The Project Gutenberg eBook of Provocations

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Title: Provocations

Author: Sibyl Bristowe

Author of introduction, etc.: G. K. Chesterton

Release date: October 12, 2010 [eBook #33855]

Language: English

Credits: Produced by Bryan Ness, Iris Schimandle and the Online

Distributed Proofreading Team at http://www.pgdp.net (This

file was produced from images generously made available

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*** START OF THE PROJECT GUTENBERG EBOOK PROVOCATIONS ***

PROVOCATIONS

TO THE MEMORY

OF

MY FATHER

JOHN SYER BRISTOWE, M.D., F.R.S., LL.D.

THIS LITTLE BOOK

OF VERSE

IS AFFECTIONATELY DEDICATED

PROVOCATIONS

BY

SIBYL BRISTOWE

WITH AN INTRODUCTION BY

G. K. CHESTERTON

LONDON, W.C. 1

ERSKINE MACDONALD, LTD.

All Rights Reserved.

Copyright by Erskine MacDonald, Ltd.

in the United States of America.

First published October, 1918

INTRODUCTION

The verses in this volume cover very many and various occasions; and are therefore the very contrary of what is commonly called occasional verse. The term is used with a meaning that is very mutable; or with a meaning that has been greatly distorted and degraded. Occasion should mean opportunity; and in the case of poetry it should rather mean provocation. And the trick of writing upon what are called public occasions, instead of upon what may truly be described as private provocations, has been responsible for much verse which is not only insufficient but insincere. It has produced not only many bad poems; but what is perhaps worse, many bad poems from many good poets. The sincerity of Miss Sibyl Bristowe's poetry is perhaps most clearly proved by the number of points at which it touches life; and the spontaneity, or even suddenness, with which they are touched. It is an occasional verse which arises out of real occasions, and not out of merely fictitious or even merely formal ones. Thus while the one or two poems on the great war are probably the best, they are by no means the biggest; they are not the most arresting in the sense of being the most ambitious. They are arresting because the great war really is great, and moves an imaginative spirit to great issues; it is public but it is very far from being official. The war, indeed, is necessarily more important as a private event even than as a public event. And the few but fine lines, on a brother fallen in a fight amid wild river that sundered man from man, is a model of the manner in which such mighty events take their place among the impressions of the more sincere and spontaneous type of talent. The topic takes its pre-eminence by intensity and not by space, or even in a sense by design. Indeed it is best expressed in a metaphor used by the writer herself about the topic itself; the metaphor of the colour red in its relation to other colours. Red rivets the eye, not by quantity but by quality; and in any picture or pattern a spot or streak of it will make itself the feature or the key. Miss Sibyl Bristowe's poem conceives the Creator confronted as with a broken spectrum or a gap in coloured glass; feeling the whole range of vision to be dim and impoverished and adding, by the authority of His own mysterious art, the dreadful colour of martyrdom.

Indeed the point of the comparison might very well be conveyed by the two poems about a London garden; that on the garden in peace being comparatively long, and that about the garden in war exceedingly short; short but sharply pathetic with its notion of peering and probing for the microscope flowers that must be a part of the most utilitarian vegetables. Indeed the short poems are certainly the most successful; and there is the same brevity in the last line of the poem about the tragic passage of time; "If lips of children had not told me so." The same general impression, as in the comparison already noted, is conveyed, for instance, in the fact that the poems about South Africa are private rather than public poems; are in that sense, if the phrase be properly comprehended, rather colonial than imperial. That is, they are individual glimpses of great torrid wastes, like similar individual glimpses of quiet northern woods; visions of crude and golden cities as personal as the parallel visions of normal northern cottages. Miss Sibyl Bristowe is perhaps an amateur, in the sense in which this is generally true of one who happens to be an artist in another art; but it is unfortunate that the world has so much missed the notion of that natural ardour that should belong to the word.

G. K. CHESTERTON.

The author has to acknowledge the courtesy of the Editors of "The Poetry Review" and "The Johannesburg Star" for permission to include poems that have appeared in their pages.

CONTENTS

PAGEThe Great War                                                      13

My London Garden, 1914                                             14

My Garden, 1918                                                    17

Over the Top!                                                      18

To His Dear Memory                                                 20

Sorrow                                                             21

Alas!                                                              23

A Sacrament                                                        24

The Love-shed Tear                                                 25

Madonna Granduca and Child                                         29

A Vision of a Day that is Past                                     30

Bitterness Casteth out Love                                        33

The Hour of Happiness                                              34

Thoughts                                                           35

The Things Unsaid are the Things that Count!                       36

The Song of the Long Ago                                           37

The Sinner's Dreaming                                              39

Woman                                                              40

Christmas                                                          41

February                                                           42

Oh! 'Tis May                                                       43

To the Wind                                                        45

The Grey Wind                                                      47

Poeta Nascitur                                                     49

Queen Elizabeth                                                    51

The Death of Queen Elizabeth                                       56

The Plea of the Antarctic                                          58

The Stranger in London                                             59

The Transvaal in June                                              62

Johannesburg                                                       63

In the Land of the Silences                                        65

The Great War

Into His colour store God dipped His hand

And drew it forth

Full of strange hues forgotten, contraband

Of War and Wrath.

Time wove the pattern of the years, that so

The quick and dead

Might knit their bleeding crosses in. And lo!

A patch of red!

My London Garden, 1914

My Garden is a tiny square

Of bordered green

And gravel brown

In misty town,

And chimneys smoky and unclean

Sweep to the sky.—You would not care

To visit there.

The Grass creeps up all in between the stones

And raises undisturbed its luscious green

And laughs for youth in shrill and ringing tones.

I love it that it grows up so serene,

Dauntless and bright

And laughing me to scorn,

So vivid and so slight,

Glad for the night-shed dew and smoke-bred morn.

My little patch of bordered green and brown

Sleeps in the bosom of a grim old town,

I wish that you could see

Its beauty here with me;

I'd tell you many things you never knew,

For few, so few

Know the romance of such a London strip,

With ferny screen

That slants shy gleams of sunlight in between

And weeds which flourish just inside the dip,

Holding their tenure with a firm deep grip

Where prouder things all die.

Small wonder I

Tend my tall weed as tho' it were a gem,

Note every leaf, and watch the stalwart stem

Wax strong and high—

My weed plot lives in reckless luxury.

But, in the Spring, before black grime

Has done its worst,

And cruel Time

And dust accursed

Have marred the innocence of each young leaf,

Or soiled the blossoms, like a wanton thief—

Masses of tulips, pink and white,

Rise from the earth in prim delight,

And iris, king of pomp and state,

In vesture fine

And purple and pale gold

Its buds unfold—

A mighty potentate,

And marshals nobly, proudly into line,

Whilst lilacs sway in wind and rushing breeze,

Bowing and nodding to some poplar trees.

