The Project Gutenberg eBook of Notes and Queries, Number 179, April 2, 1853.

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Notes and Queries, Number 179, April 2, 1853.

Author: Various

Editor: George Bell

Release date: March 31, 2007 [eBook #20954]

Most recently updated: May 20, 2007

Language: English

Credits: Produced by Charlene Taylor, Patricia A Benoy, Jonathan

Ingram and the Online Distributed Proofreading Team at

http://www.pgdp.net (This file was produced from images

generously made available by The Internet Library of Early

Journals.)

*** START OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 179, APRIL 2, 1853. ***

Transcriber's Note: This text contains accented Greek. You may want to change fonts if the accented Greek renders as boxes on your monitor. If your system allows for it, hovering over the Greek text will show a transliteration. Archaic spellings such as Ffurther and pseudonymes have not been modernized.

NOTES AND QUERIES:

A MEDIUM OF INTER-COMMUNICATION

FOR

LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."— CAPTAIN CUTTLE.

No. 179.]

SATURDAY, APRIL 2. 1853.

Price Fourpence.

Stamped Edition, 5d.

CONTENTS.

NOTES:—

Page

Jack, by John Jackson

325

Mythe versus Myth, by Thomas Keightley

326

Witchcraft in 1638

326

St. Augustin and Baxter, by E. Smirke

327

FOLK LORE:—Subterranean Bells—Welsh Legend of the Redbreast

328

Johnsoniana

328

MINOR NOTES: —White Roses—Fifeshire Pronunciation —Original Letter—Erroneous Forms of Speech

329

QUERIES:—

Eustache de Saint Pierre, by Henry H. Breen

329

Passage in Coleridge

330

MINOR QUERIES: —Cann Family—Landholders in Lonsdale South of the Sands—Rotation of the Earth — Nelson and Wellington—Are White Cats deaf?— Arms in Dugdale's "Warwickshire," &c.—Tombstone in Churchyard—Argot and Slang—Priests' Surplices—John, Brother German to David II.— Scott, Nelson's Secretary—The Axe which beheaded Anne Boleyn—Roger Outlawe—"Berte au Grand Pied"—Lying by the Walls—Constables of France— St. John's Church, Shoreditch

330

MINOR QUERIES WITH ANSWERS:—Sir John Thompson —Ring, the Marriage—Amusive—Belfry Towers separate from the Body of the Church—An Easter-day Sun

332

REPLIES:—

Hamilton Queries, by Lord Braybrooke, &c.

333

The Wood of the Cross

334

Edmund Chaloner, by T. Hughes

334

"Anywhen" and "Seldom-when:" unobserved Instances of Shakespeare's Use of the latter, S. W. Singer

335

Chichester: Lavant, by W. L. Nichols

335

Scarfs worn by Clergymen, by Rev. John Jebb, &c.

337

Inscriptions in Books, by Russell Gole, George S. Master, &c.

337

PHOTOGRAPHIC NOTES AND QUERIES:—Head-rests— Sir W. Newton's Explanations of his Process—Talc for Collodion Pictures

338

REPLIES TO MINOR QUERIES:—Portrait of the Duke of Gloucester—Key to Dibdin's "Bibliomania"—High Spirits a Presage of Evil—Hogarth's Works—Town Plough—Shoreditch Cross and the painted Window in Shoreditch Church—Race for Canterbury—Lady High Sheriff—Burial of an unclaimed Corpse—Surname of Allan—The Patronymic Mac—Cibber's "Lives of the Poets"—Parallel Passages, No. 2.: Stars and Flowers—Schomberg's Epitaph—Pilgrimages to the Holy Land—Album—Gesmas and Desmas—"Quod fuit esse"—Straw Bail—Pearl—Sermons by Parliamentary Chaplains, &c.

338

MISCELLANEOUS:—

Notes on Books, &c.

345

Books and Odd Volumes wanted

346

Notices to Correspondents

346

Advertisements

346

Notes.

JACK.

I wish to note, and to suggest to students in ethnology, the Query, how it comes to pass that John Bull has a peculiar propensity to call things by his own name, his familiar appellative of Jack?

Of all the long list of abbreviations and familiar names with which times past and present have supplied us, that which honest Falstaff found most pleasing to his ears, "Jack with my familiars!" is the household word with which ours are most conversant. Were not Jack the Giant-killer, Jack and the Bean-stalk, and Little Jack, the intimates of our earliest days? when we were lulled to sleep by ditties that told of Jack Sprat and his accommodating wife (an instance of the harmony in which those of opposite tastes may live in the bonds of wedlock); of Jack, the bachelor who lived harmoniously with his fiddle, and had a soul above the advice of his utilitarian friend; of Jack who, like Caliban, was to have a new master; of Jack[1] the brother of Gill; and of the Jack who was only remarkable for having a brother, whose name, as a younger son, is not thought worthy of mention. And were not our waking hours solaced by songs, celebrating the good Jack[2], little Jack Horner, and holding up to obloquy the bad Jack, naughty Jacky Green, and his treachery to the innocent cat? Who does not remember the time when he played at jack-straws, fished for jack-sharps, and delighted in a skip-jack, or jack-a-jumper, when jack-in-a-box came back from the fair (where we had listened not unmoved to the temptations of that eloquent vagabond cheap-Jack) and popped up his nose before we could say Jack Robinson; and when Jack-in-the-green ushered in May-day? While a halo of charmed recollections encircles the memory of Jack-pudding, dear to the Englishman as Jack Pottage and Jack Sausage (Jean Potage and Hans Wurst) are to Frenchman and German.

Our childhood past, Jack still haunts us at every turn and phase of our existence. The smoke-jack and bottle-jack, those revolutionary instruments that threw the turnspit out of employment (and have well-nigh banished him from the face of the earth), cook the Jack hare, which we bring in in the pocket of our shooting-jacket. We wear jack-boots, and draw them off with boot-jacks; prop up our houses with jack-screws; wipe our hands on jack-towels; drink out of black-jacks, and wear them on our backs too, at least our ancestors did; while flap-jacks[3] gave a relish to their Lenten diet, jack-of-the-clock[4] told them the hour; Jack priests held rule over them; and gentle exercise at the jack, at bowls, helped them to digest their dinners. We ride upon jack-asses; jacks flourish in our fish-ponds; jack-a-lanterns and jack-snipes flit over our bogs, the one scarcely less difficult to capture than the other; jack-daws multiply in our steeples, and jack-herons still linger about our baronial halls.

The four jack knaves, jack-a-lents, jack-a-dandies, jack-a-nasties, and jacks-in-office (jack-an-apeses every man jack of them), with that name fraught with mysterious terror, Jack Ketch, are the scape-graces of this numerous family; and, at every Jack who would be the gentleman, at a saucy Jack who attempts to play the jack with us, our indignation rises, like that of Juliet's nurse. But, on the whole, Jack is an honest fellow, who does his work in this life, though he has been reproached with Tom's helping him to do nothing; but let the house that Jack built vindicate him from this calumny. Jack, we repeat, is an honest fellow, and is so more especially, when as Jack-tar (Heaven protect him from Jack-sharks both on sea and shore!) he has old Ocean beneath, and the union-jack above him. Of black and yellow jack, who are foreigners, we make no mention; neither of Jack-Spaniards, nor of Jacko the monkey, whom we detest; but, go where we will, Jack meets us, and is master of all trades, for that we hold to be the right, though, we are aware, not the usual version of the saying. In short, with Merry Andrews, Jerry Sneaks, Tom Noddies, and Silly Simons, we may all have a casual acquaintance; but Jack, sweet Jack, kind Jack, honest Jack, Jack still is our familiar.

JOHN JACKSON.

Footnote 1: (return)

Jack and Gill were measures. "Wherefore," says Grumio, "be the Jacks fair within and the Gills fair without," meaning the leathern jacks clean within, and the metal gills polished without.

Footnote 2: (return)

His character has suffered by antiquarian research, which tells us that the song was made on a Colonel Horner, intrusted by the last Abbot of Wells with a pie, containing the title-deeds of the abbey, which he was to deliver to Henry VIII., and that he abstracted one for his own purposes, whereupon the abbot was hanged.

Footnote 3: (return)

The old name for pancakes. Slap-jacks is their present name in America.

Footnote 4: (return)

The figure which struck the hour, as on the old clocks of St. Dunstan's, and of Carfax in Oxford.

MYTHE VERSUS MYTH.

When I first began to write on Mythology, I followed the Germans in using mythus for the Greek μῦθος. I afterwards thought it would be better to Anglicise it, and, strange to say, I actually found that there was a rule in the English language without an exception. It was this: Words formed from Greek disyllables in ος, whether the penultimate vowel be long or short, are monosyllables made long by e final. Thus, not only does βῶλος make bole, but πόλος pole, πόρος pore, σκόπος scope, τόνος tone, &c.; so also γῦρος, gyre; θύμος, thyme; στῦλος, style; κύβος, cube, &c.: I therefore, without hesitation, made an English word mȳthe. Mr. Grote, in his History of Greece, has done the very same thing, and probably on the same principles, quite independently of me; for, as I am informed, he has never condescended to read my Mythology of Greece and Italy, perhaps because it was not written in German. We have had no followers, as far as I am aware, but Miss Lynn, in her classical novels, and Mr. J. E. Taylor, in his translation of the Pentamerone, &c.

Meantime the English language had got another form of μῦθος, namely, my̆th, which I believe made its first appearance in Mr. Cooley's Maritime and Inland Discovery, and so has the claim of priority, if not of correctness. This form has been so generally adopted, that it seems likely ere long to become a mere slang term. It is used for every kind of fiction whatever; indeed, I have seen it employed where the proper word would be hoax. Nay, to make matters worse, it is actually used of persons. Mrs. Harris, for instance, has been termed a myth, as also was Robin Hood, not long since, even in "N. & Q."! I wonder how Apolodorus would have looked, if he had heard Orion or Polyphemus called a μῦθος!

Do I then expect the people of England to surrender their glorious privilege of going wrong without let or hindrance, in matters of grammar and etymology? Far from me be such folly and presumption. All I venture to expect is, that men of learning and good sense will, when they are speaking or writing about those venerable fictions which once commanded the assent of polished nations, use the more dignified term mȳthe, and the adjective mythic, instead of the hybrid mythical, leaving the poor unhappy little my̆th to be bandied about at the popular will and pleasure.

THOS. KEIGHTLEY.

WITCHCRAFT IN 1638.

I inclose you an extract from an old document in my possession, which appears to be the examination of two witnesses against one Mary Shepherd for witchcraft. The nature of the offence is not specified. Perhaps it may be interesting to some of your readers.

The Exam̅ of Jone Coward of Wareham, taken upon Oath the 28 March, 1638.

Who sayth, yt about Midsomer last past one Mary Sheapheard of Wareham did pull of one of this Exm̅t̅'s stockings, and within 2 howers after this Exn̅t̅ was taken in all her limbs that she could not stur hand or foot, where upon this Exn̅t̅ considered that the forsd Mary Sheapheard had done her that hurt, and forth wth cryed out upon the sayd Mary Shep. (though the sayd M. Shep. was not present), where upon this Exm̅t̅'s mother went unto the house of M. Shep. to perswaed her to come downe to this Exn̅t̅; but the sayd M. Shep. would not. Whereupon this Exn̅t̅'s mother went unto the Mayor of the Town, who com̅anded the sd M. Shep. to goe to this Exan̅t̅. At length the sd Ma. Shep. accordingly did (and being coe̅), she did wring this Exn̅t̅ by the hande, and pesently this Exn̅t̅ recouered. Ffurther, the Exn̅t̅ sayth, yt about ye 24 of July next followinge, this Exn̅t̅ was taken in ye like manner ye second time, wth her hands and feet wrested about, and so sent for the sd M. Shep., who instantly pulled the Exn̅t̅ by the hands, and pesently the Exn̅t̅ recovered again.

JONE COWARD.

Joane Coward de Warha̅, spinster £xx,

To appear and give evidence at the next assizes agn̅t̅ Ma. Sheapheard.

The Exam̅ of Ann Trew, single woman, of Wareham, taken upon Oath as aforsd.

Who sayth, yt on ye 16th of March last past she saw Mary Shep. come into ye house of Joh. Gillingame, and likewise saw Ed. Gillingame come down bare-footed very well, without any lamnesse or sickness at all, and pesently after ye sayd Mary Shep. had pulled on the legginge upon the legge of ye sd Ed. Gill., he fell instantly both lame and sick. Further, the Exn̅t̅ asked the sd Ed. Gill. (in the time of his sickness) what Ma. Shep. did unto him, who answered, she did put her hand upon his thigh.

ANN TREW.

Anne Trew de Warha̅, spinster £xx,

To appear and give evidence at next assizes agn̅t̅ M. Shepheard.

I should like to know if the effect of her supposed sorcery could be attributed to mesmerism. The document in my possession appears to be original, as Jone Coward's signature is in a different hand to that of the examination.

J. C. M.

Spetisbury.

ST. AUGUSTIN AND BAXTER.

I am not aware that any author has pointed out a remarkable coincidence in the Confessions of St. Augustin and of Baxter:

"Divers sins I was addicted to, and oft committed against my conscience, which, for the warning of others, I will here confess to my shame. I was much addicted to the excessive and gluttonous eating of apples and pears, which, I think, laid the foundation of the imbecility and flatulency of my stomach.... To this end, and to concur with naughty boys that gloried in evil, I have oft gone into other men's orchards and stolen the fruit, when I had enough at home.... These were my sins in my childhood, as to which conscience troubled me for a great while before they were overcome."

Sir W. Scott cites the above passages in his Life of Dryden, with sharp comments on the rigid scruples of the Puritans:

"How is it possible," he says, "to forgive Baxter for the affectation with which he records the enormities of his childhood?... Can any one read this confession without thinking of Tartuffe, who subjected himself to penance for killing a flea with too much anger?..."

It probably did not occur to the biographer, that no less illustrious a saint than Augustin, to whom Puritanism can hardly be imputed, had made a parallel confession of like early depravity many centuries before. Enlarging on his own puerile delinquencies, and indeed on the wickedness of children in general, he confesses that, in company with other "naughty boys" ("nequissimi adolescentuli"), he not only stole apples, but stole them for the mere pleasure of the thing, and when he "had enough at home":

"Id furatus sum quod mihi abundabat, et multo melius. Nec eâ re volebam frui quam furto appetebam; sed ipso furto et peccato. Arbor erat pirus in viciniâ vineæ nostræ pomis onusta, nec formâ nec sapore illecebrosis. Ad hanc excutiendam atque asportandam, nequissimi adolescentuli perreximus nocte intempestâ; et abstulimus inde onera ingentia, non ad nostras epulas, sed vel projicienda porcis, etiamsi aliquid inde comedimus.... Ecce cor meum, Deus meus, ecce cor meum, quod miseratus es in imo abyssi!"—Confessionum, lib. ii. cap. iv.

In comparing the two cases, the balance of juvenile depravity is very much against the great Doctor of Grace. He does not seem to have had even a fondness for fruit to plead in extenuation of his larceny. He robbed orchards by wholesale of apples, which, by his own admission, had no attractions either of form or flavour to tempt him. Yet the two anecdotes are so much alike, that one would be inclined to suspect one story of being a mere recoction of the other if it were possible to doubt the veracity of Richard Baxter.

