fresher mould we seek,—
Can all the varied phrases tell
That Babel's wandering children speak
How thrushes sing or lilacs smell?

Caged in the poet's lonely heart,
Love wastes unheard its tenderest tone;
The soul that sings must dwell apart,
Its inward melodies unknown.

Deal gently with us, ye who read
Our largest hope is unfulfilled,—
The promise still outruns the deed,—
The tower, but not the spire, we build.

Our whitest pearl we never find;
Our ripest fruit we never reach;
The flowering moments of the mind
Drop half their petals in our speech.

These are my blossoms; if they wear
One streak of morn or evening's glow,
Accept them; but to me more fair
The buds of song that never blow.
April 8, 1862.

EARLIER POEMS

1830-1836 OLD IRONSIDES

This was the popular name by which the frigate Constitution was known. The poem was first printed in the Boston Daily Advertiser, at the time when it was proposed to break up the old ship as unfit for service. I subjoin the paragraph which led to the writing of the poem. It is from the Advertiser of Tuesday, September 14, 1830:—

"Old Ironsides.—It has been affirmed upon good authority that the Secretary of the Navy has recommended to the Board of Navy Commissioners to dispose of the frigate Constitution. Since it has been understood that such a step was in contemplation we have heard but one opinion expressed, and that in decided disapprobation of the measure. Such a national object of interest, so endeared to our national pride as Old Ironsides is, should never by any act of our government cease to belong to the Navy, so long as our country is to be found upon the map of nations. In England it was lately determined by the Admiralty to cut the Victory, a one-hundred gun ship (which it will be recollected bore the flag of Lord Nelson at the battle of Trafalgar,) down to a seventy-four, but so loud were the lamentations of the people upon the proposed measure that the intention was abandoned. We confidently anticipate that the Secretary of the Navy will in like manner consult the general wish in regard to the Constitution, and either let her remain in ordinary or rebuild her whenever the public service may require."—New York Journal of Commerce.

The poem was an impromptu outburst of feeling and was published on the next day but one after reading the above paragraph.

AY, tear her tattered ensign down
Long has it waved on high,
And many an eye has danced to see
That banner in the sky;
Beneath it rung the battle shout,
And burst the cannon's roar;—
The meteor of the ocean air
Shall sweep the clouds no more.

Her deck, once red with heroes' blood,
Where knelt the vanquished foe,
When winds were hurrying o'er the flood,
And waves were white below,
No more shall feel the victor's tread,
Or know the conquered knee;—
The harpies of the shore shall pluck
The eagle of the sea!

Oh better that her shattered hulk
Should sink beneath the wave;
Her thunders shook the mighty deep,
And there should be her grave;
Nail to the mast her holy flag,
Set every threadbare sail,
And give her to the god of storms,
The lightning and the gale!

THE LAST LEAF

This poem was suggested by the appearance in one of our streets of a venerable relic of the Revolution, said to be one of the party who threw the tea overboard in Boston Harbor. He was a fine monumental specimen in his cocked hat and knee breeches, with his buckled shoes and his sturdy cane. The smile with which I, as a young man, greeted him, meant no disrespect to an honored fellow-citizen whose costume was out of date, but whose patriotism never changed with years. I do not recall any earlier example of this form of verse, which was commended by the fastidious Edgar Allan Poe, who made a copy of the whole poem which I have in his own handwriting. Good Abraham Lincoln had a great liking for the poem, and repeated it from memory to Governor Andrew, as the governor himself told me.

I SAW him once before,
As he passed by the door,
And again
The pavement stones resound,
As he totters o'er the ground
With his cane.

They say that in his prime,
Ere the pruning-knife of Time
Cut him down,
Not a better man was found
By the Crier on his round
Through the town.

But now he walks the streets,
And he looks at all he meets
Sad and wan,
And he shakes his feeble head,
That it seems as if he said,
"They are gone."

The mossy marbles rest
On the lips that he has prest
In their bloom,
And the names he loved to hear
Have been carved for many a year
On the tomb.

My grandmamma has said—
Poor old lady, she is dead
Long ago—
That he had a Roman nose,
And his cheek was like a rose
In the snow.

But now his nose is thin,
And it rests upon his chin
Like a staff,
And a crook is in his back,
And a melancholy crack
In his laugh.

I know it is a sin
For me to sit and grin
At him here;
But the old three-cornered hat,
And the breeches, and all that,
Are so queer!

And if I should live to be
The last leaf upon the tree
In the spring,
Let them smile, as I do now,
At the old forsaken bough
Where I cling.

THE CAMBRIDGE CHURCHYARD

OUR ancient church! its lowly tower,
Beneath the loftier spire,
Is shadowed when the sunset hour
Clothes the tall shaft in fire;
It sinks beyond the distant eye
Long ere the glittering vane,
High wheeling in the western sky,
Has faded o'er the plain.

Like Sentinel and Nun, they keep
Their vigil on the green;
One seems to guard, and one to weep,
The dead that lie between;
And both roll out, so full and near,
Their music's mingling waves,
They shake the grass, whose pennoned spear
Leans on the narrow graves.

The stranger parts the flaunting weeds,
Whose seeds the winds have strown
So thick, beneath the line he reads,
They shade the sculptured stone;
The child unveils his clustered brow,
And ponders for a while
The graven willow's pendent bough,
Or rudest cherub's smile.

But what to them the dirge, the knell?
These were the mourner's share,—
The sullen clang, whose heavy swell
Throbbed through the beating air;
The rattling cord, the rolling stone,
The shelving sand that slid,
And, far beneath, with hollow tone
Rung on the coffin's lid.

The slumberer's mound grows fresh and green,
Then slowly disappears;
The mosses creep, the gray stones lean,
Earth hides his date and years;
But, long before the once-loved name
Is sunk or worn away,
No lip the silent dust may claim,
That pressed the breathing clay.

Go where the ancient pathway guides,
See where our sires laid down
Their smiling babes, their cherished brides,
The patriarchs of the town;
Hast thou a tear for buried love?
A sigh for transient power?
All that a century left above,
Go, read it in an hour!

The Indian's shaft, the Briton's ball,
The sabre's thirsting edge,
The hot shell, shattering in its fall,
The bayonet's rending wedge,—
Here scattered death; yet, seek the spot,
No trace thine eye can see,
No altar,—and they need it not
Who leave their children free!

Look where the turbid rain-drops stand
In many a chiselled square;
The knightly crest, the shield, the brand
Of honored names were there;—
Alas! for every tear is dried
Those blazoned tablets knew,
Save when the icy marble's side
Drips with the evening dew.

Or gaze upon yon pillared stone,
The empty urn of pride;
There stand the Goblet and the Sun,—
What need of more beside?
Where lives the memory of the dead,
Who made their tomb a toy?
Whose ashes press that nameless bed?
Go, ask the village boy!

Lean o'er the slender western wall,
Ye ever-roaming girls;
The breath that bids the blossom fall
May lift your floating curls,
To sweep the simple lines that tell
An exile's date and doom;
And sigh, for where his daughters dwell,
They wreathe the stranger's tomb.

And one amid these shades was born,
Beneath this turf who lies,
Once beaming as the summer's morn,
That closed her gentle eyes;
If sinless angels love as we,
Who stood thy grave beside,
Three seraph welcomes waited thee,
The daughter, sister, bride.

I wandered to thy buried mound
When earth was hid below
The level of the glaring ground,
Choked to its gates with snow,
And when with summer's flowery waves
The lake of verdure rolled,
As if a Sultan's white-robed slaves
Had scattered pearls and gold.