But stay!—

You would not care

To visit there

Midst such surroundings grey.

My Garden's but an oasis of hope

Set in the frown

And dismal grandeur of a grim old town,

A semblance merely of the lawns you see;

A hint, an echo of the things that be!

But he or she would be a misanthrope

Who would not share my garden hope with me.

My Garden, 1918

Such was my garden once, a Springtide hope of flowers,

All rosy pink or violet or blue

Or yellow gold, with sunflecks on the dew.

Now in their place a Summer garden towers

Of green-leaved artichokes and turnip tops,

Of peas and parsnips, sundry useful crops.

—But even vegetables must have little flowers.

Over the Top!

Ten more minutes! Say yer prayers,

Read yer Bibles,—pass the rum!

Ten more minutes! Strike me dumb,

'Ow they creeps on unawares

Those blooming minutes. Nine. It's queer,

I'm sorter stunned. It ain't with fear!

Eight. It's like as if a frog

Waddled round in your inside

Cold as ice-blocks, straddled wide,

Tired o' waiting.—Where's the grog?

Seven. I'll play you pitch and toss.

Six. I wins, and tails your loss.

'Nother minute sprinted by

'Fore I knowed it; only four

(Break 'em into seconds) more

'Twixt us and Eternity!

Every word I've ever said

Seems a-shouting in my head!

Three. Larst night a little star

Fairly shook up in the sky,

Frightened by the lullaby

Rattled by the dogs of war.

Funny thing—that star all white

Saw old Blighty too, larst night!

Two. I ain't ashamed o' prayers,

They're only wishes sent ter God,

Bits o' plants from bloody sod

Trailing up His golden stairs.

Ninety seconds. Well, who cares!—

One.    . . . . . .

. . . . . .

No pipe, no blare, no drum—

Over the Top!—to Kingdom Come

To His Dear Memory

(April 14th, 1917)

Beneath the humid skies

Where green birds wing, and heavy burgeoned trees

Sway in the fevered breeze,

My Brother lies.

And rivers passionate[A]

Tore through the mountain passes, swept the plains,

O'erbrimmed with tears, o'erbrimmed with summer rains,

All wild, all desolate.

Whilst the deep Mother-breast

Of drowsy-lidded Nature, drunk with dreams,

Below Pangani, by Rufigi streams,

Took him to rest.

Beneath the sunlit skies,

Where bright birds wing, and rich luxuriant trees

Sway in the fevered breeze,

My Brother lies.

The bending grasses woo

His hurried grave; a cross of oak to show

The drifting winds, a Soldier sleeps below.

—Our Saviour's cross, I know,

Was wooden, too.

[A] The river Rufigi rose so high the night he died, none of his own Battalion could cross it to attend his last honours.

Sorrow

Send Sorrow away,

For Sorrow is dressed in grey,

And her eyes are dim

With a weary rim.

Send Sorrow away.

Send Sorrow away.

Maid of the sombre sway,

Breathing woe

In a murmur low,

And her lips are pale

And her body frail.

Send Sorrow away.

Send Sorrow away,

Foe of the dancing day.

Oh! her cheeks fall in,

And her hands are thin,

But her grip is fast

On the changeless past;

And they sere and clutch

The soul they touch.

Send Sorrow away.

Send Sorrow away,

For she haunts me night and day.

And Sorrow is dressed in grey,

Yes, Sorrow is dressed in grey.

And she looks so old,

So drawn, so cold—

Send Sorrow away.

Alas!

So softly Time trod with me, that I lost

His footsteps pacing mine. I stayed the while

To wrest the luscious fruits from love and life;

He strode on pauselessly, with thin cold smile.

So surely Time trod with me; marred my bloom,

Stole all my roses, spread his cobwebs grey,

Wrung all my tresses in his silvering hand;

So stealthily he lured my youth away

I only learned that I was old—to-day.

I could have borne it bravely, this I know,

Had not the lips of children told me so.

A Sacrament

Tears!—And I brought them to the Lord, and said:

"What are these crystal globes by nations shed?

What is the crimson flood that stains the land?

Where is Thy peace, and where Thy guiding hand?

Why are those thousands daily sacrificed?

Where is Thy might, and where the love of Christ?"

And from the heavens methought I heard a voice—

"Oh son of earth, I bid thee still rejoice!

Those crystal tears by men and nations shed

Water My harvest, sanctify My dead.

That crimson flood which stains the hapless earth

Is but the prelude to a nobler birth.

Those thousands, who for home have gladly died,

Sleep in the hope of Jesus crucified.

Flesh, Blood, and Water, Little Child of Mine,

Veil in their depths a Mystery divine."

I bowed my head, and prayed for faith to see

The inner visions of Calamity!

The Love-shed Tear

Knocked a man at the shining Gate,

Hard and bad and proud and old!

Deep in years—for his call was late.

The Gate was shut, and he had to wait,

And he leaned awhile on his bag of gold.

Roll'd the Heavenly portals back,

Guarded close by a flaming sword!

The old man opened out his sack,

Saint Peter searched the sordid pack,

"Is this thy passport to the Lord?"

Saint Peter sighed, ill-gotten greed

Was all therein to offer God,

He vainly sought one kindly deed,

One gentle word to those in need,

One little step in mercy trod.

"And is this all?" Saint Peter said,

"This fruitless hoard of worthless sin,

This earthly gold, which weighs like lead?

Oh, wretched man! thy soul is dead!

Thou mayst—thou canst not enter in!

"Could I have found one single sign

Of life within thy sordid soul,

One kindling spark of Life Divine,

The flames of hell had not been thine.

Hence"—and he seal'd the Judgment scroll.

Down to the fires whose lurid light

Lick'd and blazoned the depths of hell,

Mocking red in the pitchy night,

Down, ever down, from out God's sight,

Down to the damned the Miser fell.

There in the haunts of deepest sin

Satan watched with his sombre eye.

The trembling Miser peered within,

He thought to find his kith and kin

Whose guilt condemned them too—to die.

He wandered round from place to place,

Then beat his breast with wondering moan,

For lo! of all the human race

The Miser stood in hell—Alone!

For all had found some saving grace

That set them free to seek God's face

And could their vilest sins atone.

He cowered low in abject fear,

No single virtue could he plead,

Satan's own—by self decreed!

When sudden! 'neath a dastard deed,

The devil cried, "What lieth here?"

It was a single love-shed tear

Shed in an hour of direst need.

Once he had wept in grief and pain,

Once—when his child lay coldly dead,

Once he had prayed. No prayer is vain.