The incident, however, is one too familiar in schoolboy life to make the repetition of the story a matter of surprise. The property in an apple growing within the reach of a boy's hand has from time immemorial been in peril, and the law itself has not always regarded it as an object of scrupulous protection. The old laws of the Rheingau, and (if I mistake not) of some other states, warranted a wayfaring man in picking apples from any tree, provided he did not exceed the number of three.

E. SMIRKE.

FOLK LORE.

Subterranean Bells (Vol. vii., pp. 128. 200.).—In answer to J. J. S.'s inquiry, I beg to state, that at Crosmere, near Ellesmere, Shropshire, where there is one of a number of pretty lakes scattered throughout that district, there is a tradition of a chapel having formerly stood on the banks of the lake. And it is said that the belief once was, that whenever the waters were ruffled by wind, the chapel bells might be heard as singing beneath the surface. This, though bearing on the subject of "submarine" or "subaqueous," rather than "subterranean" bells, illustrates, I think, the tradition to which J. J. S. refers.

J. W. M.

Hordley, Ellesmere.

Welsh Legend of the Redbreast.—According to my old nurse (a Carmarthenshire woman), the redbreast, like Prometheus, is the victim φιλανθρώπου τρόπου . Not only the babes in the wood, but mankind at large, are indebted to these deserving favourites. How could any child help regarding with grateful veneration the little bird with bosom red, when assured—

"That far, far, far away is a land of woe, darkness, spirits of evil, and fire. Day by day does the little bird bear in his bill a drop of water to quench the flame. So near to the burning stream does he fly, that his dear little feathers are scorched: and hence he is named Bron-rhuddyn.[5] To serve little children, the robin dares approach the Infernal Pit. No good child will hurt the devoted benefactor of man. The robin returns from the land of fire, and therefore he feels the cold of winter far more than his brother birds. He shivers in the brumal blast; hungry, he chirps before your door. Oh! my child, then, in gratitude throw a few crumbs to poor red-breast."

Why, a Pythagorean would have eaten a peacock sooner than one of us would have injured a robin.

R. P.

Footnote 5: (return)

Bron-rhuddyn = "breast-burnt," or "breast-scorched."

JOHNSONIANA.

I inclose you a transcript of a letter of Boswell's which I think worthy of being permanently recorded, and am not aware of its having been before in print.

Edinburgh, 11th April, 1774.

Dear Sir,

When Mr. Johnson and I arrived at Inveraray after our expedition to the Hebrides, and there for the first time after many days renewed our enjoyment of the luxuries of civilised life, one of the most elegant that I could wish to find was lying for me, a letter from Mr. Garrick. It was a pineapple of the finest flavour, which had a high zest indeed amongst the heath-covered mountains of Scotia. That I have not thanked you for it long ere now is one of those strange facts for which it is so difficult to account, that I shall not attempt it. The Idler has strongly expressed many of the wonderful effects of the vis inertiæ of the human mind. But it is hardly credible that a man should have the warmest regard for his friend, a constant desire to show it, and a keen ambition for a frequent epistolary intercourse with him, and yet should let months roll on without having resolution, or activity, or power, or whatever it be, to write a few lines. A man in such a situation is somewhat like Tantalus reversed. He recedes, he knows not how, from what he loves, which is full as provoking as when what he loves recedes from him. That my complaint is not a peculiar fancy, but deep in human nature, I appeal to the authority of St. Paul, who though he had not been exalted to the dignity of an apostle, would have stood high in fame as a philosopher and orator, "What I would that do I not." You need be under no concern as to your debt to me for the book which I purchased for you. It was long ago discharged; for believe me, I intended the book as a present. Or if you rather chuse that it should be held as an exchange with the epitaphs which you sent me, I have no objection. Dr. Goldsmith's death would affect all the club much. I have not been so much affected with any event that has happened of a long time. I wish you would give me, who am at a distance, and who cannot get to London this spring, some particulars with regards to his last appearances. Dr. Young has a fine thought to this purpose, that every friend who goes before us to the other side of the river of death, makes the passage to us the easier. Were our club all removed to a future world but one or two, they, one should think, would incline to follow. By all means let me be on your list of subscribers to Mr. Morrell's Prometheus. You have enlivened the town, I see, with a musical piece. The prologue is admirably fancied arripere populum tributim; though, to be sure, Foote's remark applies to it, that your prologues have a culinary turn, and that therefore the motto to your collection of them should be, Animus jamdudum in Patinis. A player upon words might answer him, "Any Patinis rather than your Piety in Pattens." I wonder the wags have not been quoting upon you, "Whose erudition is a Christmas tale." But Mr. Johnson is ready to bruise any one who calls in question your classical knowledge and your happy application of it. I hope Mr. Johnson has given you an entertaining account of his Northern Tour. He is certainly to favour the world with some of his remarks. Pray do not fail to quicken him by word as I do by letter. Posterity will be the more obliged to his friends the more that they can prevail with him to write. With best compliments to Mrs. Garrick, and hoping that you will not punish me by being long silent, I remain faithfully yours,

JAMES BOSWELL.

To David Garrick, Esq.,

Adelphi, London.

W. P.

Minor Notes.

White Roses.—In an old newspaper, The Weekly Journal, or British Gazetteer, of Saturday, June 15, 1723, I find the following paragraph:

"Monday being the anniversary of the White Roses, some persons who had a mind to boast that they had bid defiance to the government, put them on early in the morning; but the mob not liking such doings, gathered about them, and demolished the wearers; which so terrified the crew, that not one of them afterwards would touch a white rose."

Can you, or any of your correspondents, explain this curious allusion? Is it to the emblem of the House of York, or the badge of the Pretender?

E. G. B.

Fifeshire Pronunciation.—I have observed, in various parts of Fifeshire, a singular peculiarity in the pronunciation of certain words, of which the following are specimens:

Wrong,

Wright,

Wretch,

Write, v. a.

Write, or writing, s.

Vrang.

Vricht (gut.).

Vretch.

Vrite.

Vreat.

This strange mode is not altogether confined to the most illiterate portion of the people. My query is, Does this peculiarity obtain in any other portion of Scotland?

A. R. X.

Paisley.

Original Letter.—The following letter, written by the French general at Guadaloupe, when it was taken in 1810, to his conqueror, is an exquisite specimen of something more than that national politeness which does not desert a Frenchman even in misfortune. I possess the original:

Au quartier général du Parc,

le 6 Février, 1810.

A son Excellence

Le Général Beckwith, Commandant en chef les forces de sa Majesté Britannique aux isles du Vent.

Monsieur le Général,

J'ai été prévenu que Votre Excellence se proposait de venir au Parc demain dans la matinée. J'ose espérer qu'elle voudra bien me faire l'honneur d'accepter le diner que lui offre un Général malheureux et vaincu, mais qu'il présente de tout cœur.

Daignez, Monsieur le Général, agréer l'assurance de la haute considération avec laquelle

J'ai l'honneur d'être,

de votre Excellence,

Le très-obéissant serviteur,

EMOUF.

EDWARD FOSS.

Erroneous Forms of Speech.—Since you allow your correspondents to correct such words as teetotal, I hope you will allow me to call the attention of your agricultural readers to the corruption in the word mangold, as they now write it. The word is in German mangel wurzel, root of scarcity. It is wrong to use even such a name as this, in my opinion, while we have the English name beet, which has the additional advantage of being derived from the botanical name Beta. But if a new name must be used, let it, at any rate, be the pure German mangel, and not the mongrel mangold. Indeed, those who spell the word in the latter way, ought in common consistency to write reddishes, sparrowgrass, and cowcumbers for radishes, asparagus, and cucumbers.

E. G. R.

QUERIES.

EUSTACHE DE SAINT PIERRE.

(Vol. vii., p. 10.)

MR. KING'S inquiry reminds me of two Queries on the same subject which I sent you as far back as the end of 1851, or beginning of 1852. Those Queries have not appeared in "N. & Q.," and I was led to suppose, either that you had laid them aside for some future occasion, or had found something objectionable in the form in which they were presented. The following is a literal copy.

"There are two circumstances connected with this event (the surrender of Calais), respecting which I am desirous of obtaining information. The first has reference to the individuals who offered themselves as victims to appease the exasperation of Edward III., after the obstinate siege of that town in 1347. They are represented as six of the principal citizens; Eustache de Saint Pierre was at their head, and the names of three others have come down to us, as Jean d'Aire, Jacques de Wissant, and Pierre de Wissant. Who were the other two?

"The second point relates to the character of that occurrence. Some historians are of opinion that the devotedness of Saint Pierre and his associates was prompted by the most exalted sentiments of patriotism; while others assert that it was all a 'sham,' that Saint-Pierre was secretly attached to the cause of the English monarch, and that he was subsequently employed by him in some confidential negociations. To which of these opinions should the historical inquirer give his assent?"

I may add, in reply to MR. KING, that "the light thrown on the subject, through M. de Bréquigny's labours," has been noticed in the Biographie Universelle, sub voce Saint-Pierre (Eustache de); and it was the remarks in that work that first drew my attention to it. The circumstances disclosed by Bréquigny are also commented upon by Lévesque in his La France sous les Valois.

HENRY H. BREEN.

St. Lucia.

PASSAGE IN COLERIDGE.

De Quincy, in his "Suspiria de Profundis," Blackwood's Magazine, June, 1845, p. 748., speaking of the spectre of the Brocken, and of the conditions under which that striking phenomenon is manifested, observes that

"Coleridge ascended the Brocken on the Whitsunday of 1799 with a party of English students from Goettingen, but failed to see the phantom; afterwards in England (and under the same three conditions) he saw a much rarer phenomenon, which he described in the following eight lines. I give them from a corrected copy. The apostrophe in the beginning must be understood as addressed to an ideal conception:

"'And art thou nothing? Such thou art as when

The woodman winding westward up the glen

At wintry dawn, when o'er the sheep-track's maze

The viewless snow-mist weaves a glist'ning haze,

Sees full before him, gliding without tread,

An image with a glory round its head:

This shade he worships for its golden hues,

And makes (not knowing) that which he pursues.'"

These lines are from "Constancy to an ideal Object;" but in the usual editions of Coleridge's Poems, the last two lines are printed thus:

"The enamour'd rustic worships its fair hues,

Nor knows he makes the shadow he pursues."

Coleridge's Poetical Works, vol. ii. p. 91., 1840.

Query: Which reading is the correct one? Coleridge refers to the Manchester Philosophical Transactions for a description of this phenomenon; but, as the earlier volumes of these are scarce, perhaps some of your correspondents would copy the description from the volume which contains it, or furnish one from some authentic source.

J. M. B.

Minor Queries.

Cann Family.—Can any of your correspondents enlighten me as to the origin of this family name; and if of foreign extraction, as I suspect, in what county of England they first settled? There is a village in Dorsetshire called Cann St. Rumbold. Possibly this may afford some clue. Burke informs us that William Cann, Esq., was Mayor of Bristol in 1648, and that his son, Sir Robert Cann, also Mayor, and afterwards M.P. for that city, was knighted by Charles II. in 1662, and created a Baronet, September 13th in the same year. The title became extinct in 1765, by the death of Sir Robert Cann, the sixth Baronet. The first Baronet had several brothers, some of whom most probably left issue, as I find a respectable family of that name now, and for many years past, located in Devonshire; but I am not aware if they are descended from the same stock.

DOMINI-CANN.

Canada.

Landholders in Lonsdale South of the Sands.—In his History of Lancashire, Baines states (vol. i. chap. iv.) that a return of the principal landholders in Lonsdale South of the Sands, in the time of James I., has been kept; but he does not state where the return is registered, nor whether it was in a private or public form. In fact, it is impossible to make any reference to the return, from the brief mention made of it by Baines.

Perhaps some one of your Lancashire correspondents may be acquainted with the sources of the learned historian's information. If so, it would much oblige your correspondent to be directed to them, as also to any of the Lancashire genealogical authorities referring to the district of Lonsdale South of the Sands.

OBSERVER.

Rotation of the Earth.—Has the experiment which about two years ago was much talked of, for demonstrating the rotation of the earth by means of a pendulum, been satisfactorily carried out and proved? And if so, where is the best place for finding an account of it? The diagram by Mr. Little in the Illustrated London News does not seem to explain the matter very fully.

[?]

Nelson and Wellington.—The following statement has been going the round of the American newspapers since the death of the Duke of Wellington. Is it true?—"Lord Nelson was the eighteenth in descent from King Edward I., and the Duke of Wellington was descended from the same monarch."

UNEDA.

Are White Cats deaf?—White cats are reputed to be "hard of hearing." I have known many instances, and in all stupidity seemed to accompany the deafness. Can any instances be given of white cats possessing the function of hearing in anything like perfection?

SHIRLEY HIBBERD.

Arms in Dugdale's "Warwickshire," &c.—In Dugdale's Warwickshire (1656), p. 733. fig. 21., is a coat of arms from the Prior's Lodgings at Maxstoke, viz. Or, fretty of ten pieces sa. with a canton gu. And in Shaw's Hist. of Staffordshire, vol. i. p. *210., is the notice of a similar coat from Armitage Church, near Rugeley, extracted out of Church Notes, by Wyrley the herald, taken about 1597: viz. "Rugeley as before, impaling O. fretty of ... S. with a canton G. Query if ..."

Dugdale gives another coat, p. 111. fig. 12., from the windows of Trinity Church, Coventry; viz. Arg. on a chev. sa. three stars of the first. There is a mitre over this coat.

Can any of the correspondents of "N. & Q." assign the family names to these arms? Does the mitre necessarily imply a bishop or mitred abbot; and, if not, does it belong to John de Ruggeley, who was Abbot of Merevale (not far from Coventry) temp. Hen. VI., one branch of whose family bore—Arg. on a chev. sa. three mullets of the first. I may observe that this John was perhaps otherwise connected with Coventry; for Edith, widow of Nicholas de Ruggeley, his brother, left a legacy, says Dugd., p. 129., to an anchorite mured up at Stivichall Church, a member of St. Michael's Church, Coventry.

The same coat (i. e. with the mullets) is assigned by Dugd., p. 661. fig. 12., to the name of Knell.

J. W. S. R.

Tombstone in Churchyard.—Does any one know of a legible inscription older than 1601?

A. C.

Argot and Slang.—I shall be much obliged by learning from any correspondent the etymons of argot (French) and slang, as applied to language; and when did the latter term first come into use?

THOS. LAWRENCE.

Ashby-de-la-Zouch.

Priests' Surplices.—Will some of the readers of "N. & Q." favour me with a decision or authority on the following point? Does a priest's surplice differ from that worn by a lay vicar, or vicar choral? I have been an old choir-boy; and some few years since, as a boy, used to remark that the priests' surplices worn at St. Paul's, the Chapel Royal, and Westminster Abbey, were, as a sempstress would term it, gaged, or stitched down in rows over the shoulders some seven or eight times at the distance of about half an inch from each other. In the cathedral churches of Durham, York, Hereford, Worcester, Gloucester, and Oxford, I have remarked their almost universal adoption; but, to the best of my belief, I have never seen such a description of vestment in use among parochial clergymen, above half-a-dozen times, and I am desirous of knowing if the gaged surplice is peculiar to cathedrals and collegiate churches (I have even seen canons residentiary in them, habited in the lay vicar's surplice), or is the surplice used by choristers, undergraduates, and vicars choral, which, according to my early experience, is one without needlework, the correct officiating garment; the latter is almost universally used at funerals, where the officiating priest seldom wears either his scarf or hood, and presents anything but a dignified appearance when he crowns this négligée with one of our grotesque chimney-pot hats, to the exclusion of the more appropriate college cap.