Nay, the soft pinions of the air,
That lift this trembling tone,
Its breath of love may almost bear
To kiss thy funeral stone;
And, now thy smiles have passed away,
For all the joy they gave,
May sweetest dews and warmest ray
Lie on thine early grave!

When damps beneath and storms above
Have bowed these fragile towers,
Still o'er the graves yon locust grove
Shall swing its Orient flowers;
And I would ask no mouldering bust,
If e'er this humble line,
Which breathed a sigh o'er other's dust,
Might call a tear on mine.

TO AN INSECT

The Katydid is "a species of grasshopper found in the United States, so called from the sound which it makes."—Worcester. I used to hear this insect in Providence, Rhode Island, but I do not remember hearing it in Cambridge, Massachusetts, where I passed my boyhood. It is well known in other towns in the neighborhood of Boston.

I LOVE to hear thine earnest voice,
Wherever thou art hid,
Thou testy little dogmatist,
Thou pretty Katydid
Thou mindest me of gentlefolks,—
Old gentlefolks are they,—
Thou say'st an undisputed thing
In such a solemn way.

Thou art a female, Katydid
I know it by the trill
That quivers through thy piercing notes,
So petulant and shrill;
I think there is a knot of you
Beneath the hollow tree,—
A knot of spinster Katydids,—-
Do Katydids drink tea?

Oh tell me where did Katy live,
And what did Katy do?
And was she very fair and young,
And yet so wicked, too?
Did Katy love a naughty man,
Or kiss more cheeks than one?
I warrant Katy did no more
Than many a Kate has done.

Dear me! I'll tell you all about
My fuss with little Jane,
And Ann, with whom I used to walk
So often down the lane,
And all that tore their locks of black,
Or wet their eyes of blue,—
Pray tell me, sweetest Katydid,
What did poor Katy do?

Ah no! the living oak shall crash,
That stood for ages still,
The rock shall rend its mossy base
And thunder down the hill,
Before the little Katydid
Shall add one word, to tell
The mystic story of the maid
Whose name she knows so well.

Peace to the ever-murmuring race!
And when the latest one
Shall fold in death her feeble wings
Beneath the autumn sun,
Then shall she raise her fainting voice,
And lift her drooping lid,
And then the child of future years
Shall hear what Katy did.

THE DILEMMA

Now, by the blessed Paphian queen,
Who heaves the breast of sweet sixteen;
By every name I cut on bark
Before my morning star grew dark;
By Hymen's torch, by Cupid's dart,
By all that thrills the beating heart;
The bright black eye, the melting blue,—
I cannot choose between the two.

I had a vision in my dreams;—
I saw a row of twenty beams;
From every beam a rope was hung,
In every rope a lover swung;
I asked the hue of every eye
That bade each luckless lover die;
Ten shadowy lips said, heavenly blue,
And ten accused the darker hue.

I asked a matron which she deemed
With fairest light of beauty beamed;
She answered, some thought both were fair,—
Give her blue eyes and golden hair.
I might have liked her judgment well,
But, as she spoke, she rung the bell,
And all her girls, nor small nor few,
Came marching in,—their eyes were blue.

I asked a maiden; back she flung
The locks that round her forehead hung,
And turned her eye, a glorious one,
Bright as a diamond in the sun,
On me, until beneath its rays
I felt as if my hair would blaze;
She liked all eyes but eyes of green;
She looked at me; what could she mean?

Ah! many lids Love lurks between,
Nor heeds the coloring of his screen;
And when his random arrows fly,
The victim falls, but knows not why.
Gaze not upon his shield of jet,
The shaft upon the string is set;
Look not beneath his azure veil,
Though every limb were cased in mail.

Well, both might make a martyr break
The chain that bound him to the stake;
And both, with but a single ray,
Can melt our very hearts away;
And both, when balanced, hardly seem
To stir the scales, or rock the beam;
But that is dearest, all the while,
That wears for us the sweetest smile.

MY AUNT

MY aunt! my dear unmarried aunt!
Long years have o'er her flown;
Yet still she strains the aching clasp
That binds her virgin zone;
I know it hurts her,—though she looks
As cheerful as she can;
Her waist is ampler than her life,
For life is but a span.

My aunt! my poor deluded aunt!
Her hair is almost gray;
Why will she train that winter curl
In such a spring-like way?
How can she lay her glasses down,
And say she reads as well,
When through a double convex lens
She just makes out to spell?

Her father—grandpapa I forgive
This erring lip its smiles—
Vowed she should make the finest girl
Within a hundred miles;
He sent her to a stylish school;
'T was in her thirteenth June;
And with her, as the rules required,
"Two towels and a spoon."

They braced my aunt against a board,
To make her straight and tall;
They laced her up, they starved her down,
To make her light and small;
They pinched her feet, they singed her hair,
They screwed it up with pins;—
Oh never mortal suffered more
In penance for her sins.

So, when my precious aunt was done,
My grandsire brought her back;
(By daylight, lest some rabid youth
Might follow on the track;)
"Ah!" said my grandsire, as he shook
Some powder in his pan,
"What could this lovely creature do
Against a desperate man!"

Alas! nor chariot, nor barouche,
Nor bandit cavalcade,
Tore from the trembling father's arms
His all-accomplished maid.
For her how happy had it been
And Heaven had spared to me
To see one sad, ungathered rose
On my ancestral tree.

REFLECTIONS OF A PROUD PEDESTRIAN

I SAW the curl of his waving lash,
And the glance of his knowing eye,
And I knew that he thought he was cutting a dash,
As his steed went thundering by.

And he may ride in the rattling gig,
Or flourish the Stanhope gay,
And dream that he looks exceeding big
To the people that walk in the way;

But he shall think, when the night is still,
On the stable-boy's gathering numbers,
And the ghost of many a veteran bill
Shall hover around his slumbers;

The ghastly dun shall worry his sleep,
And constables cluster around him,
And he shall creep from the wood-hole deep
Where their spectre eyes have found him!

Ay! gather your reins, and crack your thong,
And bid your steed go faster;
He does not know, as he scrambles along,
That he has a fool for his master;

And hurry away on your lonely ride,
Nor deign from the mire to save me;
I will paddle it stoutly at your side
With the tandem that nature gave me!

DAILY TRIALS

BY A SENSITIVE MAN

OH, there are times
When all this fret and tumult that we hear
Do seem more stale than to the sexton's ear
His own dull chimes.

Ding dong! ding dong!
The world is in a simmer like a sea
Over a pent volcano,—woe is me
All the day long!

From crib to shroud!
Nurse o'er our cradles screameth lullaby,
And friends in boots tramp round us as we die,
Snuffling aloud.

At morning's call
The small-voiced pug-dog welcomes in the sun,
And flea-bit mongrels, wakening one by one,
Give answer all.

When evening dim
Draws round us, then the lonely caterwaul,
Tart solo, sour duet, and general squall,—
These are our hymn.

Women, with tongues
Like polar needles, ever on the jar;
Men, plugless word-spouts, whose deep fountains are
Within their lungs.

Children, with drums
Strapped round them by the fond paternal ass;
Peripatetics with a blade of grass
Between their thumbs.

Vagrants, whose arts
Have caged some devil in their mad machine,
Which grinding, squeaks, with husky groans between,
Come out by starts.

Cockneys that kill
Thin horses of a Sunday,—men, with clams,
Hoarse as young bisons roaring for their dams
From hill to hill.