This prayer had lived to save again

And bring remission on his head.

Only a tear! The Heavenly Choir

Praised the Lord for the thing call'd love;

But Satan shrieked in frenzied ire,

"This foolish tear will quench my fire,

This man must go above—above!"

Back again where the flaming sword

Closely guarded the jewelled door.

"I seek," he humbly sobbed, "our Lord.

I brought Thee gold—a worthless hoard—

Thou wouldst not let me in before.

"But now I come to Thee with this—

A little thing, 'tis very small—

I pray Thee take it not amiss,

My gold is in the dark abyss,

This little tear, oh Lord, is all!"

"Oh wondrous drop," Saint Peter cried,

"That shows the sap of life within

A living Soul, with chance to win

A place with God, immune from sin!

Methought the fount of Life had dried"

(He flung the Gates of Heaven wide),

"Go, living Soul, and enter in!"

There in the lowest halls of grace,

Through deep remorse and pains austere

He washed his soul from sin's dark trace,

Then in his heart-felt awe and fear

He lowly sought his Saviour's face,

Saved to life through a love-shed tear!

Madonna Granduca and Child

Little Christ, little Christ,

Sheltered there on Mary's breast,

All Thy child-like purity

Lightens life's obscurity,

So I thank Thee

For that ray of light confessed.

Sweet Thy mother, Baby Christ,

Sweet in woman's modesty;

But to such an one as me

I would choose to kneel to Thee,

To Thy young simplicity,

To Thy full divinity,

Little Christ.

Give me tears to keep me clean,

Give me joyfulness serene,

Steep me for futurity

In Thy white-souled purity.

For Thine innocence sufficed,

Little Christ, little Christ,

Vagrants like myself to bless,

So I thank Thee

For Thy perfect holiness,

Little Christ.

A Vision of a Day that is Past

The sky hung smooth o'er the line of hill

That shadowed the valley that seemed so still,

And the blackbird whistled his love notes shrill.

The church lay dreaming of God, and when

The bodies should rise from her graveyard pen

Where the high grass covered her poor dead men.

The water meadows shone rich with gold,

Gold that the buttercups had sold

To the nibbling sheep of the red ring-fold.

And even the river murmured rest

As the sun sank low in the tender west,

And the earth flowers slept on their mother's breast.

Over the valley that seemed so still,

Where the blackbird whistled his love-notes shrill

I gazed, and all against my will

I saw a vision beneath the hill.

Centuries passed like a mist away

And I stood in the glare of a burning day

Whilst the church-bells clamoured a call to pray.

War and its brother raced hand in hand,

That brother called Death; and they seared the land

With their fiery breath and the murder brand.

And copses and dales were bleeding red,

Naught was sacred, the living or dead,

The old, old man, or the girl just wed.

Men stormed the homestead, blazed the corn,

Pillaged and sacked from night till morn,

And spitted the babe that was newly born.

Savage and brutal, like hell-hounds freed,

They swarmed the hill, debauched with greed—

Some slunk behind, their lust to feed.

At last, when the streams ran human blood,

Soaking the fields in a scarlet flood,

A woman prayed with her child for food.

All on their way those soldiers passed

With a fœtid jest at her hapless fast,

And some men cut her down at last.

They cut her down! Oh, woe is me,

And they left her to rot in her misery,

Naked and scorned for the world to see.

They left her bare in the cold night air,

Save only the comb in her coal-black hair,

And they strangled the baby, helpless there.

They did not trouble to wind them round

In a sheet of earth in the dewy ground,

They looted them both for the spoil they found.

But the wind was kind. It wailed aloud

And churned the dust, till it rose a cloud

like a pearly mist, to form a shroud.

And the leaves swooned down to the wind's sweet call

And covered the mother and babe and all,

Till they lay at peace in a soft green pall.

The church still ponders, and wonders when

Those bodies will rise from her graveyard pen,

But she knows they are blessed, those poor dead men,

For they sleep within her Christian fold

Under her consecrated mould,

Where a verse was read, and a prayer was told.

But under the hill, in the leaves somewhere,

Lie a mother and child all stark and bare,

Save only a comb in the coal-black hair—

Yet God will remember they lie out there.

Whilst digging up a hitherto uncultivated bit of garden near the Mendips, a gardener came across the mutilated skeletons of a woman and baby. A comb still decorated the woman's coal-black hair. At the inquest afterwards held upon the skeletons, it was suggested that the woman and her baby were probably refugees from the battle of Sedgemoor.

Bitterness Casteth Out Love

Over the hill where the white road sweeps,

And the dead fern holds the snow,

Love flew by, and the black night sky

Shadowed the vales below.

Down in the creek, where the ice-pools gleam

And the trees stand gaunt and bare,

I crouched me down, and the sullen frown

Of earth entombed me there.

"Ah," mocked the ice-pool, hard and clear,

"Man with the frozen soul;

Love sailed by, on a cloud-bound sky,

With the tears that sorrow stole."

"Gone," said the fern, "from your frost-bound touch;

Gone from your winter's heart.

Love flew by, like the tattered sigh

Bitterness tore apart."

And the aching trees bowed branch and twig

And a shrivelled leaf made cry,

"If you are cold, and your heart be old,

For certain, Love must die."

Over the hill, where the white road sweeps,

And the dead fern holds the snow,

Sweet Love fled; and a spirit dead

Spectres the slopes below.

The Hour of Happiness

The world is fair! The circling swell

Of fresh tumultuous sea

Holds life within its rhythmic rise

And bursts of harmony;

And storm-clouds chasing down the sky

Empty their hearts as they sweep by.

The world is gay!—Such lilt and song,

Such mellowness of tune,

Such drifting airs from wave and shore,

From rock and sand and dune.

I did not know that clouds of spray

Splashed as they fell, a roundelay.

A magic day! A magic hand

Has raised a magic mood.

Oh! years ago God made the world

And saw that it was good.

And from His ecstasy divine

I borrowed this sweet hour of mine.

Thoughts

So fair, so delicate the thoughts,

He marvelled they could be his own;

He did not dream that they were birds

From heaven flown.

Birds with a message in their throats,

Limpid and golden from the sky.

Most wonderful his song. 'Twas strange

He knew not why.

They fluttered their white wings awhile

Then soared again to paradise,

Leaving a trail of limpid notes

For sacrifice.

The Things Unsaid are the Things that Count!

You told me you had done with love,

You showed me why;

You said it often, just to prove

Inconstancy!

I never heard—

I only marked—the unsaid word.

You told me you had thoughts beyond

My own poor love,

A wider sphere, ambitions fond!

'Fore God above

In rosy bliss

I only felt th' ungiven kiss!

I knew one day that unsaid word would dress

In shining letters, spelling happiness!