AMANUENSIS.

John, Brother German to David II.—Can any of your readers solve the problem in Scotch history, who was John, brother german to King David II., son of Robert Bruce? David II., in a charter to the Priory of Rostinoth, uses these words: "Pro salute animæ nostræ, etc., ac ob benevolentiam et affectionem specialem quam erga dictum prioratum devote gerimus eo quod ossa celebris memoriæ Johannis fratris nostri germani ibidem (the Priory) humata quiescunt dedimus, etc., viginti marcas sterlingorum, etc." Dated at Scone, "in pleno parliamento nostro tento ibidem decimo die Junii anno regni sexto decimo."

The expression "celebris memoriæ" might almost be held to indicate that John had lived to manhood, but is perhaps only a style of royalty; nevertheless, the passage altogether seems to lead to the inference, that the person had at least survived the age of infancy. King Robert's bastard son, Sir Robert Bruce, had a grant of the lands of Finhaven, in the neighbourhood of Rostinoth.[6]

DE CAMERA.

Scott, Nelson's Secretary.—Can any of your readers give me information as to the pedigree and family of John Scott, Esq., public secretary to Lord Nelson? He was killed at Trafalgar on board the Victory; and dying while his sons were yet very young, his descendants possess little knowledge on the subject to which I have alluded. He was, I think, born at Fochabers, near Gordon Castle, where his mother is known to have died.

A SUBSCRIBER.

The Axe which beheaded Anne Boleyn.—A friend of mine has excited my curiosity by stating, that in his school-boy readings of the history of England, he learned that the axe which deprived Henry VIII.'s second wife (Anne Boleyn) of her head was preserved as a relic in the Northgate Street of Kent's ancient citie, Canterbury. I have written to friends living in that locality for a confirmation of such a strange fact; but they plead ignorance. Can any of your numerous readers throw any light relative to this subject upon the benighted mind of

PHILIP WEST.

Roger Outlawe.—A friend of mine in Germany has met with some ancient rolls, said to have been from the Irish Court of Common Pleas, chiefly of the time of Edward III., and headed thus:

"Communia placita apud Dublin coram fratre Rogero Outlawe priore hospitii sancti Johannis de Jerusalem in hibernia tenens locum Johannis Darcy le Cosyn Justiciarii hiberniæ apud Dublin die pasche in viiij mense anno B. Etii post ultimum conquestum hiberniæ quarto."

Can any person state who this Roger Outlawe was? And is it not singular that a prior of a religious and military establishment should be qualified to sit as locum tenens of a judge in a law court?

H. T. ELLACOMBE.

Clyst St. George.

"Berte au Grand Pied."—I should be glad to know what is the history or legend of the goose-footed queen, whose figure Mr. Laing, in his Norway, p. 70. 8vo. edition, says is on the portals of four French cathedrals.

THOS. LAWRENCE.

Ashby-de-la-Zouch.

Lying by the Walls.—What is the origin of the phrase "Lying by the walls," an euphemism for dead? It was very commonly used in this county some years ago. Instead of saying "Poor M. or N. is dead," they always said "Poor M. or N. lies by the walls."

R. P.

St. Ives, Hunts.

Constables of France (Vol. vi., pp. 128. 254.).—Has no person been appointed to fill that high office since the death of the Duc de Luynes, in 1621?

A. S. A.

Wuzzeerabad.

St. John's Church, Shoreditch.—The church of St. John, within the priory of Holywell, Shoreditch, and the chapel adjoining it, built by Sir Thomas Lovel, treasurer of the household to King Henry VII., knight of the most noble Order of the Garter, &c.

Is there any better or other account of this priory, church, and chapel than that given in the Monasticon? Judging by the statement copied by Mr. Lysons from the original entry in the books of the College of Arms, the chapel must have been a splendid building. Sir Thomas Lovel was buried there on the 8th June, 1525, "in a tombe of whyte marbell which both hit and the chappell were founded by hym, and it stondeth on the southe syde of the quyre of the saide churche." At his funeral there were present the Bishop of London, Lord St. John, Sir Richard Wyngfield, and many others, nobles and gentlemen. The Abbot of Waltham, the Prior of St. Mary Spital, four orders of friars, the Mayor and all the aldermen of London, the gentlemen of the Inns of Court, the Lord Steward, and all the clerks of London, &c., also attended. What a contrast to the present condition of the place, now a scavenger's yard, once the apparently last resting-place of the councillor of a mighty sovereign! "They that did feed delicately, that were brought up in scarlet, embrace dunghills. The holy house where our fathers worshipped is laid waste."

WARDEN S. HENDRY.

P. S.—Part of the chapel is now to be found under the floor of the "Old King John," Holywell Lane. The stone doorway into the porter's lodge of the priory still exists; but, from the accumulation of earth, the crown of the arch is six feet below the ground. I took a sketch of it, and some other remains of the priory, also under ground, about ten years ago.

W. S. H.

Footnote 6: (return)

Dr. Jamieson has a note on King David II., brother, in his edition, of Barbour's Bruce; but does not quote the words of the charter so fully as they are here given.—The Bruce and Wallace, 4to., Edin. 1820, vol. i. p. 485.

Minor Queries with Answers.

Sir John Thompson.—What are the crest, arms, motto, and supporters of Sir John Thompson, Bart., created Baron Haversham, of Haversham and Newport Pagnel, about the eighth year of William III.?

R. P. D.

[Or, on a fesse indented az. three etoiles ar.; on a canton of the second, a sun in his glory, ppr.—Crest, an arm, erect, vested gu. cuff ar. holding in the hand ppr. five ears of wheat or. Motto, "In lumine luce."—Robson's British Herald, vol. ii. s. v.; and for the plate, vol. iii. pl. 50.]

Ring, the Marriage.—When and how did the use of the ring, in the marriage ceremony, originate? Is it of Christian origin; or is it derived from the Jews, or from the Greeks or Romans?

JONATHAN PIM.

[Brand quotes Vallancey and Leo Modena for the use of the marriage ring among the Jews (Popular Antiq., vol. ii. p. 103. edit. 1849). Wheatly, however, has given the most detailed account of its origin:—"The reason," he says, "why a ring was pitched upon for the pledge rather than anything else was, because anciently the ring was a seal, by which all orders were signed, and things of value secured (Gen. xxxviii. 18., Esther iii. 10. 12., 1 Maccab. vi. 15.); and therefore the delivery of it was a sign that the person to whom it was given was admitted into the highest friendship and trust (Gen. xli. 42.). For which reason it was adopted as a ceremony in marriage to denote that the wife, in consideration of her being espoused to the man, was admitted as a sharer in her husband's counsels, and a joint-partner in his honour and estate: and therefore we find that not only the ring, but the keys also were in former times delivered to her at the marriage. That the ring was in use among the old Romans, we have several undoubted testimonies (Juvenal, Sat. vi. ver. 26, 27.; Plin. Hist. Nat., lib. iii. c. i.; Tertull. Apol., c. vi. p. 7. A.). Pliny, indeed, tells us, that in his time the Romans used an iron ring without any jewel; but Tertullian hints, that in the former ages it was a ring of gold."—Rational Illustration of the Common Prayer, p. 390. edit. 1759.]

Amusive.—Is this word peculiar to Thomson, or is it made use of by other poets? Its meaning does not appear to be very definite. In the Spring it is applied to the rooks, with their "ceaseless caws amusive;" in the Summer to the thistledown, which "amusive floats;" and in the Autumn, the theory of the supposed cause of mountain springs is called an "amusive dream." Thomson seems to have been partial to these kind of adjectives, "effusive," "diffusive," "prelusive," &c.

CUTHBERT BEDE, B.A.

[A reference to Richardson's Dictionary will show that, however fond Thomson may have been of this word, it is not one peculiar to him. Whitehead says:

"To me 'twas given to wake th' amusive reed,"

and Chandler, in his Travels in Greece, speaks of the wind "murmuring amusively among the pines."]

Belfry Towers separate from the Body of the Church.—At Mylor, near Falmouth, there is an old tower for the bells (where they are rung every Sunday), separate from the church itself, which has a very low tower. Are there many other instances of this? I do not remember to have seen any.

J. S. A.

[If our correspondent will refer to the last edition of the Glossary of Architecture, s. v. Campanile, he will learn that though bell towers are generally attached to the church, they are sometimes unconnected with it, as at Chichester cathedral, and are sometimes united merely by a covered passage, as at Lapworth, Warwickshire. There are several examples of detached bell-towers still remaining, as at Evesham, Worcestershire; Berkeley, Gloucestershire; Walton, Norfolk; Ledbury, Herefordshire; and a very curious one entirely of timber, with the frame for the bells springing from the ground, at Pembridge, Herefordshire. At Salisbury a fine early English detached campanile, 200 feet in height, surmounted by a timber turret and spire, stood near the north-west corner of the cathedral, but was destroyed by Wyatt.]

An Easter-day Sun.—In that verse of Sir John Suckling's famous Ballad upon a Wedding, wherein occurs the simile of the "little mice," what is the meaning of the allusion to the Easter-day sun?—

"But oh! she dances such a way,

No sun upon an Easter-day

Is half so fine a sight!"

CUTHBERT BEDE, B.A.

[It was formerly a common belief that the sun danced on Easter-day: see Brand's Popular Antiquities, vol. i. p. 161. et seq. So general was it, that Sir Thomas Browne treats on it in his Vulgar Errors, vol. ii. p. 87. ed. Bohn.]

Replies.

HAMILTON QUERIES.

(Vol. vii., p. 285.)

On reference to the Peerages of Sir Harris Nicolas and Wood, I feel no doubt that the father of Lord Spencer Hamilton, as TEE BEE remarks, was the fifth Duke of Hamilton, and not the third, as Collins (edition Brydges) states, who misled me. Perhaps the perplexity, if any, arose from Anne Duchess of Hamilton, the inheritress of the ducal honours by virtue of the patent of 1643, after the deaths of her father and uncle s. p. m., having obtained a life dukedom for her husband, William Earl of Selkirk, and, subsequently to his decease, having surrendered all her titles in favour of their eldest son, James Earl of Arran, who was in 1698 made Duke of Hamilton, with the same precedency of the original creation of 1643, as if he had succeeded thereto.

Sir William Hamilton, the ambassador, married first, Jan. 25, 1752, the only child of Hugh Barlow, Esq., of Lawrenny in Pembrokeshire, with whom he got a large estate: she died at Naples, Aug. 25, 1782, and was buried in Wales. His second lady was Emma Harte, a native of Hawarden in Flintshire; where her brother, then a bricklayer working for the late Sir Stephen Glynne, was pointed out to me forty years ago. In Wood's Peerage it is stated that Sir W. Hamilton's second marriage took place at London, Sept. 6, 1794: he died in April, 1803, and was buried in Slebech Church.

I well remember Single-speech Hamilton, who was a fried of the family, dining with my father when I was a little boy; and I still retain the impression of his having been a tall and thin old gentleman, very much out of health. He left a treatise called Parliamentary Logick, published in 1808. The brief memoir of the author prefixed to the work, makes no mention of him as a member of the House of Hamilton; but it is said that he derived his name of Gerard from his god-mother Elizabeth, daughter of Digby, Lord Gerard of Bromley, widow of James, fourth Duke of Hamilton, who fell in the duel with Lord Mohun, which looks as if some affinity was recognised. The same authority tells us that William Gerard Hamilton was the only child of a Scotch advocate, William Hamilton, by Hannah Hay, one of the sisters of David Bruce, the Abyssinian traveller; and that he removed to London, and practised with some reputation at the English bar. Mr. W. G. Hamilton died, unmarried, in July, 1796, æt. sixty-eight.

BRAYBROOKE.

TEE BEE has, by his Queries about Sir W. Hamilton, recalled some most painful reminiscences connected with our great naval hero. According to the statement in the New General Biographical Dictionary, Sir William Hamilton was married to his first wife in the year 1755; but although it is asserted that she brought her husband 5000l. a-year, her name is not given. She died in 1782, and in 1791 "he married Emma Harte, the fascinating, mischievous, and worthless Lady Hamilton." Pettigrew, in his Memoirs of Nelson, says, that this marriage took place at St. George's, Hanover Square, on the 6th of September, 1791. TEE BEE will find a full account of Lady H. in the above-mentioned work of Pettigrew.

F. S. B.

THE WOOD OF THE CROSS.

(Vol. vii., p. 177.)

I never heard of our Lord's cross having been made of elder wood. The common idea, legend, or tradition, that prevailed formerly was, that the upright beam of the cross was made of cedar, the cross-beam of cypress, the piece on which the inscription was written of olive, and the piece for the feet of palm.

The legend concerning the wood of the cross is very curious, and may be analysed as follows:—When Adam fell sick, he sent his son Seth to the gate of the garden of Eden to beg of the angel some drops of the oil of mercy that distilled from the tree of life. The angel replied that none could receive this favour till five thousand years had passed away. He gave him, however, a cutting from the tree, and it was planted upon Adam's grave. It grew into a tree with three branches. The rod of Moses was afterwards cut from this tree. Solomon had it cut down to make of it a pillar for his palace. The Queen of Sheba, when she went to visit Solomon, would not pass by it, as she said it would one day cause the destruction of the Jews. Solomon then ordered it to be removed and buried. The spot where it was buried was afterwards dug for the pool of Bethsaida, and the mysterious tree communicated the power of healing to the waters. As the time of the Passion of Christ approached, the wood floated on the surface of the water, and was taken for the upright beam of the cross. See this curious legend at greater length in the Gospel of Nicodemus; the Legenda Aurea at the feasts of the Discovery and Exaltation of the Cross; Curzon's Monasteries of the Levant, p. 163.; and Didron's Iconography, p. 367., Bohn's edition.

I think, however, that I can explain the origin of the question put to RUBI by his poor parishioner as to the cross having been made of elder wood. His question may have sprung from a corruption of an old tradition or legend regarding not our Saviour, but Judas his betrayer. Judas is said to have hanged himself on an elder tree. Sir John Maundeville, in his description of Jerusalem, after speaking of the Pool of Siloe, adds,

"And fast by is still the elder tree on which Judas hanged himself for despair, when he sold and betrayed our Lord."—P. 175., Bohn's edit.

To return to the wood of the cross. In Sir John Maundeville's time a spot was pointed out at Jerusalem as the spot where the tree grew:

"To the west of Jerusalem is a fair church, where the tree of the cross grew."—P. 175.

and he speaks of the wood of this tree as having once been used as a bridge over the brook Cedron (p. 176.). Henry Maundrell describes a Greek convent that he visited, about half an hour's distance from Jerusalem:

"That which most deserves to be noted in it, is the reason of its name and foundation. It is because there is the earth that nourished the root, that bore the tree, that yielded the timber, that made the cross. Under the high altar you are shown a hole in the ground where the stump of the tree stood."—P. 462.

These are some of the legendary traditions regarding the history and site of the wood of the cross, up to the time of the Passion of Christ.

CEYREP.

EDMUND CHALONER.

(Vol. vi., p. 292.)