Soldiers, with guns,
Making a nuisance of the blessed air,
Child-crying bellmen, children in despair,
Screeching for buns.

Storms, thunders, waves!
Howl, crash, and bellow till ye get your fill;
Ye sometimes rest; men never can be still
But in their graves.

EVENING

BY A TAILOR

DAY hath put on his jacket, and around
His burning bosom buttoned it with stars.
Here will I lay me on the velvet grass,
That is like padding to earth's meagre ribs,
And hold communion with the things about me.
Ah me! how lovely is the golden braid
That binds the skirt of night's descending robe!
The thin leaves, quivering on their silken threads,
Do make a music like to rustling satin,
As the light breezes smooth their downy nap.

Ha! what is this that rises to my touch,
So like a cushion? Can it be a cabbage?
It is, it is that deeply injured flower,
Which boys do flout us with;—but yet I love thee,
Thou giant rose, wrapped in a green surtout.
Doubtless in Eden thou didst blush as bright
As these, thy puny brethren; and thy breath
Sweetened the fragrance of her spicy air;
But now thou seemest like a bankrupt beau,
Stripped of his gaudy hues and essences,
And growing portly in his sober garments.

Is that a swan that rides upon the water?
Oh no, it is that other gentle bird,
Which is the patron of our noble calling.
I well remember, in my early years,
When these young hands first closed upon a goose;
I have a scar upon my thimble finger,
Which chronicles the hour of young ambition.
My father was a tailor, and his father,
And my sire's grandsire, all of them were tailors;
They had an ancient goose,—it was an heirloom
From some remoter tailor of our race.
It happened I did see it on a time
When none was near, and I did deal with it,
And it did burn me,—oh, most fearfully!

It is a joy to straighten out one's limbs,
And leap elastic from the level counter,
Leaving the petty grievances of earth,
The breaking thread, the din of clashing shears,
And all the needles that do wound the spirit,
For such a pensive hour of soothing silence.
Kind Nature, shuffling in her loose undress,
Lays bare her shady bosom;—I can feel
With all around me;—I can hail the flowers
That sprig earth's mantle,—and yon quiet bird,
That rides the stream, is to me as a brother.
The vulgar know not all the hidden pockets,
Where Nature stows away her loveliness.
But this unnatural posture of the legs
Cramps my extended calves, and I must go
Where I can coil them in their wonted fashion.

THE DORCHESTER GIANT

The "pudding-stone" is a remarkable conglomerate found very abundantly in the towns mentioned, all of which are in the neighborhood of Boston. We used in those primitive days to ask friends to ride with us when we meant to take them to drive with us.

THERE was a giant in time of old,
A mighty one was he;
He had a wife, but she was a scold,
So he kept her shut in his mammoth fold;
And he had children three.

It happened to be an election day,
And the giants were choosing a king
The people were not democrats then,
They did not talk of the rights of men,
And all that sort of thing.

Then the giant took his children three,
And fastened them in the pen;
The children roared; quoth the giant, "Be still!"
And Dorchester Heights and Milton Hill
Rolled back the sound again.

Then he brought them a pudding stuffed with plums,
As big as the State-House dome;
Quoth he, "There 's something for you to eat;
So stop your mouths with your 'lection treat,
And wait till your dad comes home."

So the giant pulled him a chestnut stout,
And whittled the boughs away;
The boys and their mother set up a shout,
Said he, "You 're in, and you can't get out,
Bellow as loud as you may."

Off he went, and he growled a tune
As he strode the fields along;
'T is said a buffalo fainted away,
And fell as cold as a lump of clay,
When he heard the giant's song.

But whether the story 's true or not,
It is n't for me to show;
There 's many a thing that 's twice as queer
In somebody's lectures that we hear,
And those are true, you know.

What are those lone ones doing now,
The wife and the children sad?
Oh, they are in a terrible rout,
Screaming, and throwing their pudding about,
Acting as they were mad.

They flung it over to Roxbury hills,
They flung it over the plain,
And all over Milton and Dorchester too
Great lumps of pudding the giants threw;
They tumbled as thick as rain.

Giant and mammoth have passed away,
For ages have floated by;
The suet is hard as a marrow-bone,
And every plum is turned to a stone,
But there the puddings lie.

And if, some pleasant afternoon,
You 'll ask me out to ride,
The whole of the story I will tell,
And you shall see where the puddings fell,
And pay for the punch beside.

TO THE PORTRAIT OF "A LADY" IN THE ATHENAEUM GALLERY

WELL, Miss, I wonder where you live,
I wonder what's your name,
I wonder how you came to be
In such a stylish frame;
Perhaps you were a favorite child,
Perhaps an only one;
Perhaps your friends were not aware
You had your portrait done.

Yet you must be a harmless soul;
I cannot think that Sin
Would care to throw his loaded dice,
With such a stake to win;
I cannot think you would provoke
The poet's wicked pen,
Or make young women bite their lips,
Or ruin fine young men.

Pray, did you ever hear, my love,
Of boys that go about,
Who, for a very trifling sum,
Will snip one's picture out?
I'm not averse to red and white,
But all things have their place,
I think a profile cut in black
Would suit your style of face!

I love sweet features; I will own
That I should like myself
To see my portrait on a wall,
Or bust upon a shelf;
But nature sometimes makes one up
Of such sad odds and ends,
It really might be quite as well
Hushed up among one's friends!

THE COMET

THE Comet! He is on his way,
And singing as he flies;
The whizzing planets shrink before
The spectre of the skies;
Ah! well may regal orbs burn blue,
And satellites turn pale,
Ten million cubic miles of head,
Ten billion leagues of tail!

On, on by whistling spheres of light
He flashes and he flames;
He turns not to the left nor right,
He asks them not their names;
One spurn from his demoniac heel,—
Away, away they fly,
Where darkness might be bottled up
And sold for "Tyrian dye."

And what would happen to the land,
And how would look the sea,
If in the bearded devil's path
Our earth should chance to be?
Full hot and high the sea would boil,
Full red the forests gleam;
Methought I saw and heard it all
In a dyspeptic dream!

I saw a tutor take his tube
The Comet's course to spy;
I heard a scream,—the gathered rays
Had stewed the tutor's eye;
I saw a fort,—the soldiers all
Were armed with goggles green;
Pop cracked the guns! whiz flew the balls!
Bang went the magazine!

I saw a poet dip a scroll
Each moment in a tub,
I read upon the warping back,
"The Dream of Beelzebub;"
He could not see his verses burn,
Although his brain was fried,
And ever and anon he bent
To wet them as they dried.

I saw the scalding pitch roll down
The crackling, sweating pines,
And streams of smoke, like water-spouts,
Burst through the rumbling mines;
I asked the firemen why they made
Such noise about the town;
They answered not,—but all the while
The brakes went up and down.

I saw a roasting pullet sit
Upon a baking egg;
I saw a cripple scorch his hand
Extinguishing his leg;
I saw nine geese upon the wing
Towards the frozen pole,
And every mother's gosling fell
Crisped to a crackling coal.

I saw the ox that browsed the grass
Writhe in the blistering rays,
The herbage in his shrinking jaws
Was all a fiery blaze;
I saw huge fishes, boiled to rags,
Bob through the bubbling brine;
And thoughts of supper crossed my soul;
I had been rash at mine.

Strange sights! strange sounds! Oh fearful dream!
Its memory haunts me still,
The steaming sea, the crimson glare,
That wreathed each wooded hill;
Stranger! if through thy reeling brain
Such midnight visions sweep,
Spare, spare, oh, spare thine evening meal,
And sweet shall be thy sleep!