I knew that love would one day be mine own,

A tender suppliant for forgiveness won.

I had no fear,

Tho' cold and clear

You gave your answer,—sweet, my dear,

I never heard—your spoken word!

The Song of the Long Ago

Wraith of the out-lived years,

Wandering too and fro,

Floating to earth on the hallowed tones

Of a song of long ago.

Shadows of those asleep

Steal through the simple lay,

Lifting the silvery veil aside

Of a long lost yesterday.

Beautiful silent days,

Raised from the silent past,

In the pregnant chords of a once loved song

Memory speaks at last.

Of the golden summer eves,

Shrined in the mists of years

And a world of hopes! Dear God, what hopes,

Born to the soul in tears.

But the youthful hopes creep by,

Stealing with solemn chime

To a finite grave. They will rise in faith

When Eternity conquers Time.

Dream-laden, tender song,

Sacred and sweet and old,

With the lingering touch of a bygone age,

I have scanned again in thy down-turned page,

A tale that was long since told.

The Sinner's Dreaming

When the great sun flung bands of gold

(Bands to the number of seven)

On the limpid sea, we followed the gold

And climbed on our way to Heaven.

There to the portals of cloud and storm,

Piled high in the regions of thunder,

Till we reached the sky, in its columns of storm,

And God's gates rolled asunder.

Below, the world like a ball of mist

With us, pearl and jacinth and beryl,

And it faded away, that pearl-grey mist,

And we clung to the gates in peril.

Myrrh and incense, and jacinth and pearl,

How we cringed on the floor of Heaven!

And the great sun drew its bands from the pearl.

Bands to the number of seven.

And now, as we gaze from our star-crowned sphere

To the shadows, where earth is seeming,

We know that that hazy circling sphere

Was only a sinner's dreaming!

Woman

When God made woman

Fair He made her, as the rose;

Her face upturned to catch His radiant smile;

His sunbeams lurked the while

About her lips; with care He chose

Her hair and glory, and her round white throat,

The pillared keeper of her woman's note.

God filled her eyes with innocence and love,

And glimpsing lights from out His skies above.

The Father knew that she was beautiful.

And yet, to make her nobly dutiful

To Him, within her breast

He set a shrine, all holy and possessed

In shining mystery. And few who know

To enter in. The evading flame aglow

That fills the shrine, is white as unshed snow.

And deep within that casket of her breast

Are secret joys, to God alone confessed.

Christmas

White the weather, white the weather!

Stars and ice at one together,

Shining frost on cracking branches,

Snow in pale smooth avalanches.

White the weather, wintry weather.

Wan the way, where once the heather

Bloomed in radiant summer weather,

Sparkling icicles moon-lustred

Droop, where once the green leaves clustered.

Life is sleeping, held in tether.

Once a Babe was born this weather,

Three Wise Men set forth together;

Once a Star of wondrous glory

Told the Christ's triumphant story.

Wintry weather!—God's own weather!

All the world washed white together!

February

I do not sing for youth and love,

For passion and desire,

I only sing because the sun

Is gold like shining fire;

I only sing because the day

Is blue, the grass is green,

The birds are singing out their hearts,

The waking twigs between!

Because the chestnut branch is tipped

With buds of folded brown,

Because the snowdrops look so white,

The catkins feather down,

Because the naked elms have bent

To whisper me this thing—

The sap is stirring in their limbs—

How can I choose, but sing!

Oh! 'Tis May

Come and idle in the sun,

Come and idle, everyone,

Flowering May

Is wholly gay,

Come and idle in the sun.

Come and smell the new-mown lawn,

Fragrant grass, and dew-wet dawn.

Buds unfold,

And leaves grown bold

Spread great shadows on the lawn.

Come and hear the chaffinch trill,

Hear the lark and thrushes thrill!

Come along,

Such a song,

Such a chorus bright and shrill.

Won't you come?

Hear the hum,

Hear the hum of tireless bee.

Come with me,

Wilt not idle for a day?

Wilt not shirk

Thy waste of work?

This is life, this radiant play

Nature keeps for flowering May.

Buds and bees and grass and flower

Make a sweeter, holier hour

Than all drab years of labour dour.

Come away,

Come and play,

Come and glory in the sun,

Come and laugh! Come, everyone.

Flowering May

Is fresh and gay,

Come and greet the golden sun.

Come away,

Come and play,

Come, oh! come out, everyone!

To the Wind

Wind, wind,

Do you whisper eerie sonnets to the moon

As it rises white and sickled? Do you croon

Silver-coloured ditties pale and low

As you rock the cedar branches too and fro?

Do you sing to woo the bat,

Is it that, is it that?

Have you tunes for such a sullen little wraith,

Half dream, swooping high, scarcely seen, chiefly faith?

Would you hold a phantom to your breast

As you murmur gently love-notes from the west?

Wind, wind,

Every tree is but a harp for your desire,

Every leaf a mellow string to swell your choir,

Every grass a cooing reed

At your need, for your need,

Drums and clashing cymbals of the sea

Boom a pæan, hurl a flood of melody.

Wind, wind,

Men have snatched an air or two

Of a fantasy from you

And have prisoned them in books to make them stay,

Scattered fragments that your lips have blown this way.

Small and shy and thin and cramped and grave,

They are caged and tied to paper in a stave.

Do you mind,

Oh Wind?

But you laugh and troll out gaily on your way,

"Keep the fragments, little earth-men, dance and play,

'Tis a dainty roundelay,

Hold it, pray; hold it, pray.

For myself, my breath is fierce, myself am great,

For my tiny fallen airs I dare not wait;

Storms beneath my rushing wings unfurled

Roll the symphonies which dominate the world."

The Grey Wind

I have been, where never man went,

With the grey wind:

Far from the gorse and the wet earth scent

I have been.

I have seen, what no man hath seen

With the grey wind:

I have cowered down his knees between:

I have seen.

I have heard, what no man hath heard

With the grey wind:

The dry leaves crackle and snap at his word

I have heard.

I have heard, and I watched them fly

All the wild leaves

In a hustled crowd, to the stormy sky,

At his word.

And they swept in a whirlwind wan,

Churned by his breath,

Out to the windways, where never sun shone,

Forth they swept.

Whiles they leapt in a maddened dance,

Swung scatterwise;

Eddied and swirled to a swift advance

Till they crept

Spent and worn, in their frenzied fear,

Leaves of brown-gold

Chittering feebly in masses sere,

Crazed and slow:

And I know, what never man knew,

Those poor dead leaves

Are the souls of men the grey wind slew—

This I know.

Poeta Nascitur

Tho' all mayn't know it,

Rules only, never made a poet.