I have been waiting for several months in expectation of seeing some satisfactory reply to URSULA'S Query. It seems, however, that, in common with myself, your numerous correspondents are quite at a nonplus. Wood, in his Athenæ Oxoniensis, vol. ii. p. 163., mentions this Edmund Chaloner as being about nineteen (URSULA says twenty-one) years old at the death of his father, James Chaloner, in 1660. Wood, Granger, as also Burke in his Extinct Baronetage, represent James as being the fourth son of Sir Thomas Chaloner of Gisborough, in the county of York, and this appears to be the general impression as to his parentage. In a History of Cheshire, however, written, I believe, by Cowdray, and published in 1791, the author claims him as a native of that county, and makes him to be of much humbler birth and descent than any of his other biographers. Hear him in his own words:

"Our succeeding (Cheshire) collectors form a family harmonic trio, a father, son, and grandson, of the surname of Chaloner, and of the several Christian names, Thomas, Jacob, and James. Thomas was an arms-painter in Chester about 1594; he knew the value of learning sufficiently to give his son a better education than he received himself. And this son followed the same occupation in Chester, and made collections, about the year 1620. But it was James, the grandson, who reflected the greatest credit upon his family, by a very concise, accurate, and sensible account of the Isle of Man, printed at the end of King's Vale Royal, in 1656. He laid the foundation of a learned education in our much honoured college (Brazennoze); and when the parliament invested Lord Fairfax with the Seignory of Man, he was one of his lordship's three commissioners for settling the affairs of that island. The antiquarian collections of all the three Chaloners are valuable."

Without specially binding myself to either one of these conflicting testimonies, I may be allowed to suggest that, apart from any proof to the contrary, the inference that he was a native of Chester is a perfectly fair and legitimate one. His Short Treatise of the Isle of Man, which was the only work he ever sent to press, was printed at the end of that famous Cheshire work, the Vale Royal of England, in 1656, and was illustrated with engravings by Daniel King, the editor of that work, himself a Cheshire man. Independent of this, his biographer Wood informs us that he was "a singular lover of antiquities," and that he "made collections of arms, monuments, &c., in Staffordshire, Salop, and Chester," the which collections are now, I believe, in the British Museum. He made no collections for Yorkshire, nor yet for London, where he is stated by Wood to have been born. One thing is certain, James Chaloner of Chester was living at the time this treatise was written, and was, moreover, a famous antiquary, and a collector for this, his native county; but whether he was, de facto, the regicide, or merely his cotemporary, I leave it to older and wiser heads to determine.

T. HUGHES.

Chester.

*[In the Harleian Collection, No. 1927., will be found "A paper Book in 8vo., wherein are contained, Poems, Impreses, and other Collections in Prose and Verse; written by Thomas Chaloner and Randle Holme, senior, both Armes-Painters in Chester, with other Notes of less value."—ED.]

"ANYWHEN" AND "SELDOM-WHEN:" UNOBSERVED INSTANCES OF SHAKSPEARE'S USE OF THE LATTER.

(Vol. vii., p. 38.)

MR. FRASER'S remark about the word anywhen has brought to my mind two passages in Shakspeare which have been always hitherto rendered obscure by wrong printing and wrong pointing. The first occurs in Measure for Measure, Act IV. Sc. 2., where the Duke says:

"This is a gentle provost: seldom-when

The steeled gaoler is the friend of men."

Here the compound word, signifying rarely, not often, has been always printed as two words; and MR. COLLIER, following others, has even placed a comma between seldom and when.

The other passage occurs in the Second Part of King Henry IV., Act IV. Sc. 4.; where Worcester endeavours to persuade the king that Prince Henry will leave his wild courses. King Henry replies:

"'Tis seldom-when the bee doth leave her comb

In the dead carrion."

Here also the editors have always printed it as two words; and, as before, MR. COLLIER here repeats the comma.

That the word was current with our ancestors, is certain; and I have no doubt that other instances of it may be found. We have a similar compound in Chaucer's Knight's Tale, v. 7958.:

"I me rejoyced of my lyberté,

That selden-tyme is founde in mariage."

Palsgrave, too, in his Eclaircissement de la Langue Françoise, 1530, has—

"Seldom-what, Gueres souvent."

Seldom-when, as far as my experience goes, seems to have passed out of use where archaisms still linger; but anywhen may be heard any day and every day in Surrey and Sussex. Those who would learn the rationale of these words will do well to consult Dr. Richardson's most excellent Dictionary, under the words AN, ANY, WHEN, and SELDOM.

This is at least a step towards MR. FRASER'S wish of seeing anywhen legitimatised; for what superior claim had seldom-when to be enshrined and immortalised in the pages of the poet of the world?

S. W. SINGER.

Manor Place, South Lambeth.

CHICHESTER: LAVANT.

(Vol. vii., p. 269.)

Your correspondent C. affirms, as a mark of the Roman origin of Chichester, that "the little stream that runs through it is called the Lavant, evidently from lavando!" Now nobody, as old Camden says, "has doubted the Romanity of Chichester;" but I am quite sure that the members of the Archæological Institute (who meet next summer upon the banks of this same Lavant) would decidedly demur to so singular a proof of it.

C. is informed that, in the fourth volume of the Archæologia, p. 27., there is a paper by the Hon. Daines Barrington, on the term Lavant, which, it appears, is commonly applied in Sussex to all brooks which are dry at some seasons, as is the case with the Chichester river.

"From the same circumstance," it is added, "the sands between Conway and Beaumaris in Anglesey, are called the Lavant sands, because they are dry when the tide ebbs; as are also the sands which are passed at low water between Cartmell and Lancaster, for the same reason."

To trace the origin of the term Lavant, we must, I conceive, go back to a period more remote than the Roman occupation; for that remarkable people, who conquered the inhabitants of Britain, and partially succeeded in imposing Roman appellations upon the greater towns and cities, never could change the aboriginal names of the rivers and mountains of the country. "Our hills, forests, and rivers," says Bishop Percy, "have generally retained their old Celtic names." I venture, therefore, to suggest, that the British word for river, Av, or Avon, which seems to form the root of the word Lavant, may possibly be modified in some way by the prefix, or postfix, so as to give, to the compound word, the signification of an intermittent stream.

The fact that, amidst all the changes which have passed over the face of our country, the primitive names of the grander features of nature still remain unaltered, is beautifully expressed by a great poet recently lost to us:

"Mark! how all things swerve

From their known course, or vanish like a dream;

Another language spreads from coast to coast;

Only, perchance, some melancholy stream,

And some indignant hills old names preserve,

When laws, and creeds, and people all are lost!"

Wordsworth's Eccles. Sonnets, xii.

W. L. NICHOLS.

Bath.

SCARFS WORN BY CLERGYMEN.

(Vol. vii., p. 269.)

The mention of the distinction between the broad and narrow scarf, alluded to by me (Vol. vii., p. 215.), was made above thirty years ago, and in Ireland. I have a distinct recollection of the statement as to what had been the practice, then going out of use. I am sorry that I cannot, in answer to C.'s inquiry, recollect who the person was who made it. Nor am I able to specify instances of the partial observance of the distinction, as I had not till long after learned the wisdom of "making a note:" but I had occasion to remark that dignitaries, &c. frequently wore wider scarfs than other clergymen (not however that the narrower one was ever that slender strip so improperly and servilely adopted of late from the corrupt custom of Rome, which has curtailed all ecclesiastical vestments); so that when the discussion upon this subject was revived by others some years ago, it was one to which my mind had been long familiar, independently of any ritual authority.

I hope C. will understand my real object in interfering in this subject. It is solely that I may do a little (what others, I hope, can do more effectually) towards correcting the very injurious, and, I repeat, inadequate statement of the Quart. Review for June, 1851, p. 222. However trifling the matter may be in itself, it is no trifling matter to involve a considerable portion of the clergy, and among them many who are most desirous to uphold both the letter and the spirit of the Church of England, and to resist all real innovation, in a charge of lawlessness. Before the episcopal authority, there so confidently invoked, be interposed, let it be proved that this is not a badge of the clerical order, common to all the churches of Christendom, and actually recognised by the rules, in every respect so truly Catholic, of our own Church. The matter does not, I apprehend, admit of demonstration one way or the other, at least till we have fresh evidence. But to me, as to many others, analogies seem all in favour of the scarf being such a badge; and not only this, but the very regulation of our royal ecclesiastical authorities. The injunctions of Queen Elizabeth, in 1564, seem to mark the tippet as a distinction between clergymen and laymen, who otherwise, in colleges and choirs at least, would have none. I also am strongly of opinion that the tippets mentioned in the 58th and 74th English canons are the two scarfs referred to: the silken tippet (or broad scarf) being for such priests or deacons as hold certain offices, or are M.A., LL.B., or of superior degree; the plain tippet (or narrow scarf) being for all ministers who are non-graduates (Bachelors of Arts were not anciently considered as graduates, but rather as candidates for a degree, as they are still styled in many places abroad); so that all in orders may have tippets. This notion is confirmed by the fact, that the scarf was frequently called a tippet in Ireland within memory. And in a letter, discussing this very subject, in the Gentleman's Mag. (for 1818, part ii. p. 218.[7]), the testimony of one is given who had for upwards of fifty years considered the two words as identical, and had heard them in his youth used indiscriminately by aged clergymen. It is notorious that in Ireland, time out of mind, tippets have been more generally worn than hoods in parish churches there. I am not sure (though I lay no stress on the conjecture) whether this may not have been in consequence of the option apparently given by the Canons of wearing either hood or tippet.

It is not correct to restrict the customary use of the scarf to doctors, prebendaries, and chaplains. In some cathedrals the immemorial custom has been to assign it to minor canons and clerical vicars also. At Canterbury, indeed, the minor canons, except otherwise qualified, do not wear it. (But is not this an exception? Was it always so? And, by the way, can any cathedral member of old standing testify as to the customary distinction in his church between the two scarfs, either as to size or materials?) The very general use of it in towns cannot be denied.

I may add, that Bishop Jebb used to disapprove of its disuse by country clergymen. In his Charge he requests that "all beneficed clergymen" of his diocese "who are Masters of Arts, or of any superior degree, and who by chaplaincies or otherwise are entitled to the distinction, may with their surplices wear scarfs or tippets." This apparently was his construction of the Canons.

JOHN JEBB.

Footnote 7: (return)

See also p. 315.; and 1819, part i. p. 593.

The narrow scarf, called the stole or orarium, is one of the most ancient vestments used by the Christian clergy, representing in its mystical signification the yoke of Christ. Though it may be true that its use is not enjoined by any modern rubric or canon, custom, I think, fully warrants the clergy in wearing it. What other sanction than custom is there for the use of bands?

E. H. A.

A great deal of very interesting matter bearing upon this question, both in an ecclesiastical and antiquarian point of view, though no definite conclusion is arrived at, will be found in a pamphlet by G. A. French, entitled The Tippets of the Canons Ecclesiastical.

AN OXFORD B.C.L.

INSCRIPTIONS IN BOOKS.

(Vol. vii., p. 127.)

The following were lines much used when I was at school, and I believe are still so now:

"This book is mine

By right divine;

And if it go astray,

I'll call you kind

My desk to find

And put it safe away."

Another inscription of a menacing kind was,—

"This book is one thing,

My fist is another;

Touch this one thing,

You'll sure feel the other."

A friend was telling me of one of these morsels, which, considering the circumstances, might be said to have been "insult added to injury;" for happening one day in church to have a book alight on his head from the gallery above, on opening it to discover its owner, he found the following positive sentence:

"This book doant blong to you,

So puttem doon."

RUSSELL GOLE.

The following salutary advice to book-borrowers might suitably take its position in the collection already alluded to in "N. & Q.":

"Neither blemish this book, or the leaves double down,

Nor lend it to each idle friend in the town;

Return it when read; or if lost, please supply

Another as good, to the mind and the eye.

With right and with reason you need but be friends,

And each book in my study your pleasure attends."

O. P.

Birmingham.

Is not this curious warning worthy of preservation in your columns? It is copied from a black-letter label pasted to the inside of an old book cover:

"Steal not this booke, my honest friende,

For fear ye gallows be ye ende;

For if you doe, the Lord will say,

'Where is that booke you stole away?'"

J. C.

To the collection of inscriptions in books commenced by BALLIOLENSIS, allow me to add the following:

"Hic liber est meus,

Testis et est Deus;

Si quis me quærit,

Hic nomen erit."

In French books I have seen more than once,—

"Ne me prend pas;

On te pendra."

An on the fly-leaf of a Bible,—

"Could we with ink the ocean fill,

Were ev'ry stalk on earth a quill,

And were the skies of parchment made,

And ev'ry man a scribe by trade,

To tell the love of God alone

Would drain the ocean dry.

Nor could the scroll contain the whole,

Though stretch'd from sky to sky."

GEORGE S. MASTER.

Welsh-Hampton, Salop.

I beg to subjoin a few I have met with. Some monastic library had the following in or over its books:

"Tolle, aperi, recita, ne lædas, claude, repone."

The learned Grotius put in all his books,—

"Hugonis Grotii et amicorum."

In an old volume I found the following:

"Hujus si quæris dominum cognoscere libri,

Nomen subscriptum perlege quæso meum."

PHILOBIBLION.

PHOTOGRAPHIC NOTES AND QUERIES.

Head-rests.—The difficulty I have experienced in getting my children to sit for their portraits in a steady position, with the ordinary head-rests, has led me to design one which I think may serve others as well as myself; and I therefore will describe it as well as I can without diagrams, for the benefit of the readers of "N. & Q." It is fixed to the ordinary shifting upright piece of wood which in the ordinary rest carries the semicircular brass against which the head rests. It is simply a large oval ring of brass, about an inch and a half broad, and sloping inwards, which of the following size I find fits the back of the head of all persons from young children upwards:—five inches in the highest part in front, and about four inches at the back. It must be lined with velvet, or thin vulcanised India rubber, which is much better, repelling grease, and fitting quite close to the ring. This is carried forward by a piece of semicircular brass, like the usual rest, and fixes with a screw as usual. About half the height of the ring is a steel clip at each side, like those on spectacles, but much stronger, about half an inch broad, which moving on a screw or rivet, after the sitter's head is placed in the ring, are drawn down, so as to clip the head just above the ears. A diagram would explain the whole, which has, at any rate, simplicity in its favour. I find it admirable. Ladies' hair passing through the ring does not prevent steadiness, and with children the steel clips are perfect. I shall be happy to send a rough diagram to any one, manufacturers or amateurs.

J. L. SISSON.

Edingthorpe Rectory.

Sir W. Newton's Explanations of his Process.—In reply to MR. JOHN STEWART'S Queries, I beg to state,

First, That I have hitherto used a paper made by Whatman in 1847, of which I have a large quantity; it is not, however, to be procured now, so that I do not know what paper to recommend; but I get a very good paper at Woolley's, Holborn, opposite to Southampton Street, for positives, at two shillings a quire, and, indeed, it might do for negatives.

Secondly, I prefer making the iodide of silver in the way which I have described.

Thirdly, Soft water is better for washing the iodized paper; if, however, spring water be made use of, warm water should be added, to raise it to a temperature of sixty degrees. I think that sulphate or bicarbonate of lime would be injurious, but I cannot speak with any certainty in this respect, or to muriate of soda.