THE MUSIC-GRINDERS

THERE are three ways in which men take
One's money from his purse,
And very hard it is to tell
Which of the three is worse;
But all of them are bad enough
To make a body curse.

You're riding out some pleasant day,
And counting up your gains;
A fellow jumps from out a bush,
And takes your horse's reins,
Another hints some words about
A bullet in your brains.

It's hard to meet such pressing friends
In such a lonely spot;
It's very hard to lose your cash,
But harder to be shot;
And so you take your wallet out,
Though you would rather not.

Perhaps you're going out to dine,—
Some odious creature begs
You'll hear about the cannon-ball
That carried off his pegs,
And says it is a dreadful thing
For men to lose their legs.

He tells you of his starving wife,
His children to be fed,
Poor little, lovely innocents,
All clamorous for bread,—
And so you kindly help to put
A bachelor to bed.

You're sitting on your window-seat,
Beneath a cloudless moon;
You hear a sound, that seems to wear
The semblance of a tune,
As if a broken fife should strive
To drown a cracked bassoon.

And nearer, nearer still, the tide
Of music seems to come,
There's something like a human voice,
And something like a drum;
You sit in speechless agony,
Until your ear is numb.

Poor "home, sweet home" should seem to be
A very dismal place;
Your "auld acquaintance" all at once
Is altered in the face;
Their discords sting through Burns and Moore,
Like hedgehogs dressed in lace.

You think they are crusaders, sent
From some infernal clime,
To pluck the eyes of Sentiment,
And dock the tail of Rhyme,
To crack the voice of Melody,
And break the legs of Time.

But hark! the air again is still,
The music all is ground,
And silence, like a poultice, comes
To heal the blows of sound;
It cannot be,—it is,—it is,—
A hat is going round!

No! Pay the dentist when he leaves
A fracture in your jaw,
And pay the owner of the bear
That stunned you with his paw,
And buy the lobster that has had
Your knuckles in his claw;

But if you are a portly man,
Put on your fiercest frown,
And talk about a constable
To turn them out of town;
Then close your sentence with an oath,
And shut the window down!

And if you are a slender man,
Not big enough for that,
Or, if you cannot make a speech,
Because you are a flat,
Go very quietly and drop
A button in the hat!

THE TREADMILL SONG

THE stars are rolling in the sky,
The earth rolls on below,
And we can feel the rattling wheel
Revolving as we go.
Then tread away, my gallant boys,
And make the axle fly;
Why should not wheels go round about,
Like planets in the sky?

Wake up, wake up, my duck-legged man,
And stir your solid pegs
Arouse, arouse, my gawky friend,
And shake your spider legs;
What though you're awkward at the trade,
There's time enough to learn,—
So lean upon the rail, my lad,
And take another turn.

They've built us up a noble wall,
To keep the vulgar out;
We've nothing in the world to do
But just to walk about;
So faster, now, you middle men,
And try to beat the ends,—
It's pleasant work to ramble round
Among one's honest friends.

Here, tread upon the long man's toes,
He sha'n't be lazy here,—
And punch the little fellow's ribs,
And tweak that lubber's ear,—
He's lost them both,—don't pull his hair,
Because he wears a scratch,
But poke him in the further eye,
That is n't in the patch.

Hark! fellows, there 's the supper-bell,
And so our work is done;
It's pretty sport,—suppose we take
A round or two for fun!
If ever they should turn me out,
When I have better grown,
Now hang me, but I mean to have
A treadmill of my own!

THE SEPTEMBER GALE

This tremendous hurricane occurred on the 23d of September, 1815. I remember it well, being then seven years old. A full account of it was published, I think, in the records of the American Academy of Arts and Sciences. Some of my recollections are given in The Seasons, an article to be found in a book of mine entitled Pages from an Old Volume of Life.

I'M not a chicken; I have seen
Full many a chill September,
And though I was a youngster then,
That gale I well remember;
The day before, my kite-string snapped,
And I, my kite pursuing,
The wind whisked off my palm-leaf hat;
For me two storms were brewing!

It came as quarrels sometimes do,
When married folks get clashing;
There was a heavy sigh or two,
Before the fire was flashing,—
A little stir among the clouds,
Before they rent asunder,—
A little rocking of the trees,
And then came on the thunder.

Lord! how the ponds and rivers boiled!
They seemed like bursting craters!
And oaks lay scattered on the ground
As if they were p'taters;
And all above was in a howl,
And all below a clatter,—
The earth was like a frying-pan,
Or some such hissing matter.

It chanced to be our washing-day,
And all our things were drying;
The storm came roaring through the lines,
And set them all a flying;
I saw the shirts and petticoats
Go riding off like witches;
I lost, ah! bitterly I wept,—
I lost my Sunday breeches!

I saw them straddling through the air,
Alas! too late to win them;
I saw them chase the clouds, as if
The devil had been in them;
They were my darlings and my pride,
My boyhood's only riches,—
"Farewell, farewell," I faintly cried,—
"My breeches! Oh my breeches!"

That night I saw them in my dreams,
How changed from what I knew them!
The dews had steeped their faded threads,
The winds had whistled through them
I saw the wide and ghastly rents
Where demon claws had torn them;
A hole was in their amplest part,
As if an imp had worn them.

I have had many happy years,
And tailors kind and clever,
But those young pantaloons have gone
Forever and forever!
And not till fate has cut the last
Of all my earthly stitches,
This aching heart shall cease to mourn
My loved, my long-lost breeches!

THE HEIGHT OF THE RIDICULOUS

I WROTE some lines once on a time
In wondrous merry mood,
And thought, as usual, men would say
They were exceeding good.

They were so queer, so very queer,
I laughed as I would die;
Albeit, in the general way,
A sober man am I.

I called my servant, and he came;
How kind it was of him
To mind a slender man like me,
He of the mighty limb.

"These to the printer," I exclaimed,
And, in my humorous way,
I added, (as a trifling jest,)
"There'll be the devil to pay."

He took the paper, and I watched,
And saw him peep within;
At the first line he read, his face
Was all upon the grin.

He read the next; the grin grew broad,
And shot from ear to ear;
He read the third; a chuckling noise
I now began to hear.

The fourth; he broke into a roar;
The fifth; his waistband split;
The sixth; he burst five buttons off,
And tumbled in a fit.

Ten days and nights, with sleepless eye,
I watched that wretched man,
And since, I never dare to write
As funny as I can.

THE LAST READER

I SOMETIMES sit beneath a tree
And read my own sweet songs;
Though naught they may to others be,
Each humble line prolongs
A tone that might have passed away
But for that scarce remembered lay.

I keep them like a lock or leaf
That some dear girl has given;
Frail record of an hour, as brief
As sunset clouds in heaven,
But spreading purple twilight still
High over memory's shadowed hill.

They lie upon my pathway bleak,
Those flowers that once ran wild,
As on a father's careworn cheek
The ringlets of his child;
The golden mingling with the gray,
And stealing half its snows away.

What care I though the dust is spread
Around these yellow leaves,
Or o'er them his sarcastic thread
Oblivion's insect weaves
Though weeds are tangled on the stream,
It still reflects my morning's beam.

And therefore love I such as smile
On these neglected songs,
Nor deem that flattery's needless wile
My opening bosom wrongs;
For who would trample, at my side,
A few pale buds, my garden's pride?