He thought to shape his writings into verse,

He pruned them down to language fixed and terse,

But finding that would give his tricks no play,

Spurned his reserve, and tried another way.

This time he dressed the naked words with care,

Trimmed them with adjectives and adverbs fair,

And studying every law of form and rhyme,

Pieced up his metre into studious time.

But still, whatever medium he chose,

His work remained poor, tortured, unsexed prose.

One dew-drenched eve, whilst pondering in the vale

He felt the leaves a-quiver in the dale—

Stooping, he caught a whisper from the sky

That slipped from out the twilight whimsically.

Its tender sorrow touched him as it fell,

Quickened his fancies, stirred his heart as well,

In reverent awe he heard its mystic call,

A heaven-born glory permeating all.

He did not dare to pin that whisper down

To words so peacocked in a flaunting gown,

The forms of metre he had conned so well

Were all inadequate that sigh to tell.

No further use that artificial code,

Those simpered rhymes, his petty bandbox mode

Of tight-packed trumpery. No need to pace

The solemn pavements of the commonplace.

Each little trick, each fantasy of art

Were stones that blocked th' outpourings of his heart.

He looked beyond the great inrushing sea,

Seeing at last the hidden things that be!

And of the wave he learnt a cadence sweet,

Strong as its life, a lilt of rippling feet,

Whilst from the wind that swept the answering trees

He culled the moaning rhythm of the breeze.

He weaved that whisper of the twilight sky

Into a poem, soft with melody,

It thrilled the soul in motion strong and free,

Wild as the wave, a break of ecstasy.

It kissed the borderland 'twixt heaven and earth,

Sweet in its passion, holy in its mirth—

And lo! a light gleamed through each noble line,

The wind crooned softly, starways seemed to shine—

That poem—was divine.

Queen Elizabeth

She would dance a Coranto, that the French Ambassador, hidden behind a curtain, might report her sprightliness to his master.—GREENE.

So Elizabeth danced

And the guest was entranced

As she tripped the Coranto, and curtseyed and swayed

In a robe of rich stuff,

Jewelled slashings and ruff,

And a stomacher stiff, thick with pearlings and braid.

Ho! he peeped round the curtain,

'Tis perfectly certain

Enraptured of mien

At the tiptoeing Queen,

In a courtly way, in a Frenchy way,

In a naughty way, in that Tudor day.

Yes, he peeped round the screen,

And he sniggered ("I ween,

This is only a woman to flatter and kiss,

A creature of vanity")—"Madam, what bliss

To have witnessed such grace, such elegant——" here

He could find no more words, and emotion 'twas clear

Choked all further utterance,

For never had such a dance

Entered his thought.

Such slippers! and ought

He to mention the hose?

All of silk to suppose?

Had the muse from Olympus stepped down for a while

Terpsichore style?

Then quite without guile

He bowed very low in his Frenchified way,

In that courtly way, of a far-off day,

And the laugh of the lady was merry and gay.

And all throughout Europe the fame of her spread,

Her frivolous tricks, and the foreigners said

It was only a princess, a slave to her pride,

True child of a mother a king had decried!—

So she thwarted and twisted the world to her whim

As he misunderstood her—she outwitted him!

Now one day it arose that King Philip of Spain,

Incensed at her folly, essayed yet again

To bring her to reason

Just at his own season.

So he sent his Ambassador, Spanish Mendoza,

To this slippery Queen, with a message sub rosa.

"Nay, by mine honour," she simpered. "How now,

Is it truce to my jest? 'Tis a pity I trow.

It were best to be merry!" She yawned very wide,

And the Spaniard furtively smiled at her side.

'Twas only a woman to flatter and kiss,

'Twould be easy to manage a creature like this!

Hard-headed and wise, sat the gaunt English Queen,

Her words were unyielding, her purse it was mean—

The Spanish Ambassador

Writhed like a matador!

Beaten and wounded, he played to her vanity.

—It was tucked out of sight—and with Spanish profanity

He cursed all the Protestants under his breath,

And committed them gently to burnings and death;

But never an inch did Elizabeth yield,

And the messenger saw that his mission was sealed,

In that far-off day.

And Elizabeth laughed

In a curious way

That was subtle with craft:

"Under favour, you may

Tell your master in Spain, that my country comes first.

I am England, and English, its best and its worst.

Tell him my subjects I love as my children,

Tell him they thirst but their mouths will be filled when

They meet him at sea.

Give that greeting from me."

Back to Madrid went that Spanish Ambassador,

Broken and bruised like a bull-beaten matador,

And he bowed very low

(It was etiquette so)

And he cried, "Oh, that Queen is the devil in sooth.

A fool, Sire, 'twas thought, for she danced so uncouth!

But her bargains are hard as her heart and her hand,

As her dreary dominions, her men and her land!

And never be gulled by her feminine vanity,

'Tis only a pose, all her vacant inanity!

Let us man an armada to crush her and raid her,

To send her to hell to the demons who made her!"

And they came, as you know:

Heavy ships big and slow

In a lumbering way, in a blundering way

In that Tudor day.

Proudly up channel their galleons swept,

Swiftly our pinnaces hustled and leapt

At their rear. Dogs tracking their prey

And biting and snapping

And snarling and yapping,

Delighted and fierce at the chance of a fray.

God! How the Spaniards fled in a panic

When our fire-ships had neared them,

And blazed them, and seared them,

Wrapping their hulks in red flamings Satanic!

God, how they scattered,

Slipped anchor, and shattered,

Sails tattered,

Masts battered,

Up to the north whilst a mighty sou'-wester

Rose wildly and strong, to hinder and pester

Their perilous flight; how they foundered and sank

On that treacherous bank,

Lost, lost evermore

On our alien shore.

With their grim freight of death

And the poisonous breath

Of scurvy and pestilence, hunger, despair,

The struggling remainder of galleons bear

Them back to the port of Corunna again,

All, all that is left to the pride of proud Spain.

Courageous and calm, with the valour of men

Elizabeth waited the chances; and then

"My children are fed

And their enemies dead,"

Cried the frivolous Queen.

Majestic of mien

She towered, her wisdom and high inspiration,

The might of a people, the soul of a nation.

L'Envoie

(And even to-day I will wager that no man

Can fathom the mind or the depths of a woman!)

The Death of Queen Elizabeth

Only

So lonely,

Was ever woman quite so lonely?

Clad in a rich bejewelled dress, unchanged

For nigh a week, her stiff ruff disarranged,

Her fierce eyes staring dully at the floor,

Fear on that face, which ne'er knew fear before—

Elizabeth.

Finger on lip she sits. Time has outgrown

That gorgeous England, which was once her own.

Those solemn courtiers pacing to and fro

Outside the palace, neither care nor know

The dying Queen is lonely!