Fourthly, The iodized paper should keep good for a year, or longer; but it is always safer not to make more than is likely to be used during the season.

Fifthly, If I am going out for a day, I generally excite the paper either the last thing the night before, or early the following morning, and develope them the same night; but with care the paper will keep for two or three days (if the weather is not hot) before exposure, but of course it is always better to use it during the same day.

WM. J. NEWTON.

6. Argyle Street.

Talc for Collodion Pictures.—Should any of your photographic friends wish to transmit collodion pictures through the post, I would suggest that thin plates of talc be used instead of glass for supporting the film; I find this substance well suited to the purpose. One of the many advantages of its use (though I fear not to be appreciated by your archæological and antiquarian section) is, that portraits, &c., taken upon talc can be cut to any shape with the greatest ease, shall I say suitable for a locket or brooch?

W. P.

Headingley, Leeds.

Replies to Minor Queries.

Portrait of the Duke of Gloucester (Vol. vii., p. 258.).—I beg to inform MR. WAY that he will find an engraving of "The most hopefull and highborn Prince, Henry Duke of Gloucester, who was borne at Oatlandes the eight of July, anno 1640: sould by Thos. Jenner at the South entry of the Exchange," in a very rare pamphlet, entitled:

"The Trve Effigies of our most Illustrious Soveraigne Lord, King Charles, Queene Mary, with the rest of the Royall Progenie: also a Compendium or Abstract of their most famous Genealogies and Pedegrees expressed in Prose and Verse: with the Times and Places of their Births. Printed at London for John Sweeting, at the Signe of the Angell, in Pope's Head Alley, 1641, 4to."

For Henry Duke of Gloucester, see p. 16.:

"What doth Kingdomes happifie

But a blesst Posteritie?

This, this Realme, Earth's Goshen faire,

Europe's Garden, makes most rare,

Whose most royall Princely stemme

(To adorne theire Diadem)

Two sweet May-flowers did produce,

Sprung from Rose and Flower-de-Luce."

Φ.

Richmond, Surrey.

Key to Dibdin's "Bibliomania" (Vol. vii., p. 151.).—There are some inaccuracies in the list of names furnished by W. P., which may be corrected on the best authority, namely, that of Dr. Dibdin himself, as put forth in his "new and improved edition" of the Bibliomania, with a supplement, "including a key to the assumed characters in the drama," 8vo., 1842. According to this supplement we are to interpret as follows:

Alfonso

Mr. Morell.

Gonzalo

Mr. Jessop.

Narcottus

William Templeman, Esq., of Hare Hatch, Berkshire.

Nicas

Mr. Shaclewell.

Philemon

Mr. Jacobs?

Pontevallo

John Dent, Esq.

A complete "key" is not furnished; but there is reason, I think, to doubt a few of the other names in W. P.'s list. Moreover, in the edition of 1842, several other pseudonymes are introduced, which do not appear in the list; namely, that of Florizel, for Joseph Haslewood; Antigonus; Baptista; Camillo; Dion; Ferdinand; Gonsalvo; Marcus; and Philander; respecting whom some of your readers may possibly enlighten us further. As to the more obvious characters of Atticus, Prospero, &c., see the Literary Reminiscences, vol. i. p. 294.

μ.

High Spirits a Presage of Evil ("N. & Q." passim).—In a case lately detailed in the newspapers, a circumstance is mentioned which appears to me to come under the above heading.

In the inquiry at the coroner's inquest, on Feb. 10, 1853, concerning the death of Eliza Lee, who was supposed to have been murdered by being thrown into the Regent's Canal, on the evening of the 31st of January, by her paramour, Thomas Mackett,—one of the witnesses, Sarah Hermitage, having deposed that the deceased left her house in company with the accused at a quarter-past ten o'clock in the evening of the 31st, said as follows:

"Deceased appeared in particularly good spirits, and wanted to sing. Witness's husband objected; but she would insist upon having her way, and she sang 'I've wander'd by the Brook-side.'"

The deceased met with her death within half an hour after this.

CUTHBERT BEDE.

Hogarth's Works.—Observing an inquiry made in Vol. vii., p. 181. of "N. & Q." about a picture described in Mrs. Hogarth's sale catalogue of her husband's effects in 1790, made by Mr. Haggard, I am induced to ask whether a copy of the catalogue, as far as it relates to the pictures, would not be a valuable article for your curious miscellany? It appears from all the lives of Hogarth, that he early in life painted small family portraits, which were then well esteemed. Are any of them known, and where are they to be seen? Were they mere portraits, or full-length? Are any of them engraved? I had once a picture, of about that date, which represented a large house with a court-yard, and a long garden wall, with a road and iron gate, something like the old wall and road of Kensington Gardens, with the master, mistress, and dog walking in front of the house, and evidently portraits. I always suspected it might be by Hogarth; but I am very sorry to say I parted with it at auction for a few shillings. It was (say) two feet square: the figures were about four inches in height, and dressed in the then fashion. I would further ask if any oil painting or sketches are known of the minor engravings, such as "The Laughing Audience," "The Lecture," "The Doctors," &c.?

AN AMATEUR.

Town Plough (Vol. vi., p. 462.; Vol. vii., p. 129.).—In Vol vi., p. 462., GASTRON notices the Town Plough; and it is again noticed by S. S. S. (Vol. vii., p. 129.) as never having been seen by him mentioned in ancient churchwardens' accounts.

Not ten years since there was in the belfry of Caston Church, Northamptonshire, a large clumsy-looking instrument, the use of which was not apparent at first sight, being a number of rough pieces of timber, put together as roughly. On nearer inspection, however, it turned out to be a plough, worm-eaten and decayed, I should think at least three times as large and heavy as the common ploughs of the time when I saw the one in question. I have often wondered at the rudeness and apparent antiquity of that plough, and whether on "Plough Monday" it had ever made the circuit of the village to assist in levying contributions.

I have only for a week or two been in the possession of "N. & Q." when having accidentally, and for the first time, met with the Number for that week, I could not resist the temptation of becoming the owner of the complete series. Under these circumstances, you will excuse me if I am asking a question which may have been answered long since. What is the origin of Plough Monday? May there not be some connexion with the Town Plough? and that the custom, which was common when I was a boy, of going round for contributions on that day, may not have originated in collecting funds for the keeping in order, and purchasing, if necessary, the Town Plough?

BRICK.

Shoreditch Cross and the painted Window in Shoreditch Church (Vol. vii., p. 38.).—I beg to acquaint your correspondent J. W. B. that although I had long searched for an engraving of Shoreditch Cross, my labour was lost. The nearest approach to it will be found in a modern copy of a plan of London, taken in the time of Elizabeth, in which its position is denoted to be on the west side of Kingsland Road; but, from records to which I have access, I believe that the cross stood on the opposite side, between the pump and the house of Dr. Burchell. Most likely its remains were demolished when the two redoubts were erected at the London ends of Kingsland and Hackney Roads, to fortify the entrance to the City, in the year 1642.

The best accounts that I have seen of the painted window are in Dr. Denne's Register of Benefactions to the parish, compiled in 1745, and printed in 1778; and Dr. Hughson's History of London, vol. iv. pp. 436, 437.

HENRY EDWARDS.

Race for Canterbury (Vol. vii., pp. 219. 268.).—It is probable that the lines

"The man whose place they thought to take,

Is still alive, and still a Wake,"

are erroneously written on the print referred to; but I have no doubt of having seen a print of which (with the variation of "ye think" for "they thought") is the genuine engraved motto.

B. C.

Lady High Sheriff (Vol. vii., p. 236.).—There is a passage in Warton's History of English Poetry (Vol. i. p. 194., Tegg's edition) which will in part answer the Query of your correspondent W. M. It is in the form of a note, appended to the following lines from the metrical romance of Ipomydon:

"They come to the castelle yate

The porter was redy there at,

The porter to theyme they gan calle,

And prayd hym go in to the halle,

And say thy lady gent and fre,

That comen ar men of ferre contrè,

And if it plese hyr, we wolle hyr pray,

That we myght ete with hyr to-day."

On this passage Warton remarks:

"She was lady, by inheritance, of the signory. The female feudatories exercised all the duties and honours of their feudal jurisdiction in person. In Spenser, where we read of the Lady of the Castle, we are to understand such a character. See a story of a Comtesse, who entertains a knight in her castle with much gallantry. (Mém. sur l'Anc. Chev., ii. 69.) It is well known that anciently in England ladies were sheriffs of counties."

To this note of Warton's, Park adds another, which I also give as being more conclusive on the subject. It is as follow:

["Margaret, Countess of Richmond, was a justice of peace. Sir W. Dugdale tells us that Ela, widow of William, Earl of Salisbury, executed the sheriff's office for the county of Wilts, in different parts of the reign of Henry III. (See Baronage, vol. i. p. 177.) From Fuller's Worthies we find that Elizabeth, widow of Thomas Lord Clifford, was sheriffess of Westmoreland for many years; and from Pennant's Scottish Tour we learn that for the same county Anne, the celebrated Countess of Dorset, Pembroke and Montgomery, often sat in person as sheriffess. Yet Riston doubted of facts to substantiate Mr. Warton's assertion. See his Obs. p. 10., and reply in the Gent. Mag. 1782, p. 573.—PARK."]

T. C. S.

I can answer part of W. M.'s Query, by a reference to a personage who could not have been very far from being the first instance of the kind (Query, was she?).

"About this time (1202) Gerard de Camville, his old and faithful adherent, was restored by John to the possession of the honours of which he had been deprived by King Richard; and it is a remarkable circumstance that, on the death of the said Gerard, in the eighteenth year of the king's reign, his widow, Nichola Camville (who is described by an ancient historian as being 'a martial woman of great courage and address') had the sheriffalty of the county of Lincoln committed to her; which honourable and important trust was continued to her by a grant of Henry III.," &c.

The above quotation is taken from Bailey's Annals of Nottinghamshire, now publishing in Numbers (Part III. p. 107.). Should I be wrong in asking correspondents to contribute towards a list of ladies holding the above honorable post?

FURVUS.

St. James's.

Burial of an unclaimed Corpse (Vol. vii., p. 262.).—E. G. R.'s question is easily answered. The parish of Keswick proved that some years before they had buried a body found on a piece of land. This was evidence of reputation that at the time of the burial the land was in Keswick, otherwise the parishioners would not have taken on themselves this work of uncalled-for benevolence. The fact of their having incurred an expense, which, unless the land was in their parish, would have been the burden of Markshall, satisfied the commissioner that the land must have belonged to Keswick. I have no doubt this was the reason, though I never heard of the question in connexion with Keswick and Markshall. Battersea Rise, I heard when a boy, had formerly belonged to Clapham, and been given to Battersea for the same reason as E. G. R. states to have been the cause of Markshall losing its territory to Keswick.

J. H. L.

Surname of Allan (Vol. vii., p. 205.).—I think A. S. A. will find that this name was introduced into Britain from Normandy. It occurs in early Norman times as a personal name, and afterwards as a patronymic. Thus Alan, the son of Flathald, who had the castle of Oswestry granted him by the Conqueror, had a son, William Fitz-Alan, ancestor of the great baronial house of Arundel. In the Hundred Rolls, temp. Edward I., it is very common under the orthographies of fil. Alan, fil. Alain, Alayn, Aleyn, Aleyne, Aleynes, Aleynys, &c. Allen has always remained a baptismal name, and hence it is probable that there is no more affinity between the numerous families now bearing it as a surname, than between the various Thompsons, Williamses, and others of this class. The MacAllans of Scotland may have a separate Celtic source, though it is far likelier that this name (like MacEdward, MacGeorge, and numerous others) is the English appellative with the patronymic Mac prefixed.

MARK ANTONY LOWER.

Lewes.

The Patronymic Mac (Vol. vii., p. 202.).—The present Earl of Stair has collected and printed, under the title of Almacks Extraordinary, a list of seven hundred Scotch and Irish surnames with the prefix "Mac;" and a highly esteemed correspondent promises me a supplementary list of "a few hundreds" of such appellatives, which must therefore be in the aggregate upwards of a thousand in number. I hope to include all these in my forthcoming Dictionary of British Surnames.

MARK ANTONY LOWER.

Lewes.

Cibber's "Lives of the Poets" (Vol. v., p. 25.).—When MR. CROSSLEY inserted in your pages, at great length, the original prospectus of Cibber's Lives, he was not aware that it had been reprinted before. Such, however, is the case, as may be seen by turning to the sixth volume of Sir Egerton Brydges' Censura Literaria, ed. 1808, p. 352. It was communicated to the columns of that work by that diligent antiquary in literary matters, Joseph Haslewood. MR. CROSSLEY says, "It is rather extraordinary that none of Dr. Johnson's biographers appear to have been aware that the prospectus of Cibber's Lives was furnished by Johnson." Where is there the slightest proof that Johnson wrote one line of it? Haslewood believed it to have been the production of Messrs. Cibber and Shiels. Does MR. CROSSLEY ground his claim for Johnson merely upon a fancied resemblance in style?

EDWARD F. RIMBAULT.

Parallel Passages, No. 2.—Stars and Flowers (Vol. vii., p. 151.).—Other parallels on this subject are given in "N. & Q." (Vol. iv., p. 22.), to which may be added the following:

"Silently, one by one, on the infinite meadows of heaven,

Blossom'd the lovely stars, the forget-me-nots of the angels."

Longfellow's Evangeline, Part I. iii. p. 187. of the Liverpool edition.

ZEUS.

Schomberg's Epitaph (Vol. vii., p. 13.).—I find this entry in my note-book:—The following inscription is written on a black slab of marble, affixed to the wall of the choir of St. Patrick's Cathedral. The remains of the duke were removed to this cathedral immediately after the battle of the Boyne; and on the 10th July, 1690, they were deposited under the altar. The relatives of this great man having neglected to raise any monument to his memory, Dean Swift undertook and caused the above slab to be erected, having first vainly applied to the connexions of the deceased. His sword is in the possession of the society of the "Friendly Brothers," Dublin.

The following is the inscription on the slab:

"Hic infra situm est corpus Frederici Ducis de Schonberg ad Bubindam occisi A.D. 1690. Decanus et Capitulum maximopere etiam atque etiam petierunt, ut hæredes Ducis, monumentum in memoriam parentis erigendum curarent. Sed postquam per epistolas, per amicos, diu ac sæpe orando nil profecere, hunc demum lapidem statuerunt; saltem ut scias hospes ubinam terrarum Schonbergenses cineres delitescunt.

"Plus potuit fama virtutis apud alienos quam sanguinis proximitas apud suos, A.D. 1731."

CLERICUS (D.)

Dublin.

Pilgrimages to the Holy Land (Vol. v., p. 289.).—There is still another book to be added to the curious list of old pilgrimages to the Holy Land, furnished by your correspondent PEREGRINE A. I derive my knowledge of it from Brunet's Manuel, sub voce CAPODILISTA (GABRIELE), where it is described as follows:

"Itinerario di Terra Santa, e del Monte Sinai." (Without date or printer) 4to.

It is a journal of a pilgrimage to the Holy Land, made in the year 1458 by a Padua nobleman, accompanied by a relative, Antonio Capodilista, a canon of the same place, and several other noble personages. It is one of the earliest productions of the press at Perugia, and the date assigned to it by M. Brunet is 1472, but by Vermiglioli 1473 or 1474. The latter authority, in his Principi della Stampa in Perugia, calls it "Veramente un prezioso cimelio di tipografia e bibliografia." I am anxious to know where a copy of this very rare work is deposited, as I have been told that there is none at the British Museum.