It may be that my scanty ore
Long years have washed away,
And where were golden sands before
Is naught but common clay;
Still something sparkles in the sun
For memory to look back upon.

And when my name no more is heard,
My lyre no more is known,
Still let me, like a winter's bird,
In silence and alone,
Fold over them the weary wing
Once flashing through the dews of spring.

Yes, let my fancy fondly wrap
My youth in its decline,
And riot in the rosy lap
Of thoughts that once were mine,
And give the worm my little store
When the last reader reads no more!

POETRY:

A METRICAL ESSAY, READ BEFORE THE PHI BETA KAPPA SOCIETY, HARVARD UNIVERSITY, AUGUST, 1836

TO CHARLES WENTWORTH UPHAM, THE FOLLOWING METRICAL ESSAY IS AFFECTIONATELY INSCRIBED.

This Academic Poem presents the simple and partial views of a young person trained after the schools of classical English verse as represented by Pope, Goldsmith, and Campbell, with whose lines his memory was early stocked. It will be observed that it deals chiefly with the constructive side of the poet's function. That which makes him a poet is not the power of writing melodious rhymes, it is not the possession of ordinary human sensibilities nor even of both these qualities in connection with each other. I should rather say, if I were now called upon to define it, it is the power of transfiguring the experiences and shows of life into an aspect which comes from his imagination and kindles that of others. Emotion is its stimulus and language furnishes its expression; but these are not all, as some might infer was the doctrine of the poem before the reader.

A common mistake made by young persons who suppose themselves to have the poetical gift is that their own spiritual exaltation finds a true expression in the conventional phrases which are borrowed from the voices of the singers whose inspiration they think they share.

Looking at this poem as an expression of some aspects of the ars poetica, with some passages which I can read even at this mature period of life without blushing for them, it may stand as the most serious representation of my early efforts. Intended as it was for public delivery, many of its paragraphs may betray the fact by their somewhat rhetorical and sonorous character.

SCENES of my youth! awake its slumbering fire!
Ye winds of Memory, sweep the silent lyre!
Ray of the past, if yet thou canst appear,
Break through the clouds of Fancy's waning year;
Chase from her breast the thin autumnal snow,
If leaf or blossom still is fresh below!

Long have I wandered; the returning tide
Brought back an exile to his cradle's side;
And as my bark her time-worn flag unrolled,
To greet the land-breeze with its faded fold,
So, in remembrance of my boyhood's time,
I lift these ensigns of neglected rhyme;
Oh, more than blest, that, all my wanderings through,
My anchor falls where first my pennons flew!

. . . . . . . . .

The morning light, which rains its quivering beams
Wide o'er the plains, the summits, and the streams,
In one broad blaze expands its golden glow
On all that answers to its glance below;
Yet, changed on earth, each far reflected ray
Braids with fresh hues the shining brow of day;
Now, clothed in blushes by the painted flowers,
Tracks on their cheeks the rosy-fingered hours;
Now, lost in shades, whose dark entangled leaves
Drip at the noontide from their pendent eaves,
Fades into gloom, or gleams in light again
From every dew-drop on the jewelled plain.

We, like the leaf, the summit, or the wave,
Reflect the light our common nature gave,
But every sunbeam, falling from her throne,
Wears on our hearts some coloring of our own
Chilled in the slave, and burning in the free,
Like the sealed cavern by the sparkling sea;
Lost, like the lightning in the sullen clod,
Or shedding radiance, like the smiles of God;
Pure, pale in Virtue, as the star above,
Or quivering roseate on the leaves of Love;
Glaring like noontide, where it glows upon
Ambition's sands,—the desert in the sun,—
Or soft suffusing o'er the varied scene
Life's common coloring,—intellectual green.

Thus Heaven, repeating its material plan,
Arched over all the rainbow mind of man;
But he who, blind to universal laws,
Sees but effects, unconscious of their cause,—
Believes each image in itself is bright,
Not robed in drapery of reflected light,—
Is like the rustic who, amidst his toil,
Has found some crystal in his meagre soil,
And, lost in rapture, thinks for him alone
Earth worked her wonders on the sparkling stone,
Nor dreams that Nature, with as nice a line,
Carved countless angles through the boundless mine.

Thus err the many, who, entranced to find
Unwonted lustre in some clearer mind,
Believe that Genius sets the laws at naught
Which chain the pinions of our wildest thought;
Untaught to measure, with the eye of art,
The wandering fancy or the wayward heart;
Who match the little only with the less,
And gaze in rapture at its slight excess,
Proud of a pebble, as the brightest gem
Whose light might crown an emperor's diadem.

And, most of all, the pure ethereal fire
Which seems to radiate from the poet's lyre
Is to the world a mystery and a charm,
An AEgis wielded on a mortal's arm,
While Reason turns her dazzled eye away,
And bows her sceptre to her subject's sway;
And thus the poet, clothed with godlike state,
Usurped his Maker's title—to create;
He, whose thoughts differing not in shape, but dress,
What others feel more fitly can express,
Sits like the maniac on his fancied throne,
Peeps through the bars, and calls the world his own.

There breathes no being but has some pretence
To that fine instinct called poetic sense
The rudest savage, roaming through the wild;
The simplest rustic, bending o'er his child;
The infant, listening to the warbling bird;
The mother, smiling at its half-formed word;
The boy uncaged, who tracks the fields at large;
The girl, turned matron to her babe-like charge;
The freeman, casting with unpurchased hand
The vote that shakes the turret of the land;
The slave, who, slumbering on his rusted chain,
Dreams of the palm-trees on his burning plain;
The hot-cheeked reveller, tossing down the wine,
To join the chorus pealing "Auld lang syne";
The gentle maid, whose azure eye grows dim,
While Heaven is listening to her evening hymn;
The jewelled beauty, when her steps draw near
The circling dance and dazzling chandelier;
E'en trembling age, when Spring's renewing air
Waves the thin ringlets of his silvered hair;—
All, all are glowing with the inward flame,
Whose wider halo wreathes the poet's name,
While, unenbalmed, the silent dreamer dies,
His memory passing with his smiles and sighs!

If glorious visions, born for all mankind,
The bright auroras of our twilight mind;
If fancies, varying as the shapes that lie
Stained on the windows of the sunset sky;
If hopes, that beckon with delusive gleams,
Till the eye dances in the void of dreams;
If passions, following with the winds that urge
Earth's wildest wanderer to her farthest verge;—
If these on all some transient hours bestow
Of rapture tingling with its hectic glow,
Then all are poets; and if earth had rolled
Her myriad centuries, and her doom were told,
Each moaning billow of her shoreless wave
Would wail its requiem o'er a poet's grave!

If to embody in a breathing word
Tones that the spirit trembled when it heard;
To fix the image all unveiled and warm,
And carve in language its ethereal form,
So pure, so perfect, that the lines express
No meagre shrinking, no unlaced excess;
To feel that art, in living truth, has taught
Ourselves, reflected in the sculptured thought;—
If this alone bestow the right to claim
The deathless garland and the sacred name,
Then none are poets save the saints on high,
Whose harps can murmur all that words deny!

But though to none is granted to reveal
In perfect semblance all that each may feel,
As withered flowers recall forgotten love,
So, warmed to life, our faded passions move
In every line, where kindling fancy throws
The gleam of pleasures or the shade of woes.

When, schooled by time, the stately queen of art
Had smoothed the pathways leading to the heart,
Assumed her measured tread, her solemn tone,
And round her courts the clouds of fable thrown,
The wreaths of heaven descended on her shrine,
And wondering earth proclaimed the Muse divine.
Yet if her votaries had but dared profane
The mystic symbols of her sacred reign,
How had they smiled beneath the veil to find
What slender threads can chain the mighty mind!