Ha what was that? Plotters within the gate?

And she, contemptuous victim once of hate

And score of plots, plunges her naked sword

Thrice through the arras, which had never stirred—

Afraid!—Elizabeth?

Huddled amidst the pillows, gaunt and old,

She shivers, this gay daughter of a gold

Entrancing age. The debonair gallant

Who sang her, now the mocking sycophant.

The ministers she trusted, gone. The throne

She loved with all her passion, left for one

Of stock and seed she loathed. Mere English, she

Shrinks from the new and cold sobriety

Of chill advancing fashion. Only Death

To woo this poor—this great Elizabeth!

Was ever woman quite so lonely?

The Plea of the Antarctic

The best people to judge are those who served under Captain Scott. Had we been in the same place as the victims we should have wished our bodies to remain at rest where we had given our best efforts in the cause we earnestly believed in.—COMMANDER EVANS.

Out of the ice-bound realms a clear voice said,

"Give me the right to bury my great dead.

No green-girt lands can honour them as I,

Nor wrap them round in such pale purity.

"Leave them with me, alone in my white world,

Place England's flag above their cairns unfurled.

I need great souls! Great Hero souls to bless

And consecrate my snowy wilderness."

The Stranger in London

'Tis a big, big place!—

And the clouds that gather the grey skies in

Are frayed by chimneys black and old,

Serried stacks of grime and sin.

And every road and every street

Has a secret tale to guard and hold,

Mid the echoing tones of passing feet.

Oh weary place!

Brimmed up with life, confused in sound,

I have little part in your daily round,

For I wander lonely—stranger bound.

There are houses surely which open their door

To those they know,

For me they stand in a formal row

Story on story, floor upon floor,

Shielding themselves from the crimson sun,

From the on-rolling mutter

Of traffic and wagon, of footstep and cry,

With curtain and shutter.

Mute houses which shun

All light, sound and me

Inexorably.

Sometimes when I toss on my pillow at night,

When the spluttering rain

Spreads the smuts on the pane,

I dream that those mansions relax their grim pride

And opening wide

Their intimate hearts to me,

Chill taciturnity

Melts in the warmth of rich colour and fire.

Vast halls are alight

With radiant desire

To show hospitality.

Lavish regality

Squanders the staircase in flowers and green.

And I wander unseen

Through the great pillared corridors, kiss the soft red

Of the shimmering hangings; the sensuous glow

Ablaze in the hearth thrills me throughly, I know

There is place for me there, in those homes I thought dead.

But sleep's "Open, Sesame"

Fails with the light,

Forcing the hopes of me

Back into night.

Never to open, never to see

Stern cold houses

Closed to me!

Gathering storms which smirch the sky,

Burst your bonds, for up on high

May I come in?

I have no part in this world, no home,

No love to hold me. Bid me come,

I would warm myself at your great round sun,

I would open your windows one by one.

Your little stars and your crescent moon.

I am tired and thin,

I think I shall come and see you soon.

May I come in, may I come in?

The Transvaal in June

Under the deep blue vault

Of a hot relentless sky,

Burns the hot red deep, and the hot red road,

And the choking dust like a rust corrode

Soars up in spirals high.

Under the sun-gilt span

Of a hot and brazen sky,

Cries the thirsty drift for a summer rain,

Baring its naked stones in vain

And its mud in misery.

Under the cloudless curve

Of a wide remorseless sky

Sleeps the patchy scrub of the sweeping veld

And the slim blue gums, and the wattle belt

Where the shrike broods watchfully.

Under the sullen glare

Of the grim unblinking sky

The hot dorp pants, the red roofs daze,

The mule tracks scorch, the iron-stones blaze

In their sun-struck agony.

Johannesburg

Miraculous city!

Thoughts stupendous to crush the wise,

Buildings monstrous which brush the skies!

Raise your eyes

In awe. Yet pity

This marvellous, golden, mushroom city.

Hear the roar!

Like the moan of the sea, when the wave curls back

From the granite rock which whirls it back,

A great unceasingly grinding drone

In a heavy unyielding monotone.

'Tis the frenzied wail of the lost in pain,

The shriek of the damned raised in vain,

Again! again!

And the stamping machine with a brutal joy

Wrenches the gold from its quartz alloy,

Crushing the tortured stone to dust

As it yields the ore

To the vast unquenchable thirst for lust.

Feel the south wind!

As it sweeps the veld with its icy breath,

Biting the scrub with its teeth of death,

lifting the dust like a phantom shroud

From the tailing heaps, in a veil of cloud.

Scattering the belching smoke, which flies

From the chimney line that marks the rise

Of the Main Reef ridge.

Some devil's bridge

To bind the town to the broad full plain

Which rolls beyond, like the boundless main.

Precocious town!

The forward child of a youthful state

So young in years. So rich, so great

In gilt renown,

And glittering fate!

Oh! ponder deep, all ye! Yet pity

This marvellous, golden, old-young city!

In the Land of the Silences

She stood before the tent, a winging tent

In thicknesses of canvas, taut and strong,

Burning beneath a sun unreticent,

Raised upon planks, and lashed with rope and thong.

And she was fair, a sprig of English May,

Born for the kiss of merriment and day.

Wide from the tent, like swell on swell of sea

The great veld swept and rolled in curves away,

A shabby patch of God's eternity

Neglected by the angels, bare and grey,

Wind-swept and solitary. Dick and she

Had made this veld their home for seasons three.

Well she remembered that first reckless ride,

Their wedding journey over spruit and land,

The barbed-wire straggling snares, the kopje side,

The crumbling blockhouse dreaming of command,

Holding a loot of empty pot and tin,

Which once had held a soldier guard within.

The mud-dogged drift, the dust all baked and red

Twisting in spiral devils, raw as rust,

Those lonely crosses leaning on their dead,

Murmuring Africa was never just.

"She knows no pity," shrieked the fierce South wind,

"She steals your youth and stultifies your mind."

On, on they flew, past Kaffir boom and kraal,

Thorn wacht-een-beetje, fleshy aloe clump,

Through the charred stretches of the high Transvaal,

By meerkat hole, and rounded white-ant hump

Of tunnelled earth. She laughed; the air was wild,

Strong with exhilaration, undefiled.

At last they reined. Across the scrub and veld

Dick pointed with his sjambok to the white

Outspreading tent, then to the wattle belt

That marshalled thinly in the shimmering light.

"There lies our home, dear love, for you and me."

She looked up gladly, smiled him tenderly.

Summer had followed winter, radiant, rich,

Reckless with life, extravagant in bloom,

Mad for the first wild draught of water, which

Burst from the thunder-clouds, whose massive gloom

Blackened the skies, then splitting, ripped and tore

Deep gorges through the tracks, with deafening roar.