W. M. R. E.

Album (Vol. vii., p. 235.).—The origin and the earliest notice of this kind of friendly memorial book is to be traced to the registers of the deceased that were formerly kept in every church and monastery. Such a book was called the album, i. e. the blank book, in which the names of the friends and benefactors to the church or monastery were recorded, that they might be prayed for at their decease, and on their anniversaries. The earliest writer belonging to this country who uses the word is the Venerable Beda, who in his preface to his prose life of St. Cuthbert, written previous to the year 721, reminds Bishop Eadfrith that his name was registered in the album at Lindisfarne, "in albo vestræ sanctæ congregationis." (Bedæ Opera Minora, p. 47., ed. Stevenson.) Elsewhere Beda calls this book "the annal" (Hist. Eccles., lib. iv. c. 14.). At a later period it was called, both in England and abroad, the Liber Vitæ, or Book of Life, a name borrowed from St. Paul (Philippians, iv. 3.).

The earliest specimen of an English album, and perhaps the most elegant one that this or any other country ever produced, may be seen in the British Museum (Cotton MSS., Domitian VII.). It is the Album, or Book of Life, of the monastery of Durham. Nor need we add that this album affords a relief to the eye wearied with looking over the pages of a modern album, and to the mind sick of the endless but monotonous repetition of imaginary ruins, love sonnets, and moss roses.

CEYREP.

Gesmas and Desmas (Vol. vii., p. 238.).—For the information of your correspondent A. B. R., I copy the passage referred to by you in the disputed Gospel of Nicodemus, formerly called the Acts of Pontius Pilate. The extract is from an English version, printed for William Hone, Ludgate Hill, 1820:

"But one of the two thieves who were crucified with Jesus, whose name was Gestas, said to Jesus, If thou art the Christ, deliver thyself and us."—vii. 10.

"But the thief who was crucified on his right hand, whose name was Dimas, answering, rebuked him, and said, Dost not thou fear God, who art condemned to this punishment? We indeed receive rightly and justly the demerit of our actions; but this Jesus, what evil hath he done?"—vi. 11.

"After this, groaning, he said to Jesus, Lord, remember me when Thou comest into Thy kingdom."—vi. 12.

It thus appears the names have been differently received: here they appear GESTAS the impenitent, and DIMAS the penitent.

I have a fine old engraving, nineteen inches by fourteen, bearing date "Greg. Huret, Lugd. inv. et sculp. 1664;" published in Paris, cum priv. Regis.

The three crosses, with their inscriptions (each in Hebrew, Greek, and Latin), appear.

The Latin on the cross of the thief on the right hand of our Lord (and, from the expression of countenance, confessed the penitent) is DISMAS LATRO: the other is GESTAS LATRO.

W. C. H.

Chelsea.

"Quod fuit esse" (Vol. vii., p. 235.).—Allow me to suggest the following meaning of the epitaph in Lavenham churchyard, which is the subject of A. B. R.'s Query. The word est has evidently been omitted in the third line: with this restored, the lines will read as a couple of hexameters:

"Quod fuit esse, quod est; quod non fuit esse, quod esse;

Esse quod (est), non esse; quod est, non est, erit, esse."

And the literal meaning, will be: "What was existence, is that which lies here; that which was not existence, is that which is existence; to be what is now, is not to be; that which is now, is not existence, but will be hereafter."

This, perhaps, is as enigmatical as the original: but the following lines will render the meaning plainer, though it is difficult to preserve the brevity of the Latin in an English version:

All that I really was lies here in dust;

That which was death before is life, I trust.

To be what is, is not, I ween, to be;

Is not, but will be in eternity.

H. C. K.

—— Rectory, Hereford.

I think your correspondent A. B. R. is not quite correct in his version of the epitaph of which he inquires the sense. It is evidently intended for two hexameter verses, and, as I have heard it, runs thus:

"Quod fuit esse, quod est; quod non fuit esse, quod esse;

Esse quod est, non esse; quod est, non est, erit, esse."

I inclose a similar epitaph in another churchyard (the locale of which I do not know), which may serve to elucidate its meaning:

"That which a Being was, what is it? show:

That being which it was, it is not now.

To be what 'tis is not to be, you see;

That which now is not shall a Being be."

Q. S.

Straw Bail (Vol. vii., p. 85.).—In connexion with, though not as a reply to, MR. CURTIS'S Query touching the origin of the expression "A man of straw," I beg to bring under notice a phrase I heard for the first time a few days ago, but which may nevertheless be well known to others. A seaman, talking to me of a strike for wages among the crew of a ship, said that the captain, as the rate of wages had not been raised, had manned his ship with a "lot of straw-yarders." On my asking the meaning of the expression, I was told that a "straw-yarder" was a man about the docks who had never been to sea, and knew little or nothing of the duties of a seaman.

BRUTONIENSIS.

Pearl (Vol. vi., p. 578.; Vol. vii., pp. 18. 166.).—In the Old German, merikrioz is pearl; and in the Ang.-Sax. it is meregreot,—the latter from mere, sea, and greot, grit, sand, or grot, an atom. These are so similar to the Greek margaritas, and the margarita of the sister language (Latin), that we may be excused believing they have a common origin; more especially as we find the first syllable (at least?) in almost all the cognate Indo-Germanic or Indo-European languages: Latin, mare; Celt., mor; Gothic, marei; Sax., mære or mere; Old Germ., meri; Slavon., more and morze; Swed., mar; Iceland, mar; Esthon., merri; Lett., marrios.

Among modern languages, we have,—Span., margarita; Ital., margarita and maugherita; Fr., marguerite, but used only in the proverb, "Il ne faut pas jeter les marguerites devant les pourceaux." Johnson, Webster, and Halliwell give margarite as an English word. Probably all derived from the Latin.

At the same time, although not occurring (as far as I am aware) in either Greek or Latin, the word pearl is found in some shape in most of the same Indo-Germanic languages: thus, Ital. and Span., perla; Low. Lat., perla; French, perle; Eng., pearl; Dan., paarl; Swed., perla or p[)a]rla; Bohem., perle; Ang.-Sax., pearl and pærl; Low. Sax., berel. Webster says the word pearl may be radically the same as beryl. In the Celtic we find, Irish, pearla, and Welsh perlyn.

The Germans derive pearl from beer, a berry, making thus berle or beerlein; as in Latin bacca also means a pearl.

Some of your correspondents can, no doubt, inform us whether any analogous words to pearl and margarita exist in the Sanscrit?

A. C. M.

Exeter.

Sermons by Parliamentary Chaplains (Vol. vii., p. 34.).—On the day of Thanksgiving, 19th July, 1648, Mr. Obadiah Sedgwick was ordered to preach before the House, and his sermon to be printed. Where can a copy of it be seen?

JOSEPH RIX.

St. Neot's.

Etymological Traces of the Social Position of our Ancestors (Vol. vii., pp. 13, 14.).—Your correspondent may find the passage to which he wishes to refer again, in one of the back volumes of Dickens's Household Words, in an article with the title of "History in Words."

Another correspondent, in the succeeding page of the same Number, will obtain the information he requires by consulting Dunlop's History of Fiction.

W. L. N.

Tuebeuf (Vol. vii., p. 207.).—J. E. J. will find Tubœuf is a town in France, in the department of Mayenne. On May 9, 1194, Richard I. sailed from England on his expedition against Philip II. of France; and he was accompanied by Master Eustace, Dean of Salisbury, for the purpose of his conducting such business of the Great Seal as might be necessary while the king remained abroad. The Doncaster Charter appears to have been sealed on the 22nd of the same month of May, and I shall feel obliged if J. E. J. will give me a copy of Eustace's title, and the date and place, as they appear on the document. The addition to his name in other charters is "tunc gerentis vices cancellarii." He himself became Chancellor and Bishop of Ely on the death of Longchamp.

EDWARD FOSS.

Street-End House, near Canterbury.

"Goe, soule, the bodies guest" (Vol. vii., p. 175.).—Your correspondent is mistaken in thinking that his "additions" are a new discovery. Both stanzas were printed, with slight variations from this copy, by Sir H. Nicolas, at the end of his edition of Davison's Poetical Rhapsody, 1826, pp. 413—415.; and both are mentioned by Mr. Hannah, when he says (p. 103.):

"In E (the mark by which Mr. H. designates that copy in Nicolas), one stanza is interpolated after line 36, and a second at the end."

As I entirely agree with Sir H. Nicolas that the lines in question are "a wanton interpolation," I think Mr. Hannah was perfectly justified in contenting himself with this acknowledgment of their existence.

R.

Bells versus Storms (Vol. vi., p. 508.).—While returning my acknowledgments to your correspondents the REV. H. T. ELLACOMBE and W. S. G., I would briefly refer to the subject again, which may be of interest to some of our readers.

Dr. Fuller says:

"That bells are no effectual charm against lightning. The frequent firing of abbey churches by lightning confuteth the proud motto commonly written on the bells in their steeples, wherein each intitled itself to a six-fold efficacy.

'Men's death I tell, by doleful knell,

Lightning and thunder, I break asunder,

On Sabbath all, to church I call,

The sleepy head, I raise from bed,

The winds so fierce, I do disperse,

Men's cruel rage, I do assuage.'"

"It has anciently been reported," observes Lord Bacon, "and is still received, that extreme applauses and shouting of people assembled in multitudes, have so rarefied and broken the air, that birds flying over have fallen down, the air not being able to support them; and it is believed by some that great ringing of bells in populous cities hath chased away thunder, and also dissipated pestilent air. All which may be also from the concussion of the air, and not from the sound."

W. W.

Malta.

The following note in connexion with the baptism of bells may be interesting, as it shows the manner of working, at that time.

Among the Centum Gravamina offered to Pope Adrian in 1521 by the Princes of Germany, as given in Herbert's Henry VIII., p. 139., this is the 51st:

"That suffragans used to baptize bels under pretence of driving away divels and tempests; and for this purpose did invite many rich godfathers, who were to touch the rope while the bell was exorcised, and its name invoked (unto which all the people must answer). And that a banquet was used to be made thereupon, at the cost of the layicks, amounting in little towns to a hundred florins, whither the godfathers were to come, and bring great gifts, &c., whereas they desired that the said bels might be baptized not onely by suffragans, but by any priest, with holy water, salt, herbs, without such costs."

H. T. ELLACOMBE.

Clyst St. George.

Will MR. GOLE oblige me and your readers with a reference to the Golden Legend, from which he has sent a quotation bearing on bells and storms.

H. T. ELLACOMBE.

Clyst St. George.

Exercise Day (Vol. vii., p. 205.).—The extract from the borough chamberlain's accounts, referred to by your correspondent LEICESTRIENSIS, relates rather to a religious assembly or meeting established by authority in the reign of Elizabeth, and designed as a check on the growing tendency towards Puritanism, which marked that period. In this diocese (at that time the diocese of Chester) Bishop Downham instituted a "monthly exercise," which was confirmed by his successor Dr. Chadderton, in an injunction bearing date Sept. 1, 1585. (See Appendix to Strype's Annals, vol. i.) It is there decreed that all parsons, vicars, curates, and schoolmasters shall resort to this exercise, there either to speak or write; and certain penalties are enforced on any neglect of its observance. In the churchwardens' accounts of this parish is an entry of similar import to that quoted by LEICESTRIENSIS: "1656, Pd. for minister diner at the exercise day, 00.00.06," the only perceptible difference being in the degree of hospitality extended to the clergy by their entertainers.

JOHN BOOKER.

Prestwich.

The Iron Mask (Vol. v., p. 474.; Vol. vii., p. 234.).—Your correspondent A. S. A. asks with much complacency, "What authority MR. JAMES CORNISH has for asserting (Vol. v., p. 474.) that the mysterious secret of the Masque de fer has ever been satisfactorily explained?" MR. JAMES CORNISH does not make statements of historical facts without authority: he therefore begs to refer A. S. A. to Delort, Histoire de l'Homme au Masque de fer, Paris, 1825; and to The True History of the State Prisoner, commonly called "The Iron Mask," &c., by the Hon. George Agar Ellis: London, 1826.

I repeat "my sanguine" expectations that "Junius" will yet be "unearthed." "Matthias" made an equal boast with the "mighty shade," that he would be for ever unknown.

Your Journal "N. & Q." has left no doubt about the author of The Pursuits of Literature.

JAMES CORNISH.

Shakspeare's Use of the Word "Delighted" (Vol. ii., pp. 113. 139. 200. &c.).—The following passage from Douce's Illustrations has not been referred to by any of your contributors on this point; to some it may be unknown:

"With respect to the much contested and obscure expression of bathing the delighted spirit in fiery floods, Milton appears to have felt less difficulty in its consideration than we do at present; for he certainly remembered it when he made Comus say:

"' ... one sip of this

Will bathe the drooping spirits in delight

Beyond the bliss of dreams.'"

W. T. M.

Hong Kong.

Samuel Daniel (Vol. vi., p. 603.).—A copy of an original letter of Samuel Daniel, sent to Lord Keeper Egerton with a present of his Works newly augmented, 1601, is printed in Censura Literaria, ed. 1808, vol. vi. p. 391.

John Daniel, who published Songs for the Lute, Viol, and Voice, 1606, is supposed to have been the brother of the poet, and the publisher of his works in 1623. He was of Christ Church, Oxford; and took his degree of Bachelor of Music in 1604. At the commencement of the reign of Charles I., he was one of the court musicians, and his name occurs among the "Musicians for the Lutes and Voices," in a privy seal, dated Dec. 20, 1625, exempting the musicians belonging to the court from the payment of subsidies.

John Daniel's Songs were "printed by T. E. for Thomas Adams, at the Signe of the White Lyon, Paule's Church Yard, folio, 1606." They are dedicated, in rhyme, to "Mrs. Anne Greene, the worthy Daughter to Sir William Greene, of Milton, Knight."

EDWARD F. RIMBAULT.

English Bishops deprived by Queen Elizabeth, 1559 (Vol. vi., pp. 100. 203.; Vol. vii., p. 260.).—I regret that I am unable to furnish A. S. A. with any additional information respecting the Marian bishops. None of the authorities I used give the dates he requires. Possibly, Mr. Charles Butler's Historical Memoires of the English, Irish, and Scottish Catholics, 4 vols. 8vo., 1822, might answer his Queries.

I have ascertained from Calamy's Life and Times (vol. i. p. 409.), that Thomas White, the deprived Bishop of Peterborough, died in London, May 30, 1698; and that Robert Frampton, the deprived Bishop of Gloucester, died May 25, 1708 (vol. ii. p. 119.).

JOHN I. DREDGE.

"Jenny's Bawbee" (Vol. vii., p. 207.).—This is a very old song, a fragment of which (all we have) appeared in David Herd's Collection of Ancient and Modern Scottish Songs, 2 vols. 12mo., Edinb. 1776. As it is very short, I quote it:

"An' a' that e'er my Jenny had,

My Jenny had, my Jenny had,

A' that e'er my Jenny had,

Was ae bawbee.

"There's your plack, and my plack,

An' your plack, an' my plack,

An' my plack, an' your plack,

An' Jenny's bawbee.