Poets, like painters, their machinery claim,
And verse bestows the varnish and the frame;
Our grating English, whose Teutonic jar
Shakes the racked axle of Art's rattling car,
Fits like mosaic in the lines that gird
Fast in its place each many-angled word;
From Saxon lips Anacreon's numbers glide,
As once they melted on the Teian tide,
And, fresh transfused, the Iliad thrills again
From Albion's cliffs as o'er Achaia's plain
The proud heroic, with, its pulse-like beat,
Rings like the cymbals clashing as they meet;
The sweet Spenserian, gathering as it flows,
Sweeps gently onward to its dying close,
Where waves on waves in long succession pour,
Till the ninth billow melts along the shore;
The lonely spirit of the mournful lay,
Which lives immortal as the verse of Gray,
In sable plumage slowly drifts along,
On eagle pinion, through the air of song;
The glittering lyric bounds elastic by,
With flashing ringlets and exulting eye,
While every image, in her airy whirl,
Gleams like a diamond on a dancing girl!

Born with mankind, with man's expanded range
And varying fates the poet's numbers change;
Thus in his history may we hope to find
Some clearer epochs of the poet's mind,
As from the cradle of its birth we trace,
Slow wandering forth, the patriarchal race.

I.

When the green earth, beneath the zephyr's wing,
Wears on her breast the varnished buds of Spring;
When the loosed current, as its folds uncoil,
Slides in the channels of the mellowed soil;
When the young hyacinth returns to seek
The air and sunshine with her emerald beak;
When the light snowdrops, starting from their cells,
Hang each pagoda with its silver bells;
When the frail willow twines her trailing bow
With pallid leaves that sweep the soil below;
When the broad elm, sole empress of the plain,
Whose circling shadow speaks a century's reign,
Wreathes in the clouds her regal diadem,—
A forest waving on a single stem;—
Then mark the poet; though to him unknown
The quaint-mouthed titles, such as scholars own,
See how his eye in ecstasy pursues
The steps of Nature tracked in radiant hues;
Nay, in thyself, whate'er may be thy fate,
Pallid with toil or surfeited with state,
Mark how thy fancies, with the vernal rose,
Awake, all sweetness, from their long repose;
Then turn to ponder o'er the classic page,
Traced with the idyls of a greener age,
And learn the instinct which arose to warm
Art's earliest essay and her simplest form.

To themes like these her narrow path confined
The first-born impulse moving in the mind;
In vales unshaken by the trumpet's sound,
Where peaceful Labor tills his fertile ground,
The silent changes of the rolling years,
Marked on the soil or dialled on the spheres,
The crested forests and the colored flowers,
The dewy grottos and the blushing bowers,—
These, and their guardians, who, with liquid names,
Strephons and Chloes, melt in mutual flames,
Woo the young Muses from their mountain shade,
To make Arcadias in the lonely glade.

Nor think they visit only with their smiles
The fabled valleys and Elysian isles;
He who is wearied of his village plain
May roam the Edens of the world in vain.
'T is not the star-crowned cliff, the cataract's flow,
The softer foliage or the greener glow,
The lake of sapphire or the spar-hung cave,
The brighter sunset or the broader wave,
Can warm his heart whom every wind has blown
To every shore, forgetful of his own.

Home of our childhood! how affection clings
And hovers round thee with her seraph wings!
Dearer thy hills, though clad in autumn brown,
Than fairest summits which the cedars crown!
Sweeter the fragrance of thy summer breeze
Than all Arabia breathes along the seas!
The stranger's gale wafts home the exile's sigh,
For the heart's temple is its own blue sky!

Oh happiest they, whose early love unchanged,
Hopes undissolved, and friendship unestranged,
Tired of their wanderings, still can deign to see
Love, hopes, and friendship, centring all in thee!

And thou, my village! as again I tread
Amidst thy living and above thy dead;
Though some fair playmates guard with charter fears
Their cheeks, grown holy with the lapse of years;
Though with the dust some reverend locks may blend,
Where life's last mile-stone marks the journey's end;
On every bud the changing year recalls,
The brightening glance of morning memory falls,
Still following onward as the months unclose
The balmy lilac or the bridal rose;
And still shall follow, till they sink once more
Beneath the snow-drifts of the frozen shore,
As when my bark, long tossing in the gale,
Furled in her port her tempest-rended sail!

What shall I give thee? Can a simple lay,
Flung on thy bosom like a girl's bouquet,
Do more than deck thee for an idle hour,
Then fall unheeded, fading like the flower?
Yet, when I trod, with footsteps wild and free,
The crackling leaves beneath yon linden-tree,
Panting from play or dripping from the stream,
How bright the visions of my boyish dream
Or, modest Charles, along thy broken edge,
Black with soft ooze and fringed with arrowy sedge,
As once I wandered in the morning sun,
With reeking sandal and superfluous gun,
How oft, as Fancy whispered in the gale,
Thou wast the Avon of her flattering tale!
Ye hills, whose foliage, fretted on the skies,
Prints shadowy arches on their evening dyes,
How should my song with holiest charm invest
Each dark ravine and forest-lifting crest!
How clothe in beauty each familiar scene,
Till all was classic on my native green!

As the drained fountain, filled with autumn leaves,
The field swept naked of its garnered sheaves,
So wastes at noon the promise of our dawn,
The springs all choking, and the harvest gone.

Yet hear the lay of one whose natal star
Still seemed the brightest when it shone afar;
Whose cheek, grown pallid with ungracious toil,
Glows in the welcome of his parent soil;
And ask no garlands sought beyond the tide,
But take the leaflets gathered at your side.

II.

But times were changed; the torch of terror came,
To light the summits with the beacon's flame;
The streams ran crimson, the tall mountain pines
Rose a new forest o'er embattled lines;
The bloodless sickle lent the warrior's steel,
The harvest bowed beneath his chariot wheel;
Where late the wood-dove sheltered her repose
The raven waited for the conflict's close;
The cuirassed sentry walked his sleepless round
Where Daphne smiled or Amaryllis frowned;
Where timid minstrels sung their blushing charms,
Some wild Tyrtaeus called aloud, "To arms!"

When Glory wakes, when fiery spirits leap,
Roused by her accents from their tranquil sleep,
The ray that flashes from the soldier's crest
Lights, as it glances, in the poet's breast;—
Not in pale dreamers, whose fantastic lay
Toys with smooth trifles like a child at play,
But men, who act the passions they inspire,
Who wave the sabre as they sweep the lyre!

Ye mild enthusiasts, whose pacific frowns
Are lost like dew-drops caught in burning towns,
Pluck as ye will the radiant plumes of fame,
Break Caesar's bust to make yourselves a name;
But if your country bares the avenger's blade
For wrongs unpunished or for debts unpaid,
When the roused nation bids her armies form,
And screams her eagle through the gathering storm,
When from your ports the bannered frigate rides,
Her black bows scowling to the crested tides,
Your hour has past; in vain your feeble cry
As the babe's wailings to the thundering sky!

Scourge of mankind! with all the dread array
That wraps in wrath thy desolating way,
As the wild tempest wakes the slumbering sea,
Thou only teachest all that man can be.
Alike thy tocsin has the power to charm
The toil-knit sinews of the rustic's arm,
Or swell the pulses in the poet's veins,
And bid the nations tremble at his strains.