The storms swept by. A fairyland of green

Mantled the waking plains; wide star-like flowers

Sprang to their feet; the streams ran strong and clean,

The soft mimosa sprinkled into showers

Of golden balls. The oleander hedge

Swayed to the line of gums with leaves on edge.

And it was summer now. Beth crossed the sloot,

Grown arrogant with rains, which lapped her square

Of gorgeous garden, swirling to the spruit

Beyond, in childish hurry. Was he there?

She scanned the far horizon. No, no sign—

Of man or beast to break the distance line.

Stay, was that he beyond the drift? Ah no,

Only her wishes trembling in the air

And mirage heat. A train sedate and slow

Wheeled round the kopje far away. The glare

Of brazen sun beat in her eyes. Too late!—

He would not come to-night! In lonely state

She must endure these o'ercharged dragging hours,

This th' unspoken horror of her life,

The dread that sapped her strength, and drained her powers,

The guarded secret of a brave man's wife!

Dick would come back to-morrow with the light

Of morn. But fear would be her Lord to-night.

Beth turned her to the stoep. With sensuous breath

The moonflower drenched the garden in its scent,

Ardent, voluptuous, and white as death

It hung long blossoms, heavy with intent.

The morning glories folded into sleep.

Lay purple in undress, and slumber deep.

Behind the wattles rose the circled moon,

Splashing her silver over poort and track.

The boys went chattering to their kraals, and soon

Long shadows ribbed the tent in white and black.

Beth closed the entrance fast, then slowly sped,

A lonely woman, to a lonely bed.

*   *   *   *   *

Come away,

Come away,

Come, come, come away,

For the moon,

For the moon

Wove a shroud in the day,

All of white,

All of white,

Which she flings over all

In the night,

In the night

Like a pall,

In the night, in the night.

Come away,

Come away,

Come, come, come away,

For the moon,

For the moon

Threw my blossoms a ray,

They are white,

Deadly white,

And their petals are pale,

Wan and light.

Do not fail,

Come away—in the night.

Come away,

Come away,

Come, come, come away,

For the moon,

For the moon

Wove a shroud in the day,

And my scent,

Oh my scent

Which I waft over all,

Is of death!

Feel its breath!

And the moon made a pall

Which she lent to us all,

To us all!

Come away.... Come away,

Come,

Come,

Come....

"Come, come!"—The sleeper moved. An argent shroud

Woven with silver cross-stitch into stars.

Was that the moonflower singing from the cloud?

Why were its petals bruised and veined with scars?

"Come!"—It was not the moonflower. Wide awake

Beth started up. That voice!—For pity's sake!

That dear loved voice. The midnight echoed clear,

Rang with that urgent summons from the veld,

That startling premonition. Far and near

Cries shivered through her brain. Dick's voice. She felt

It vibrant in her ears. A call, for her.

She sprang up quickly, every sense astir.

Down past the shadowed garden, through the kloof,

She knew the way, she followed to the cry.

No stealthy footpad, sound of howl or hoof

Could scare her in the awful mystery

Of God-begotten knowledge. Dick had called,

Terrestrial things nor checked her, nor appalled.

"This is the shroud," she murmured. Over all

The moon had spread her splendour, cold and white.

"This is the shining drapery, the pall,

This hoary sheet of clean pellucid light."

Grasping a small revolver in her hand

She hurried on, across the broken land.

A mighty Silence wrapped the veld in dreams.

The breath of night hung in the soundless air.

A wilderness unknown, unconquered streams

Lay with the Universe, at one, to dare

In majesty of nature, undisturbed

The flux of centuries, untrod, uncurbed.

The white world grew before her. Silhouettes

Of shadowed kopjes struck against the sky.

The vlei gleamed fitfully. With sharp-edged frets

The coarse grass cut the horizon lustily.

The dancing moonway on the swollen drift

Broke into patterns on the current swift.

Thwarted. Beth stared in piteous dismay.

A frantic river, wild with recent rains,

Largened beyond all daring, barred her way.

Flooding the plains, drunk with illicit gains

It dashed with savage fury, tossing high

Its waters over bank and boundary.

The girl looked anxiously around. Below

The river widened, shallowing its bed,

Seeming to flow on leisurely and slow.

Above, it narrowed to a ravine, fed

By the Fountains. Three bald-headed rocks

Stood solemnly midstream on thick-set hocks.

Straightly she turned towards the upper reach.

The portly rocks as old and grey as time

Offered a bridge. On past the sunken beach

Of unclean ooze, the sea of gathered slime,

Across the hunching boulders, where the course

Of huddled waters broke their angry force.

Climbing from rock to rock, from crest to crest,

She threw her weight upon the further bank

Into a clod of mud, whose squelching breast

Received her greedily. She seized the rank

Wild clumps of herbage with her hands, then strove

Until she reached the trusty ridge above.

Over the drift! The whisperings of her soul

Soothed every hindrance to a thing of naught.

The billowing veld, its tawny ceaseless roll

Was but the highway to the end she sought.

Love was her pilot, and by love controlled

Its radiance led her, like the Star of old.

Far to the east a straggling knot of trees

Hinted a farm was nestling in their rear,

The scent of flowers floated on the breeze,

The cattle in their kraals, in safety near

Drowsed in the heavy slumber hours of night.

But to the west she hurried, in her flight.

On, on past trackless scrub, where all around

Like shapeless monsters bulging heap on heap,

Crouched the vast ant heaps on the virgin ground.

And winding in and out them, pressed and deep,

Two wheel spoors scarred the earth. She traced the curve

The cart had chiselled in a sudden swerve.

With feverish haste she followed line on line

Each deep-hewn rut that carved itself in sand.

Here by the grace of heaven was a sign,

A way to realise her dream's command,

Her instinct's prophecy. God! what was that?

Rending the Silences with tear and scrat.

Again! That shot! Then all the world lay still,

Calm in the deep placidity of strength

That recks for nothing human. Passive till

Man desecrates its hallowed peace at length.

But to that sound she fled. For Dick lay west,

His wide eyes staring, blood upon his breast.

Dead, with his face against the cart-wheel. Dead.

A scarlet river flowing, flowing—oh!

His lips were red, his hands—the plains were red!

She knelt beside him, spoke him loudly so

He needs must hear. She bound his wounds in vain,

That nerveless heap would never speak again.

Dawn came at last. No need to wail or cry,

Dick was beyond all help, and none would hear.

She clasped him in her full-souled agony,

Feeling the young gold morning, fresh and clear,

Yet seeing nothing. Stunned to outward things,

She only knew the dullness sorrow brings.