"We'll put it a' in the pint-stoup,

The pint-stoup, the pint-stoup,

We'll put it in the pint-stoup,

And birle't a' three."

There is a capital song founded upon this rude fragment, by the late Sir Alexander Boswell. It was published anonymously in 1803, and commences thus:

"I met four chaps yon birks amang,

Wi hinging lugs and faces lang;

I spier'd at neebour Bauldy Strang,

Wha's they I see?

"Quo' he, Ilk cream-fac'd pawky chiel

Thought he was cunning as the diel,

And here they cam' awa to steal

Jenny's bawbee."

Copies of this latter song may be seen in Johnson's Scottish Musical Museum, edit. 1839, vol. v. p. 435.; and in Graham's Songs of Scotland, 1848, vol. ii. p. 48.

EDWARD F. RIMBAULT.

The old Scotch ballad with the above title, on which Sir Alexander Boswell, Bart., founded his humorous song, with the same name, may be found in The Book of Scottish Songs, recently published in The Illustrated London Library, p. 229.

J. K. R. W.

Irish Convocation (Vol. vi., p. 317.).—I am unable to answer W. FRASER'S Queries as to when the Irish Convocation last met, and where their deliberations are recorded; but that gentleman will find some account of its nature and constitution in a recently published pamphlet, entitled The Jerusalem Chamber, by the Rev. H. Caswall, M.A., pp. 39, 40.

J. C. B.

Spontaneous Combustion (Vol. vii., p. 286.).—Is there such a thing; meaning, I presume, of the human body? One of the latest and best authenticated cases is given in The Abstainer's Journal (Glasgow), No. III., March, 1853, p. 54. In the narrative is included the official medical report from the Journal of Medical Science, Dec. 1852.

W. C. TREVELYAN.

Do the Sun's Rays put out the Fire? (Vol. vii., p. 285.).—

"Why does the sun, shining, on a fire, make it dull, and often put it out?

"1st. Because the air (being rarefied by the sunshine) flows more slowly to the fire; and

"2ndly. The chemical action of the sun's rays is detrimental to combustion.

"The sun's rays are composed of three parts; lighting, heating, and actinic or chemical rays. These latter interfere with the process of combustion."

The above is an extract from Rev. Dr. Brewer's Guide to the Scientific Knowledge of Things Familiar, 6th edition, p. 50., which may perhaps prove interesting to C. W. B. At p. 58. of the same book, H. A. B. will find, I think, an answer in the affirmative to his Query (Vol. vii., p. 286.): "Is there such a thing as spontaneous combustion?"

C—— S. T. P.

W—— Rectory.

Dover Castle (Vol. vii., p. 254.).—The "j cenovectorum cum j rota ferro ligata" was a wheel-barrow. In the Promptorum Parvulorum occurs (p. 25.) "barowe cenovectorum."

E. G. R.

Quotations wanted (Vol. vii., p. 40.).—"And if he read little, he had need have much cunning to seem to know that he doth not." From Lord Bacon.—Bacon's Essays: Of Studies, p. 218. 12mo., 1819.

Ω.

Miscellaneous.

NOTES ON BOOKS, ETC.

If any of the readers of Mr. Hudson Turner's volume on Domestic Architecture have been under the apprehension that the death of that able antiquary would necessarily lead, if not to the abandonment of that work, to its being completed in a more imperfect manner than Mr. Turner would have completed it, we can assure them that such apprehension is entirely groundless. We have now before us the second part, entitled Some Account of Domestic Architecture in England from Edward I. to Richard II., with Notices of Foreign Examples, and numerous Illustrations of existing Remains from original Drawings. By the Editor of the Glossary of Architecture. The editing of the work is indeed most creditable to Mr. Parker, who, though he modestly confesses that if he had not known that he could safely calculate upon much valuable assistance from others more competent than himself, he would never have ventured to undertake it at all, had already given proof of his fitness for the task by the Glossary of Architecture with which his name has been so long and so honourably connected. The work, which supplies a deficiency which the architectural student has long felt, is produced in the same handsome style, and with the same profuseness of illustration, as its predecessor, and will be found valuable not only to archæologists who study history in brick and stone, but also to those who search in the memorials of bygone ages for illustrations of manners and customs, and of that greater subject than all, the history of our social progress.

BOOKS RECEIVED.—History of England from the Peace of Utrecht to the Peace of Versailles, 1713—1783, by Lord Mahon, vol. ii. 1720—1740. This second volume of the new and cheaper edition of Lord Mahon's work extends from the accession of Walpole and Townshend to office in 1720, to the Declaration of War against Spain in 1739, and contains a valuable appendix of original papers.—The Annals of Roger de Hoveden, from A.D. 732 to A.D. 1201, translated from the Latin, with Notes and Illustrations, by Henry T. Riley. Vol. I. A.D. 732 to A.D. 1180, is a new volume of the valuable series of Translations of Early English Chronicles, which is to give so important a character to Bohn's Antiquarian Library.—Thomas à Becket and other Poems, by Patrick Scott. Notices of new poems scarcely fall within our vocation, but Mr. Scott is a true poet, and we cannot refuse to praise the present volume, and more especially the little poem which owes its origin to the notice of the opening of the coffin of Lady Audrey Leigh in our 156th Number.—The Family Shakspeare, &c., by Thomas Bowdler, Vol. V. This fifth volume contains Troilus and Cressida, Coriolanus, Julius Cæsar, Antony and Cleopatra, and Cymbeline.

BOOKS AND ODD VOLUMES.

WANTED TO PURCHASE.

DISSERTATION ON ISAIAH, CHAPTER XVIII., IN A LETTER TO EDWARD KING, &C., by SAMUEL HORSELY, Lord Bishop of Rochester. 1799. First Edition, in 4to.

BISHOP FALL'S Edition of CYPRIAN, containing BISHOP PEARSON'S ANNALES CYPRIANIA.

ATHENÆUM JOURNAL, 1847 to 1851 inclusive.

A DESCRIPTION OF THE ROYAL GARDENS AT RICHMOND IN SURRY. In a Letter to a Society of Gentlemen. Pp. 32. 8vo. With a Plan and Eight Plates. No date, circa annum 1770?

MEMOIRS OF THE ROSE, by MR. JOHN HOLLAND. 1 Vol. 12mo. London, 1824.

PSYCHE AND OTHER POEMS, by MRS. MARY TIGHE. Portrait. 8vo. 1811.

GMELIN'S HANDBOOK OF CHEMISTRY. Inorganic Part.

ARCHÆOLOGIA. Vols. III., IV., V., VI., VII., VIII., X., XXVII., XXVIII., unbound.

THE HISTORY OF SHENSTONE, by the REV. H. SAUNDERS. 4to. London, 1794.

LUBBOCK'S ELEMENTARY TREATISE ON THE TIDES.

⁂ Correspondents sending Lists of Books Wanted are requested to send their names.

⁂ Letters, stating particulars and lowest price, carriage free, to be sent to MR. BELL, Publisher of "NOTES AND QUERIES," 186. Fleet Street.

Notices to Correspondents.

We hope next week, in addition to many other interesting articles, to lay before our readers a copy of a remarkable and inedited Proclamation of Henry VIII. on the subject of the Translation of the Scriptures; and some specimens of the Rigby Correspondence.

HERCULES. The custom (which we hope does not very generally obtain) of sending green ribbons, called willows, tied round bridal cards, to rejected suitors of the bride, is no doubt derived from that alluded to by Shakspeare and Herrick, and especially Fuller, who tell us the willow "is a sad tree, whereof such as have lost their love make their mourning garments."

ROBIN HOOD. A Subscriber would be obliged by H. K. (Vol. vi., p. 597.) giving a precise reference to the Act of the Scotch Parliament prohibiting "the plays and personages of Robin Hood." &c.

C. MANSFIELD INGLEBY will find the proverb "When Our Lord falls in Our Lady's lap," &c., in our Number for the 12th Feb., p. 157.

VIATOR. The imprecatory Epitaph referred to has already appeared in our columns.

W. A. C. is thanked. The rhymes have, however, been already frequently printed by Brockett, Brand, &c.

B. L. (Manchester). The ordinary use of arms by the English nobility is supposed to date from about the year 1146. The arms on the shield of Geoffrey de Mandeville in the Temple Church have been considered among the earliest examples of heraldic bearings in England. He died in 1144.

HY. CE. Our Correspondent is probably correct. The lines are not in the reprint of the Musarum Deliciæ: so we amend our reply to DAVID BROWN in No. 177., by stating that the lines

"That same man, that runneth awaie,

May again fight, an other daie"—

are from Udall's translation of the Apothegms of Erasmus.

Does a Corpse passing make a Right of Way? A. S. will find an elaborate answer to this Query in our 3rd Vol., p. 519. He is also referred to pp. 477. and 507. of the same volume, and pp. 124. 240., Vol. iv.

A. B. Mosaic is so named from the tesselated pavements of the Romans, which being worked in a regular and mechanical manner, were called Opus musivum, opera quæ ad amussim facta sunt. Hence the Italian musaico, the French mosaique, and our English mosaic. See "N. & Q.," Vol. iii., pp. 389. 469. 521.

C. GONVILLE. How can we forward a letter to this Correspondent?

M. C. The answer to Mr. Canning's famous riddle is "Cares—Caress."

BROOKTHORPE. The epitaph,

"If Heaven is pleased," &c.,

is sometimes said to have been written on Burnet, and at others on Coleman the Jesuit. See our 5th Vol., pp. 58. 137., &c.

PHOTOGRAPHIC NOTES AND QUERIES. Several articles are necessarily postponed until next week, when we will also give Replies to several Correspondents. We hope by that time to be able to report upon the new Camera.

THE REV. J. L. SISSON is thanked for the very beautiful specimen of his skill which he has forwarded to us. We hope to write to him in the course of a day or two.

Errata.—P. 284. col. 1. lines 27. 28. for "built a new house on a pinnacle, on which," read "built a new house, on a pinnacle of which." Line 31., dele full-stop after "yreret," and insert colon. P. 288. col. 2. l. 28. for "trull" read "hull," i. e. "hurl."

A few complete sets of "NOTES AND QUERIES," Vols. i. to vi., price Three Guineas, may now be had; for which early application is desirable.

"NOTES AND QUERIES" is published at noon on Friday, so that the Country Booksellers may receive Copies in that night's parcels, and deliver them to their Subscribers on the Saturday.

TO PHOTOGRAPHERS.—MR. PHILIP DELAMOTTE begs to announce that he has now made arrangements for printing Calotypes in large or small quantities, either from Paper or Glass Negatives. Gentlemen who are desirous of having good impressions of their works, may see specimens of Mr. Delamotte's Printing at his own residence, 38. Chepstow Place, Bayswater, or at

MR. GEORGE BELL'S, 186. Fleet Street.

ISLINGTON, HIGHBURY, ETC.

ALFRED ALLCHIN begs to inform Photographers, that he can supply them with pure Chemicals for Photographic purposes.

32. COLES TERRACE, RICHMOND ROAD, BARNSBURY PARK.

PHOTOGRAPHIC PAPER.—Negative and Positive Papers of Whatman's, Turner's, Sanford's, and Canson Frères' make. Waxed-Paper for Le Gray's Process. Iodized and Sensitive Paper for every kind of Photography.

Sold by JOHN SANFORD, Photographic Stationer, Aldine Chambers, 13. Paternoster Row, London.

TO PHOTOGRAPHERS.—Pure Chemicals, with every requisite for the practice of Photography, according to the instructions of Le Gray, Hunt, Brébisson, and other writers, may be obtained, wholesale and retail, of WILLIAM BOLTON, (formerly Dymond & Co.), Manufacturer of pure Chemicals for Photographic and other purposes. Lists may be had on application.

Improved Apparatus for iodizing paper in vacuo, according to Mr. Stewart's instructions.

146. HOLBORN BARS.

WESTERN LIFE ASSURANCE AND ANNUITY SOCIETY, 3. PARLIAMENT STREET, LONDON.

Founded A.D. 1842.

Directors.

H. E. Bicknell, Esq.

W. Cabell, Esq.

T. S. Cocks, Jun. Esq. M.P.

G. H. Drew, Esq.

W. Evans, Esq.

W. Freeman, Esq.

F. Fuller, Esq.

J. H. Goodhart, Esq.

T. Grissell, Esq.

J. Hunt, Esq.

J. A. Lethbridge, Esq.

E. Lucas, Esq.

J. Lys Seager, Esq.

J. B. White, Esq.

J. Carter Wood, Esq.

Trustees.

W. Whateley, Esq., Q.C.; L. C. Humfrey, Esq., Q.C.; George Drew, Esq.

Physician.—William Rich. Basham, M.D.

Bankers.—Messrs. Cocks, Biddulph, and Co., Charing Cross.

VALUABLE PRIVILEGE.

POLICIES effected in this Office do not become void through temporary difficulty in paying a Premium, as permission is given upon application to suspend the payment at interest, according to the conditions detailed in the Prospectus.

Specimens of Rates of Premium for Assuring 100l., with a Share in three-fourths of the Profits:—

Age

£

s.

d.

17

1

14

4

22

1

18

8

27

2

4

5

32

2

10

8

37

2

18

6

42

3

8

2

ARTHUR SCRATCHLEY, M.A., F.R.A.S., Actuary.

Now ready, price 10s. 6d., Second Edition, with material additions, INDUSTRIAL INVESTMENT and EMIGRATION; being a TREATISE on BENEFIT BUILDING SOCIETIES, and on the General Principles of Land Investment, exemplified in the Cases of Freehold Land Societies, Building Companies, &c. With a Mathematical Appendix on Compound Interest and Life Assurance. By ARTHUR SCRATCHLEY, M.A., Actuary to the Western Life Assurance Society, 3. Parliament Street, London.

BENNETT'S MODEL WATCH, as shown at the GREAT EXHIBITION, No. 1. Class X., in Gold and Silver Cases, in five qualities, and adapted to all Climates, may now be had at the MANUFACTORY, 65. CHEAPSIDE. Superior Gold London-made Patent Levers, 17, 15, and 12 guineas. Ditto, in Silver Cases, 8, 6, and 4 guineas. First-rate Geneva Levers, in Gold Cases, 12, 10, and 8 guineas. Ditto, in Silver Cases, 8, 6, and 5 guineas. Superior Lever, with Chronometer Balance, Gold, 27, 23, and 19 guineas. Bennett's Pocket Chronometer, Gold, 50 guineas; Silver, 40 guineas. Every Watch skilfully examined, timed, and its performance guaranteed. Barometers, 2l., 3l., and 4l. Thermometers from 1s. each.

BENNETT, Watch, Clock and Instrument Maker to the Royal Observatory, the Board of Ordnance, the Admiralty, and the Queen.

65. CHEAPSIDE.

PHOTOGRAPHY.—HORNE & CO.'S Iodized Collodion, for obtaining Instantaneous Views, and Portraits in from three to thirty seconds, according to light.

Portraits obtained by the above, for delicacy of detail rival the choicest Daguerreotypes, specimens of which may be seen at their Establishment.

Also every description of Apparatus, Chemicals, &c. &c. used in this beautiful Art.—123. and 121. Newgate Street.

PHOTOGRAPHIC PICTURES.—A Selection of the above beautiful Productions may be seen at BLAND & LONG'S, 153. Fleet Street, where may also be procured Apparatus of every Description, and pure Chemicals for the practice of Photography in all its Branches.