The city slept beneath the moonbeam's glance,
Her white walls gleaming through the vines of France,
And all was hushed, save where the footsteps fell,
On some high tower, of midnight sentinel.
But one still watched; no self-encircled woes
Chased from his lids the angel of repose;
He watched, he wept, for thoughts of bitter years
Bowed his dark lashes, wet with burning tears
His country's sufferings and her children's shame
Streamed o'er his memory like a forest's flame;
Each treasured insult, each remembered wrong,
Rolled through his heart and kindled into song.
His taper faded; and the morning gales
Swept through the world the war-song of Marseilles!

Now, while around the smiles of Peace expand,
And Plenty's wreaths festoon the laughing land;
While France ships outward her reluctant ore,
And half our navy basks upon the shore;
From ruder themes our meek-eyed Muses turn
To crown with roses their enamelled urn.

If e'er again return those awful days
Whose clouds were crimsoned with the beacon's blaze,
Whose grass was trampled by the soldier's heel,
Whose tides were reddened round the rushing keel,
God grant some lyre may wake a nobler strain
To rend the silence of our tented plain!
When Gallia's flag its triple fold displays,
Her marshalled legions peal the Marseillaise;
When round the German close the war-clouds dim,
Far through their shadows floats his battle-hymn;
When, crowned with joy, the camps' of England ring,
A thousand voices shout, "God save the King!"
When victory follows with our eagle's glance,
Our nation's anthem pipes a country dance!

Some prouder Muse, when comes the hour at last,
May shake our hillsides with her bugle-blast;
Not ours the task; but since the lyric dress
Relieves the statelier with its sprightliness,
Hear an old song, which some, perchance, have seen
In stale gazette or cobwebbed magazine.
There was an hour when patriots dared profane
The mast that Britain strove to bow in vain;
And one, who listened to the tale of shame,
Whose heart still answered to that sacred name,
Whose eye still followed o'er his country's tides
Thy glorious flag, our brave Old Ironsides
From yon lone attic, on a smiling morn,
Thus mocked the spoilers with his school-boy scorn.

III.

When florid Peace resumed her golden reign,
And arts revived, and valleys bloomed again,
While War still panted on his-broken blade,
Once more the Muse her heavenly wing essayed.
Rude was the song: some ballad, stern and wild,
Lulled the light slumbers of the soldier's child;
Or young romancer, with his threatening glance
And fearful fables of his bloodless lance,
Scared the soft fancy of the clinging girls,
Whose snowy fingers smoothed his raven curls.
But when long years the stately form had bent,
And faithless Memory her illusions lent,
So vast the outlines of Tradition grew
That History wondered at the shapes she drew,
And veiled at length their too ambitious hues
Beneath the pinions of the Epic Muse.

Far swept her wing; for stormier days had brought
With darker passions deeper tides of thought.
The camp's harsh tumult and the conflict's glow,
The thrill of triumph and the gasp of woe,
The tender parting and the glad return,
The festal banquet and the funeral urn,
And all the drama which at once uprears
Its spectral shadows through the clash of spears,
From camp and field to echoing verse transferred,
Swelled the proud song that listening nations heard.
Why floats the amaranth in eternal bloom
O'er Ilium's turrets and Achilles' tomb?
Why lingers fancy where the sunbeams smile
On Circe's gardens and Calypso's isle?
Why follows memory to the gate of Troy
Her plumed defender and his trembling boy?
Lo! the blind dreamer, kneeling on the sand
To trace these records with his doubtful hand;
In fabled tones his own emotion flows,
And other lips repeat his silent woes;
In Hector's infant see the babes that shun
Those deathlike eyes, unconscious of the sun,
Or in his hero hear himself implore,
"Give me to see, and Ajax asks no more!"

Thus live undying through the lapse of time
The solemn legends of the warrior's clime;
Like Egypt's pyramid or Paestum's fane,
They stand the heralds of the voiceless plain.
Yet not like them, for Time, by slow degrees,
Saps the gray stone and wears the embroidered frieze,
And Isis sleeps beneath her subject Nile,
And crumbled Neptune strews his Dorian pile;
But Art's fair fabric, strengthening as it rears
Its laurelled columns through the mist of years,
As the blue arches of the bending skies
Still gird the torrent, following as it flies,
Spreads, with the surges bearing on mankind,
Its starred pavilion o'er the tides of mind!

In vain the patriot asks some lofty lay
To dress in state our wars of yesterday.
The classic days, those mothers of romance,
That roused a nation for a woman's glance;
The age of mystery, with its hoarded power,
That girt the tyrant in his storied tower,
Have passed and faded like a dream of youth,
And riper eras ask for history's truth.

On other shores, above their mouldering towns,
In sullen pomp the tall cathedral frowns,
Pride in its aisles and paupers at the door,
Which feeds the beggars whom it fleeced of yore.
Simple and frail, our lowly temples throw
Their slender shadows on the paths below;
Scarce steal the winds, that sweep his woodland tracks,
The larch's perfume from the settler's axe,
Ere, like a vision of the morning air,
His slight—framed steeple marks the house of prayer;
Its planks all reeking and its paint undried,
Its rafters sprouting on the shady side,
It sheds the raindrops from its shingled eaves
Ere its green brothers once have changed their leaves.

Yet Faith's pure hymn, beneath its shelter rude,
Breathes out as sweetly to the tangled wood
As where the rays through pictured glories pour
On marble shaft and tessellated floor;—
Heaven asks no surplice round the heart that feels,
And all is holy where devotion kneels.
Thus on the soil the patriot's knee should bend
Which holds the dust once living to defend;
Where'er the hireling shrinks before the free,
Each pass becomes "a new Thermopylae"!
Where'er the battles of the brave are won,
There every mountain "looks on Marathon"!

Our fathers live; they guard in glory still
The grass-grown bastions of the fortressed hill;
Still ring the echoes of the trampled gorge,
With God and Freedom. England and Saint George!
The royal cipher on the captured gun
Mocks the sharp night-dews and the blistering sun;
The red-cross banner shades its captor's bust,
Its folds still loaded with the conflict's dust;
The drum, suspended by its tattered marge,
Once rolled and rattled to the Hessian's charge;
The stars have floated from Britannia's mast,
The redcoat's trumpets blown the rebel's blast.

Point to the summits where the brave have bled,
Where every village claims its glorious dead;
Say, when their bosoms met the bayonet's shock,
Their only corselet was the rustic frock;
Say, when they mustered to the gathering horn,
The titled chieftain curled his lip in scorn,
Yet, when their leader bade his lines advance,
No musket wavered in the lion's glance;
Say, when they fainted in the forced retreat,
They tracked the snow-drifts with their bleeding feet,
Yet still their banners, tossing in the blast,
Bore Ever Ready, faithful to the last,
Through storm and battle, till they waved again
On Yorktown's hills and Saratoga's plain.

Then, if so fierce the insatiate patriot's flame,
Truth looks too pale and history seems too tame,
Bid him await some new Columbiad's page,
To gild the tablets of an iron age,
And save his tears, which yet may fall upon
Some fabled field, some fancied Washington!

IV.

But once again, from their AEolian cave,
The winds of Genius wandered on the wave.
Tired of the scenes the timid pencil drew,
Sick of the notes the sounding clarion blew,
Sated with heroes who had worn so long
The shadowy plumage of historic song,
The new-born poet left the beaten course,
To track the passions to their living source.