And in her numbness heeded not the red

Tall grasses swaying as they bowed and bent

Beneath a crawling Kaffir, or his head

Rear up, a cringing caterpillar sent

To rob the great white Baas; for plenty slow

Some white men take to die, as black men know.

But if the Baas were dead, beyond all doubt

Slink could be brave. His belly clave the ground.

Had anybody heard the white man's shout,

Caught by the kopjes, echoed in rebound?

Ach! how he wriggled! Now the cart was Slink's,

The scoff, the silver watch, the fiery drinks.

And look, the mules outspanned were plenty good,

So was the stolen gun. He reached the pool

Of crimson where the two-wheeled Cape-cart stood.

He slithered nearer, wet in dewdrops cool,

His rough patched trousers soaked, then sneaking round

Peeped from his vantage to the bleeding ground.

Spooks!—His eyes bulged, down dropped his brutal jaw.

Rooted to where he clung, a-sweat with fright,

The cramps of terror gripping at his maw.

Spooks!—Pallid spooks! He shrieked away the sight

Till the wide veld was reeling. Blurred and pale

A spook arose, to follow on his trail.

It glided nearer, nearer—nearer yet,

Tall as the English mysi far away!

His tongue stuck in his throat, and bleeding wet

He saw the master sitting up at bay!

He heard his name, he heard the still air crack,

Then dropped astonished, wondering, on his back,

Till every spook had vanished. Slink had gone

To make a longer trek, where plains were dim.

And haggard-eyed and worn, stern vengeance done,

Beth huddled by the poor stiff clay of him

She loved, the smoking weapon in her hand

To scare the scavenger of carrion brand.

The hours crawled by. Soaked through with thunder rains

She kept her vigil, loosening her hair

In shining masses o'er him. Wild refrains

Of piteous croonings and of vague despair

Crept to her lips, then died away, unsung,

Hiding their tunes, her shattered dreams among.

*   *   *   *   *

Jan Rissik trekked him homeward. Half a day

To Cellier's farmstead more. The patient team

Of oxen, plodding slowly on their way,

Bent to the nekstrop. Huick! a thin sharp gleam

Of curling whip flicked at the leader, clean,

Sure as a rapier thrust, and long and lean.

The voorlooper strode on ahead. The boys

Marched to the rhythm of a sing-song chaunt

To ease their work. The wagon's lumbering noise,

The cheering of the oxen, stormed the haunt

Of nature. 'Neath the awning, broad and square

Sat Rissik's vrouw, worn with maternal care.

Her children nestled round her. Two hours yet!

The Dutchman whistled as he jogged along

In leisured haste. He licked his thick lips wet

To loose his tune. A heavy winging throng

Of gorging vultures, black as devil's brood,

Rose swearing on the air, with protests crude.

Some rotting beast! Jan Rissik raised his eyes

To watch the swart aasvogel[B] in their flight,

Cracking his whip to dissipate the flies

That swarmed in thousands. Pestilential! Right

Where his oxen wended, straight in front!

He clambered from his seat with angry grunt,

And pious prayer politely blended, sure

The Powers above would note the quoted text,

Nor heed the fact that while he prayed, he swore!

His keen eyes swept the veld, grave and perplexed.

Two mules strayed fettered by the reim, outspanned,

A cart unhitched, stuck in the khaki sand.

Jan pulled his slouch hat down, and stroked his beard.

The harsh birds croaked, the dingy clotted brown

That stained the earth confirmed the tale he feared.

A woman in the burning dust stooped down

Over a crumpled figure; and a sheen

Of golden tresses veiled it, like a screen.

She rocked her too and fro, a little breath

That might be song, or might be strangled word

Broke from her now and then; but only death

Lay in her arms and answered not, nor heard.

"Come away, come away,

Come, come, come away,

For the moon, for the moon

Made a shroud in the day.

Come away, come away, come, come, the moon,

The flowers are calling, Dick—my love, come soon."

Some hundred yards—Pah! Jan felt strangely sick—

She must have dragged that fearful thing away,

The devil's brood had claimed. The Rooinek

Was safe. Heaven knew how desperate the fray!

The fierce shot spent, the havoc, showed too well

Her awful battle with those fiends from hell.

He spoke her in the Taal; he touched her hand;

She scarcely moved, but with a tear-stained smile

Babbled in words he could not understand,

Nodding her head towards the plains the while.

"The other one is dead. He was so black.

He killed my husband, so I killed him back.

"I want to lay the moonflowers on Dick's breast,

They told me he was calling, so I came;

They kept on nodding, nodding to the west,

I want to have those moonflowers, the same

That told me. Dick is dead. So cold and dead

I don't remember all the flowers said.

"But if we are not very quick, the shroud

Of silver cross-stitch, woven star on star,

Will be quite stolen by the thunder-cloud,

It's creeping, creeping, growling from afar."

"Ja, Ja," the old Boer nodded. "Both are dead."

"One must be buried!" so the good vrouw said.

They laboured hard to dig the white man's bed,

Jan Rissik and his trusty man and boys,

Then laid him gently down. With prayer unsaid

But beating at her throat, no word that cloys

Or mars itself in speech—Beth flung the sod

Over her love—and left him there—with God.

Only a dusty mound to mark his grave,

A dream out-dreamed, a tiny buried cross

From off her neck. The Lord had called, who gave

His rich Acceptance that the world deems loss!

Father, forgive us! For our eyes that see

Only our sorrows—when we should see Thee!

*   *   *   *   *

To Cellier's farm Jan Rissik trekked at morn.

The English girl lay sleeping in his cart

Clasped to the Dutch vrouw's breast. No longer torn

By grief and passion, human fears, her heart

Was now at rest; her Christ-soul lulled to peace,

Her hands outstretched, to meet the Great Release.

[B] Aasvogel—vultures.

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Table of Contents

PROVOCATIONS

PROVOCATIONS BY SIBYL BRISTOWE

INTRODUCTION

CONTENTS

The Great War

My London Garden, 1914

My Garden, 1918

Over the Top!

To His Dear Memory (April 14th, 1917)

Sorrow

Alas!

A Sacrament

The Love-shed Tear

Madonna Granduca and Child

A Vision of a Day that is Past

Bitterness Casteth Out Love

The Hour of Happiness

Thoughts

The Things Unsaid are the Things that Count!

The Song of the Long Ago

The Sinner's Dreaming

Woman

Christmas

February

Oh! 'Tis May

To the Wind

The Grey Wind

Poeta Nascitur

Queen Elizabeth

L'Envoie

The Death of Queen Elizabeth

The Plea of the Antarctic

The Stranger in London

The Transvaal in June

Johannesburg

In the Land of the Silences

THE FULL PROJECT GUTENBERG LICENSE