Calotype, Daguerreotype, and Glass Pictures for the Stereoscope.

BLAND & LONG, Opticians, Philosophical and Photographical Instrument Makers, and Operative Chemists, 153. Fleet Street.

Just published, price 1s., free by Post 1s. 4d.,

The WAXED-PAPER PHOTOGRAPHIC PROCESS of GUSTAVE LE GRAY'S NEW EDITION. Translated from the French.

Sole Agents in the United Kingdom for VOIGHTLANDER & SON'S celebrated Lenses for Portraits and Views.

General Depôt for Turner's, Whatman's, Canson Frères', La Croix, and other Talbotype Papers.

Pure Photographic Chemicals.

Instructions and Specimens in every Branch of the Art.

GEORGE KNIGHT & SONS., Foster Lane, London.

PHOTOGRAPHY.—Collodion (Iodized with the Ammonio-Iodide of Silver)—J. B. HOCKIN & CO., Chemists, 289. Strand, were the first in England who published the application of this agent (see Athenæum, Aug. 14th). Their Collodion (price 9d. per oz.) retains its extraordinary sensitiveness, tenacity, and colour unimpaired for months: it may be exported to any climate, and the Iodizing Compound mixed as required. J. B. HOCKIN & CO. manufacture PURE CHEMICALS and all APPARATUS with the latest Improvements adapted for all the Photographic and Daguerreotype processes. Cameras for Developing in the open Country. GLASS BATHS adapted to any Camera. Lenses from the best Makers. Waxed and Iodized Papers, &c.

PHOTOGRAPHY—The AMMONIO-IODIDE OF SILVER in Collodion, prepared by MESSRS. DELATOUCHE & CO., Operative Chemists, 147. Oxford Street, is now generally used by Photographers, and cannot be surpassed in the beautiful results it produces. Specimens may be seen on application. MESSRS. DELATOUCHE & CO. supply Apparatus with the most recent Improvements, Pure Chemicals, English and Foreign Papers, and every Article connected with Photography on Paper or Glass. Instruction given in the Art.

See HENNAH'S new work on the Collodion Process, giving the most practical directions yet published, price 1s., or free by post 1s. 6d.

TO ALL WHO HAVE FARMS OR GARDENS.

THE GARDENERS' CHRONICLE AND AGRICULTURAL GAZETTE.

(The Horticultural Part edited by PROF. LINDLEY)

Of Saturday, March 26, contains Articles on

Agricultural statistics

Beet, sugar, by Mr. Sinclair

—— large and small, by Prof. Sullivan

Bignonia Tweediana

Boiler incrustations

Boronia serrulata

Calceolaria pavonia

Calendar, horticultural

—— agricultural Cloches, by Mr. Gilbert

Cyclamens, to increase

Drainage, suburban, by Mr. Marshall

—— deep and shallow, by Mr. Hunt

—— Nene Valley

Farm practice

Fruit, changing names of

Heating public buildings

Ireland, Locke on, rev.

Irrigation, Mr. Mechi's

Larch, treatment of

Level, bottle, by Mr. Lucas (with engraving) Major's Landscape Gardening

Manure, Stothert's

Mint, bottled

Nitrate of soda, by Dr. Pusey

Oaks, Mexican

Onion maggot

Pampas grass, by Mr. Gorrie

Peaches, select

Pears, select

Plum, Huling's superb, by Mr. Rivers

Potatoes in Cornwall

—— in tan

Rain gauges, large and small

Schools, union

Sewage of Milan, by Captain Smith

Societies, proceedings of the Linnean, Entomological, National, Floricultural, Royal Dublin

Steam culture

Temperature, ground

Trade memoranda

Trees, to transplant

Trout, artificial breeding of

Vegetable lists, by Mr. Fry

Vines, stem-roots of, by Mr. Harris

Vine mildew

Warner's (Mrs.) Garden

Winter in South Devon

THE GARDENERS' CHRONICLE and AGRICULTURAL GAZETTE contains, in addition to the above, the Covent Garden, Mark Lane, Smithfield, and Liverpool prices, with returns from the Potato, Hop, Hay, Coal, Timber, Bark, Wool, and Seed Markets, and a complete Newspaper, with a condensed account of all the transactions of the week.

ORDER of any Newsvender. OFFICE for Advertisements, 5. Upper Wellington Street, Covent Garden, London.

J. T. GODDARD, Astronomical Telescope Maker, 2. Jesse Cottage, Whitton, near Isleworth, Middlesex: of whom Photographical View and Portrait Combinations may be obtained as follows:

£

s.

d.

The lenses, 2¼ diameter, for portraits and views

2

17

6

Ditto, for views only

1

17

6

Ditto, 3¼ diameter, for portraits and views

6

0

0

Ditto, 3¼ diameter, for views only

3

17

6

The above are mounted with rack and pinnion, and two stops; where rack and pinnion is not required, deduct 8s. 6d. to 10s.

Achromatic Lenses of long focus to order.

ELGIN MARBLES.—Arundel Society, established 1849, for promoting the Knowledge of Art. Casts from MR. CHEVERTON'S reductions of the Theseus and Ilissus in the Elgin Collection, may be had by application at MESSRS. COLNAGHI'S, 14. Pall Mall East, price 1l. 1s. (to Members 12s. 6d.) each.

Electro-Bronze Copies of the Theseus may be had at MESSRS. ELKINGTON'S, 22. Regent Street, price 10l. 10s. (to Members 9l. 9s.)

MR. CHEVERTON obtained a Prize Medal for the Theseus at the Great Exhibition, 1851.

Annual Subscription to the Society 1l. 1s., entitling Members to all Engravings and Books published. Payable at Coutts' Bank, or 14. Pall Mall East.

G. AUBREY BEZZI, Hon. Sec.

MURRAY'S

RAILWAY READING.

Immediately, fcap. 8vo.

WELLINGTON—HIS CHARACTER,—HIS ACTIONS,—AND HIS WRITINGS. By JULES MAUREL.

"I am much mistaken in my estimate of M. Maurel's work, if it do not take rank now and hereafter among the most accurate, discriminating, and felicitous tributes which have emanated from any country in any language to the memory of the Duke of Wellington."—Lord Ellesmere's Preface.

To be followed by

LOCKHART'S ANCIENT SPANISH BALLADS.

LIFE OF LORD BACON. By LORD CAMPBELL.

Volumes already published—

FALL OF JERUSALEM. By DEAN MILMAN.

STORY OF JOAN OF ARC. By LORD MAHON.

HALLAM'S LITERARY ESSAYS AND CHARACTERS.

LIFE of THEODORE HOOK.

THE EMIGRANT. By SIR F. B. HEAD.

LORD ELLESMERE'S DISCOURSE ON WELLINGTON.

MUSIC AND DRESS. By a Lady.

LAYARD'S POPULAR ACCOUNT OF NINEVEH.

BEES AND FLOWERS.

LORD MAHON'S "FORTY-FIVE."

ESSAYS FROM "THE TIMES."

GIFFARD'S DEEDS OF NAVAL DARING.

THE ART OF DINING.

OLIPHANT'S JOURNEY TO NEPAUL.

JOHN MURRAY, Albemarle Street;

And to be obtained at all Booksellers, and Railway Stations.

THE QUARTERLY REVIEW, No. CLXXXIV., is just published.

CONTENTS:

APSLEY HOUSE.

SCROPE'S HISTORY OF CASTLE COMBE.

HUMAN HAIR.

THE OLD COUNTESS OF DESMOND.

HUNGARIAN CAMPAIGNS—KOSSUTH AND GÖRGEY.

BUCKINGHAM PAPERS.

SEARCH FOR FRANKLIN.

THE TWO SYSTEMS AT PENTONVILLE.

MAUREL ON THE DUKE OF WELLINGTON.

JOHN MURRAY, Albemarle Street.

BOHN'S STANDARD LIBRARY FOR APRIL.

MISS BREMER'S WORKS, by MARY HOWITT. Vol. III. THE HOME, and STRIFE AND PEACE. Post 8vo. 3s. 6d.

HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.

BOHN'S CLASSICAL LIBRARY FOR APRIL.

ARISTOTLE'S POLITICS and ECONOMICS, translated by E. WALFORD, M.A., with Notes, Analyses, Life, Introduction, and Index. Post 8vo. 5s.

HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.

BOHN'S ILLUSTRATED LIBRARY FOR APRIL.

BECHSTEIN'S CAGE AND CHAMBER BIRDS, including SWEET'S "WARBLERS." New Edition, greatly enlarged, numerous plates. Post 8vo. 5s.; (or, coloured, 7s. 6d.)

HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.

BOHN'S ANTIQUARIAN LIBRARY FOR APRIL.

HENRY OF HUNTINGDON'S HISTORY OF ENGLAND, from the Roman Invasion to Henry II.; with THE ACTS OF KING STEPHEN, &c. Translated and edited by T. FORESTER, Esq., M.A. Post 8vo. 5s.

HENRY G. BOHN, 4, 5, & 6. York Street, Covent Garden.

Third Edition, cloth, 1s.; by post, 1s. 6d.

WELSH SKETCHES. FIRST SERIES. By the Author of "Proposals for Christian Union."

"It is rarely that a shilling will purchase so much information of a high and interesting kind."—Leeds Intelligencer.

By the same, Second Edition, cloth, 1s.; by post, 1s. 6d.

WELSH SKETCHES. SECOND SERIES.

"It is written in a plain attractive style, which, in conjunction with the impartial feeling and the great research it evinces, is sure to make it a favourite."—Archæologia Cambrensis.

London: JAMES DARLING, 81. Great Queen Street, Lincoln's-Inn Fields.

Just published, in 8vo., price 15s. cloth,

GOETHE'S FAUST: With Copious English Notes, Grammatical, Philological, and Exegetical, for Students of the German Language. By FALK LEBAHN, Ph. D., Author of "German in One Volume," &c.

⁂ The Grammatical Notes contain the whole of the Text, in German and English, classified according to rules of grammar. "Faust" is thus brought within the reach of the merest beginner. In the Exegetical Notes, the Editor has endeavoured to render Goethe's own meaning strictly: and where his interpretation differs from those of his predecessors, Goethe himself is adduced as authority, the supporting passages from his other works being given in German. Copious extracts from other German authors are also given in the original.

London: LONGMAN, BROWN, GREEN, & LONGMANS.

Just published, royal 12mo., 7s. 6d.,

ELEMENTS OF PSYCHOLOGY. Part I. By J. D. MORELL, A.M., Author of "An Historical and Critical View of the Speculative Philosophy of Europe in the Nineteenth Century," &c. &c.

WILLIAM PICKERING, 177. Piccadilly.

Just published, one vol. 8vo., 7s. 6d.,

RESEARCHES INTO THE HISTORY OF THE ROMAN CONSTITUTION; with an Appendix upon the Roman Knights. By W. IHNE, Ph. D.

WILLIAM PICKERING, 177. Piccadilly.

On April 1st, Part IV., price 1s., with a beautiful engraving,

REYNARD THE FOX; after the German Version of GOETHE. With Illustrations by J. WOLF. To be continued Monthly, and completed in Twelve Parts.

WILLIAM PICKERING, 177. Piccadilly; and may be had of all Booksellers.

Just published, imp. 8vo., containing Thirty-seven Plates, cloth lettered, price 16s.,

THE HANDBOOK OF MEDIÆVAL ALPHABETS AND DEVICES. By HENRY SHAW, F.S.A., Author of "Dresses and Decorations of the Middle Ages," &c. &.c.

This work contains twenty-six complete alphabets, and from seventy to eighty initial letters of a larger and more elaborate character, the whole forming a series of specimens of almost every type to be found from the beginning of the tenth to the end of the seventeenth century. To these have been added examples of the various forms of Arabic numerals in use from their first introduction in this country, and also a series of labels, monograms, heraldic devices, and other matters of detail, calculated to render it most useful as a work of reference.

WILLIAM PICKERING, 177. Piccadilly.

WORDSWORTH ON THE CHURCH OF ROME IN THE THIRD CENTURY.

In 8vo., price 8s. 6d.

ST. HIPPOLYTUS AND THE CHURCH OF ROME, in the EARLIER PART of the THIRD CENTURY; from the newly-discovered "Philosophumena;" or, the Greek Text of those Portions which relate to that subject; with an ENGLISH VERSION and NOTES; and an Introductory Inquiry into the Authorship of the Treatise, and on the Life and Works of the Writer. By CHR. WORDSWORTH, D.D., Canon of Westminster, and formerly Fellow of Trinity College, Cambridge.

RIVINGTONS, St. Paul's Church Yard, and Waterloo Place.

Just published, pp. 720, plates 24, price 21s.

A HISTORY of INFUSORIAL ANIMALCULES, living and fossil, with Descriptions of all the Species, and Abstracts of the Systems of Ehrenberg, Dujardin, Kützing, Siebold, &c. By ANDREW PRITCHARD, ESQ., M.R.I.

Also, price 5s.,

A GENERAL HISTORY OF ANIMALCULES, with 500 Engravings.

Also, price 8s. 6d.,

MICROGRAPHIA, or Practical Essays on Microscopes.

London: WHITTAKER & CO., Ave Maria Lane.

Printed by THOMAS CLARK SHAW, of No. 15. Stonefield Street, in the Parish of St. Mary, Islington, at No. 5. New Street Square, in the Parish of St. Bride, in the City of London; and published by GEORGE BELL, of No. 186. Fleet Street, in the Parish of St. Dunstan in the West, in the City of London, Publisher, at No. 186. Fleet Street aforesaid.—Saturday, April 2. 1853.

*** END OF THE PROJECT GUTENBERG EBOOK NOTES AND QUERIES, NUMBER 179, APRIL 2, 1853. ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

NOTES and QUERIES:

A MEDIUM OF INTER-COMMUNICATION

FOR

LITERARY MEN, ARTISTS, ANTIQUARIES, GENEALOGISTS, ETC.

"When found, make a note of."— Captain Cuttle.

CONTENTS.

Notes.

JACK.

MYTHE VERSUS MYTH.

WITCHCRAFT IN 1638.

ST. AUGUSTIN AND BAXTER.

FOLK LORE.

JOHNSONIANA.

Minor Notes.

QUERIES.

EUSTACHE DE SAINT PIERRE.

PASSAGE IN COLERIDGE.

Minor Queries.

Minor Queries with Answers.

Replies.

HAMILTON QUERIES.

THE WOOD OF THE CROSS.

EDMUND CHALONER.

"ANYWHEN" AND "SELDOM-WHEN:" UNOBSERVED INSTANCES OF SHAKSPEARE'S USE OF THE LATTER.

(Vol. vii., p. 38.)

CHICHESTER: LAVANT.

(Vol. vii., p. 269.)

SCARFS WORN BY CLERGYMEN.

(Vol. vii., p. 269.)

INSCRIPTIONS IN BOOKS.

(Vol. vii., p. 127.)

PHOTOGRAPHIC NOTES AND QUERIES.

Replies to Minor Queries.

Miscellaneous.

NOTES ON BOOKS, ETC.

BOOKS AND ODD VOLUMES.

WANTED TO PURCHASE.

Notices to Correspondents.

VALUABLE PRIVILEGE.

MURRAY'S

RAILWAY READING.

THE FULL PROJECT GUTENBERG LICENSE