Then rose the Drama;—and the world admired
Her varied page with deeper thought inspired
Bound to no clime, for Passion's throb is one
In Greenland's twilight or in India's sun;
Born for no age, for all the thoughts that roll
In the dark vortex of the stormy soul,
Unchained in song, no freezing years can tame;
God gave them birth, and man is still the same.
So full on life her magic mirror shone,
Her sister Arts paid tribute to her throne;
One reared her temple, one her canvas warmed,
And Music thrilled, while Eloquence informed.
The weary rustic left his stinted task
For smiles and tears, the dagger and the mask;
The sage, turned scholar, half forgot his lore,
To be the woman he despised before.
O'er sense and thought she threw her golden chain,
And Time, the anarch, spares her deathless reign.

Thus lives Medea, in our tamer age,
As when her buskin pressed the Grecian stage;
Not in the cells where frigid learning delves
In Aldine folios mouldering on their shelves,
But breathing, burning in the glittering throng,
Whose thousand bravoes roll untired along,
Circling and spreading through the gilded halls,
From London's galleries to San Carlo's walls!

Thus shall he live whose more than mortal name
Mocks with its ray the pallid torch of Fame;
So proudly lifted that it seems afar
No earthly Pharos, but a heavenly star,
Who, unconfined to Art's diurnal bound,
Girds her whole zodiac in his flaming round,
And leads the passions, like the orb that guides,
From pole to pole, the palpitating tides!

V.

Though round the Muse the robe of song is thrown,
Think not the poet lives in verse alone.
Long ere the chisel of the sculptor taught
The lifeless stone to mock the living thought;
Long ere the painter bade the canvas glow
With every line the forms of beauty know;
Long ere the iris of the Muses threw
On every leaf its own celestial hue,
In fable's dress the breath of genius poured,
And warmed the shapes that later times adored.

Untaught by Science how to forge the keys
That loose the gates of Nature's mysteries;
Unschooled by Faith, who, with her angel tread,
Leads through the labyrinth with a single thread,
His fancy, hovering round her guarded tower,
Rained through its bars like Danae's golden shower.

He spoke; the sea-nymph answered from her cave
He called; the naiad left her mountain wave
He dreamed of beauty; lo, amidst his dream,
Narcissus, mirrored in the breathless stream;
And night's chaste empress, in her bridal play,
Laughed through the foliage where Endymion lay;
And ocean dimpled, as the languid swell
Kissed the red lip of Cytherea's shell.

Of power,—Bellona swept the crimson field,
And blue-eyed Pallas shook her Gorgon shield;
O'er the hushed waves their mightier monarch drove,
And Ida trembled to the tread of Jove!

So every grace that plastic language knows
To nameless poets its perfection owes.
The rough-hewn words to simplest thoughts confined
Were cut and polished in their nicer mind;
Caught on their edge, imagination's ray
Splits into rainbows, shooting far away;—
From sense to soul, from soul to sense, it flies,
And through all nature links analogies;
He who reads right will rarely look upon
A better poet than his lexicon!

There is a race which cold, ungenial skies
Breed from decay, as fungous growths arise;
Though dying fast, yet springing fast again,
Which still usurps an unsubstantial reign,
With frames too languid for the charms of sense,
And minds worn down with action too intense;
Tired of a world whose joys they never knew,
Themselves deceived, yet thinking all untrue;
Scarce men without, and less than girls within,
Sick of their life before its cares begin;—
The dull disease, which drains their feeble hearts,
To life's decay some hectic thrill's imparts,
And lends a force which, like the maniac's power,
Pays with blank years the frenzy of an hour.

And this is Genius! Say, does Heaven degrade
The manly frame, for health, for action made?
Break down the sinews, rack the brow with pains,
Blanch the right cheek and drain the purple veins,
To clothe the mind with more extended sway,
Thus faintly struggling in degenerate clay?

No! gentle maid, too ready to admire,
Though false its notes, the pale enthusiast's lyre;
If this be genius, though its bitter springs
Glowed like the morn beneath Aurora's wings,
Seek not the source whose sullen bosom feeds
But fruitless flowers and dark, envenomed weeds.

But, if so bright the dear illusion seems,
Thou wouldst be partner of thy poet's dreams,
And hang in rapture on his bloodless charms,
Or die, like Raphael, in his angel arms,
Go and enjoy thy blessed lot,—to share
In Cowper's gloom or Chatterton's despair!

Not such were they whom, wandering o'er the waves,
I looked to meet, but only found their graves;
If friendship's smile, the better part of fame,
Should lend my song the only wreath I claim,
Whose voice would greet me with a sweeter tone,
Whose living hand more kindly press my own,
Than theirs,—could Memory, as her silent tread
Prints the pale flowers that blossom o'er the dead,
Those breathless lips, now closed in peace, restore,
Or wake those pulses hushed to beat no more?

Thou calm, chaste scholar! I can see thee now,
The first young laurels on thy pallid brow,
O'er thy slight figure floating lightly down
In graceful folds the academic gown,
On thy curled lip the classic lines that taught
How nice the mind that sculptured them with thought,
And triumph glistening in the clear blue eye,
Too bright to live,—but oh, too fair to die!

And thou, dear friend, whom Science still deplores,
And Love still mourns, on ocean-severed shores,
Though the bleak forest twice has bowed with snow
Since thou wast laid its budding leaves below,
Thine image mingles with my closing strain,
As when we wandered by the turbid Seine,
Both blessed with hopes, which revelled, bright and free,
On all we longed or all we dreamed to be;
To thee the amaranth and the cypress fell,—
And I was spared to breathe this last farewell!

But lived there one in unremembered days,
Or lives there still, who spurns the poet's bays,
Whose fingers, dewy from Castalia's springs,
Rest on the lyre, yet scorn to touch the strings?
Who shakes the senate with the silver tone
The groves of Pindus might have sighed to own?
Have such e'er been? Remember Canning's name!
Do such still live? Let "Alaric's Dirge" proclaim!

Immortal Art! where'er the rounded sky
Bends o'er the cradle where thy children lie,
Their home is earth, their herald every tongue
Whose accents echo to the voice that sung.
One leap of Ocean scatters on the sand
The quarried bulwarks of the loosening land;
One thrill of earth dissolves a century's toil
Strewed like the leaves that vanish in the soil;
One hill o'erflows, and cities sink below,
Their marbles splintering in the lava's glow;
But one sweet tone, scarce whispered to the air,
From shore to shore the blasts of ages bear;
One humble name, which oft, perchance, has borne
The tyrant's mockery and the courtier's scorn,
Towers o'er the dust of earth's forgotten graves,
As once, emerging through the waste of waves,
The rocky Titan, round whose shattered spear
Coiled the last whirlpool of the drowning sphere!

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Table of Contents

- THE POETICAL WORKS

- CONTENTS:

- TO MY READERS

- EARLIER POEMS
- THE LAST LEAF
- THE CAMBRIDGE CHURCHYARD
- TO AN INSECT
- THE DILEMMA
- MY AUNT
- REFLECTIONS OF A PROUD PEDESTRIAN
- DAILY TRIALS
- EVENING
- THE DORCHESTER GIANT

- TO THE PORTRAIT OF "A LADY" IN THE ATHENAEUM GALLERY

- THE COMET
- THE MUSIC-GRINDERS
- THE TREADMILL SONG
- THE SEPTEMBER GALE
- THE HEIGHT OF THE RIDICULOUS
- THE LAST READER

- POETRY:

- I.

- II.

- III.

- IV.

- V.

- THE FULL PROJECT GUTENBERG LICENSE